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Topic: De Nederlandse Opera


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In the News (Tue 8 Dec 09)

  
  dno   (Site not responding. Last check: 2007-10-07)
The DNO is renowned for its adventurous and theatrical stagings, its mixed repertoire of modern and established operas, and its strong ensemble orientation.
DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble.
DNO has lent its productions to foreign companies; recent DNO productions have been seen at the Metropolitan Opera, the Brooklyn Academy of Music, and the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.
www.yourencyclopedia.net /DNO.html   (358 words)

  
 De Nederlandse Opera -- Facts, Info, and Encyclopedia article   (Site not responding. Last check: 2007-10-07)
De Nederlandse Opera (DNO) is the leading (A drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes) opera company of the (A constitutional monarchy in western Europe on the North Sea; achieved independence from Spain in 1579; half the country lies below sea level) Netherlands.
DNO was established shortly after the end of (A war between the Allies (Australia, Belgium, Bolivia, Brazil, Canada, China, Colombia, Costa Rica, Cuba, Czechoslovakia, Dominican Republic, El Salvador, Ethiopia, France, Greece, Guatemala, Haiti, Honduras, India, Iran, Iraq, Luxembourg, Mexico, Netherl) World War II as a repertory company with a permanent ensemble.
DNO has its own (The area occupied by singers; the part of the chancel between sanctuary and nave) choir of sixty singers and a technical staff of forty.
www.absoluteastronomy.com /encyclopedia/d/de/de_nederlandse_opera.htm   (414 words)

  
 LukasOpera
Opera houses that intend to produce and perform new works in the near future will also have to allow for a serious renewal and restructuring of their production methods.
We have to abandon the 19th and 20th-century opera house methods as soon as possible so that there is space for the creation of works that turn out not to fit into the present very limited production and artistic ‘corset’ of the majority of opera houses.
Most existing opera houses date from the 19th or early 20th centuries or earlier, and are suited to the performance, in ideal circumstances of just one particular repertoire.
www.ictus.be /Scrapbook/LukasOpera.html   (1752 words)

  
 Writing to Vermeer | Adelaide Festival Event
De Staat, a work for four female voices and large ensemble, for which he was awarded the 1977 Matthijs-Vermeulen Prize and the first prize of the Rostrum of Composers.
In 1984 De Nederlandse Opera gave the world premiere of his collaborative opera with Peter Greenaway, Rosa: a Horse Drama, a production that was revived in 1988 and subsequently adapted and produced for television.
De Leeuw is also a pianist and a composer and has written works for orchestra and chamber music ensembles.
www.adelaidefestival.org.au /archives/2000/program/bio36f7.html   (1497 words)

  
 Studying at The New Opera Academy   (Site not responding. Last check: 2007-10-07)
On the basis of general knowledge, knowledge relating both generally to music and specifically to opera, insight, skills and attitudes, the graduate will be able to work as a professional opera singer in accordance with traditional standards and in an artistically sound manner.
The entrance examination for The New Opera Academy is open to students with a bachelor's degree in voice with an overall score of at least 8 out of 10, unless the admissions committee decides otherwise.
Two complete opera productions which are performed each year provide students with experience and practice in learning a complete role, whereby their artistic qualities are assessed before an audience.
www.cva.ahk.nl /EN/02_studieaanbod/06_opera/01_dnoa/index.jsp   (1151 words)

  
 Official destination guide of the Netherlands Board of Tourism & Conventions - Arts - Performing arts - The Netherlands ...
Both the Opera and the National Ballet move to their new and current premises, The Muziektheater in Amsterdam.
De Nederlandse Opera is known worldwide and has had guest performances at the Metropolitan Opera House, the Brooklyn Academy of Music and the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.
De Nederlandse Opera produces about 11 productions per year, which are all equally beautiful and worthwhile seeing and enjoying.
www.holland.com /us/arts/performing/operanl.html   (276 words)

  
 Lady Macbeth of  Mtsensk - Dmitri Shostakovich   (Site not responding. Last check: 2007-10-07)
Shostakovich revised the opera in the 1960's, apparently trying to assuage the authorities, but it was the 1979 Rostropovich recording of the original score that finally brought this intense and powerfully moving work into the operatic mainstream.
When Zinovy is leaving on his trip, Boris insists that Katerina publicly kiss her husband's feet as a pledge of fidelity in his absence, a humiliating ritual.
The final act, in Siberia, reverts to the melancholy, opening with a magnificent chorus by the prisoners marching to their banishment, followed by a moving, lyrical aria by Katerina in which she sings of a metaphorical lake: "In the wood...there is a lake/Almost round, and very deep./And the water is fl./Black like my conscience."
www.culturevulture.net /opera/LadyMacbeth.htm   (701 words)

  
 Opéra de Montréal   (Site not responding. Last check: 2007-10-07)
She is very active on Canadian stages, appearing at the Vancouver Opera, Opera Saskatchewan, Calgary Opera, Edmonton Opera, Opéra de Québec, and Opera Hamilton.
At the Opéra de Montréal, she was the Cousin in Madama Butterfly and Zulma in L'Italiana in Algeri produced by the company in the 2002-2003 season.
She was a member of the Atelier lyrique de l'Opéra de Montréal from 2000 to 2003.
www.operademontreal.com /english/affiche/bios.asp?prod_id=55   (2116 words)

  
 Howard Haskin : Portraits
Opera managements, however, cannot just open a can of high tenors (with a knowledge of this infrequently sung French role besides) when this happens.
Haskin, however, brings more character to the role; singing it with more of the passion of the opera singer, while also conveying a deeper relationship with the theatrical reality in his acting and posture.
It was, incidentally, ungracious of the Nederlandse Opera not to have flowers presented to Haskin; for the achievement of the première and for the fact that he is making it possible to continue the Orphée series.
www.howardhaskin.com /orphee.html   (603 words)

  
 San Diego Magazine - covering San Diego entertainment, fashion, events and news.
In one of its historically accurate, artistically/emotionally meaningful vignettes, the opera shows that the scientists working on the test were facing the unknown in every way.
Childs' choreography for the cast and the chorus is fine, but her use of hard-working dancers seems strangely out of place - it belongs neither in the 1940s nor in our time, but rather, stuck in the 1970s, dancers intermingling with the chorus and executing straight-armed leaps and half-turns in the air.
At the very end of the opera, instead of the expected stunned silence to follow the explosion, a brief recording is heard, of a woman, speaking in Japanese.
www.sandiego-online.com /opera/opera.shtml   (4107 words)

  
 Opéra de Montréal - Montreal City of Music 2004
This 20th-century opera classic is being staged in celebration of the Montreal company's 25th anniversary.
She has also performed the title roles of Aida at Opera Ontario and of Tosca at the New York City Opera and the New Orleans Opera, in addition to Madeleine de Coigny in Andrea Chénier at Den Norske Opera, among others.
An apprentice at the OM's Atelier lyrique from 1999 to 2002, she received the Raoul-Jobin award from the Fondation de l'Opéra de Québec in 1998, and was a finalist at the International Voice Competition of Verviers in 2001.
radio-canada.ca /radio/montrealmusic/opera.html   (1374 words)

  
 PEER MUSIC HAMBURG - CLASSICAL: Press releases: June 2001   (Site not responding. Last check: 2007-10-07)
De Nederlandse Opera and the Holland Festival will jointly present the premiere of Theo Loevendie's fourth opera Johnny & Jones on June 8th in the Amsterdam Stadsschouwburg.
Like Loevendie's third opera Esmée it plays during the second world war and centres on moral choices during the chaos of war.
Loevendie who himself started his career as jazz musician says about his new opera: "I identify strongly with Johnny and Jones: they were, like me, native Amsterdam guys who started strumming on a guitar at the age of 16 and discovered entertainment music.
www.peermusic-classical.de /pressjun01.htm   (218 words)

  
 The Cunning Little Vixen - Leoš Janácek   (Site not responding. Last check: 2007-10-07)
Illustration by Stanislav Lolek for The Cunning Little Vixen in the newspaper Lidové noviny --Janacek was inspired to compose the opera by the serial comics about a little vixen called Bystrouska.
For once, the choreography (Aletta Collins) on the opera stage was both appropriate and elegant.
Dawn Upshaw sings the Vixen with the clarity, musicality and luminosity that have become her hallmark.
www.culturevulture.net /Opera2/Cunning.htm   (642 words)

  
 Marcus Haddock, MET New England Region
In 1984 Marcus was a winner in the prestigious Metropolitan Opera National Council Auditions in New York and took part in a radio-broadcast concert at the Met.
This led to debuts with opera houses and symphony orchestras throughout the United States in such roles as Count Almaviva in Il Barbiere di Siviglia, Ramiro in La Cenerentola, Lindoro in L'Italiana in Algeri, and Tonio in Donizetti's La Fille du Régiment.
After taking over as Artistic Director at The Washington Opera, Domingo was eager to bring Marcus to Washington, where he sang Ruggero in March 1998 (these performances of La Rondine were videotaped and telecast on PBS on December 13, 1999).
www.neaudition.org /singers/haddock.html   (1340 words)

  
 NewMusicBox
The opera, scheduled for a ten-performance run in San Francisco beginning October 1, 2005, followed by subsequent performances at the Lyric Opera of Chicago and De Nederlandse Opera, has been one of the most anticipated premieres of the 2005-06 concert season, and the sense of countdown was imminent.
Adams's third opera, which has been in the making for five years, is his first return to the medium 14 years after achieving worldwide notoriety with two provocative and now seminal works, Nixon in China and The Death of Klinghoffer.
Of course, opera, more than any other musical form, is the product of a multiplicity of creative voices as Sellars pointed out quite eloquently in his opening remarks.
www.newmusicbox.org /article.nmbx?id=4331   (834 words)

  
 Tania Kross
Ernst Munneke
  (Site not responding. Last check: 2007-10-07)
Mezzo-soprano Tania Kross was born in Curaçao in the Netherlands Antilles in 1976.
She was a member of the opera class at the Conservatory in Utrecht, studied voice with Henny Yana Diemer, and worked with producer Monique Wagemakers.
Tania Kross was given the honor to represent The Netherlands in the 2003 BBC Singer of the World Contest in Cardiff, and set a mark with her interpretations of the arias of Ottavia and Sesto.
www.carnegiehall.org /article/box_office/events/evt_5242_ma.html?selecteddate=02042005   (534 words)

  
 Paula Rasmussen, Mezzo Soprano   (Site not responding. Last check: 2007-10-07)
Mezzo-soprano Paula Rasmussen is one of America's rising stars, equally recognized for her performances in concert as well as opera.
In recent seasons Ms Rassmussen performed the role of Carmen with the New York City Opera, La Clemenza di Tito in Munich, Le Nozze di Figaro in Dallas and the Mozart Requiem in Tanglewood.
In concert she has recently sung Bach's Mass in b minor with the Cleveland Orchestra, Debussy's Le Martyre de Saint Sebastien and La Manoiselle Elue (recorded and released by SONY) for the LA Philharmonic and in recital with Benita Valenti at the Ravinnia Festival.
www.newcentury.nu /rasmussen.html   (213 words)

  
 Sari Gruber : Biography   (Site not responding. Last check: 2007-10-07)
Hailed as “nothing short of sensational” by Opera magazine, soprano Sari Gruber's exciting and moving interpretations of a diverse operatic and concert repertoire have rapidly established her as one of today's most sought-after artists on the international stage.
In opera, she has won praise for her “shining soprano and vibrant presence” (Opera News), her “direct musicality” (NY Times), as well as her “detailed, charming, resourceful and sympathetic” characterizations (Boston Herald).
Fox with Los Angeles Opera; Carolina in Il Matrimonio Segreto, Aricie in Hippolyte et Aricie, Susanna in Le nozze di Figaro, and Varvara in Kát’a Kabanová with Opera Theatre of Saint Louis.
www.sarigruber.com /bio   (757 words)

  
 Singers
Soprano Juliana Gondek is internationally renowned for her performances in opera and concert, lauded for her interpretations of Mozart, Baroque, bel canto, and contemporary repertoire.
Equally at home in opera and on the concert stage, she is perhaps best known for her work with symphony orchestras.
At the same time she had major successes in light opera, made several Hollywood films and guest appearances on all of the great television variety specials and set out season after season for the kind of concert and opera tours that the great stars made years ago.
members.aol.com /camdon/singer.html   (1296 words)

  
 Ulster Orchestra - Principal Guest Conductor   (Site not responding. Last check: 2007-10-07)
Following his debut with the Nederlandse Opera in Cavalli’s L'Ormindo in 1970, he quickly made a name for himself in the Netherlands and, in 1975, was appointed principal conductor of the Dutch Radio Symphony Orchestra (the Omroep Orkest, later the Radio Symfonie Orkest) and subsequently of the Dutch Radio Choir (the Groot Omroepkoor) as well.
In 1985 he was appointed artistic and musical director of Opera Northern Ireland and in 1991 was made director of opera studies at the Royal Conservatory in The Hague, where a chair in opera studies was set up in his name.
Following the amalgamation of the opera studies departments at The Hague and Amsterdam conservatories, Kenneth Montgomery was the artistic director of the newly formed Opera Academy for two years.
www.ulster-orchestra.org.uk /orchestra/conductor_pg.html   (395 words)

  
 Carolyn Watkinson @ Soundbug   (Site not responding. Last check: 2007-10-07)
In 1979 she appeared as Monteverdi's Nero with De Nederlandse Opera in Amsterdam.
She appeared as Gluck's Orfeo with the Glyndebourne Touring Opera in 1982, and made her formal debut at Glyndebourne as Cherubino in 1984.
She was a soloist in Bach's St. John Passion at Gloucester Cathedral in a performance shown on BBC TV on Good Friday in 1989.
www.soundbug.com /artist/1312   (181 words)

  
 Portland Opera Repertory Theatre
Opera reaches every corner of the globe and the Internet is one way of tying it all together.
We need to share new information on opera web sites with OperaGlass, just as they continue to share their resources with a world of opera fans.
We hope that you enjoy this amazing list of links and ask that if you know of an opera web site that is not linked, please, tell us about it.
www.portopera.org /links_opera.html   (188 words)

  
 Amsterdam - Information, Maps, Facts, What to do, Links, and much more.
Opera could be seen in Amsterdam from 1677, first only Italian and French operas, but in the 18th century German operas.
The Muziektheater build in 1986 houses the De Nederlandse Opera and the Dutch National Ballet.
In 1996 they abandoned their old stadium De Meer for the Amsterdam ArenA, located in the south-east of the city.
www.forwardingsite.com /places/amsterdam.html   (2798 words)

  
 MOZART Cosi fan tutte (highlights) WARNER APEX 2564 61498-2 [PW]: Classical CD Reviews- September 2004 MusicWeb(UK)   (Site not responding. Last check: 2007-10-07)
And yet, it so often seems that whichever opera one is listening to at any time seems to be the top contender for favourite Mozart opera.
The choices in reducing a complete opera to a little under an hour and a quarter are always going to be arbitrary, and invariably there is much fabulous music lost.
The story, as in most operas, is stupid enough in the complete version — truncated like this it makes for an uncomfortable dramatic ride, and no matter how stupid the story might be, a complete story is always more satisfying than one with holes in it.
www.musicweb-international.com /classrev/2004/Sept04/Mozart_cosi_highlights.htm   (687 words)

  
 David Walsh: School of Music: University of Minnesota
From 1980 to 1984, he was under contract to Frankfurt Opera as assistant director.
During this period, he was guest assistant director at Nederlandse Opera, Brussels Opera, the Royal Opera House (Covent Garden) and Santa Fe Opera.
He has produced Fidelio for Paris Opera with Jon Vickers and Hildegard Behrens in the title roles and conducted by Seiji Ozawa (1982).
music.umn.edu /directory/facProfiles/WalshDavid.php   (580 words)

  
 Richard Strauss CAPRICCIO Nederlandse Opera, Amsterdam, September 2000. (AW)   (Site not responding. Last check: 2007-10-07)
The Nederlandse Opera at Amsterdam's Muziektheater has dispensed with the elaborate and ornate trappings of18th century rococco castles and their social conventions.
In our post-modern era Opera is not only alive and well, but flourishing and expanding as the cross-over art-form par excellence, capable of embodying current social and cultural values.
Mounted in Amsterdam's thoroughly up to date opera house (which caused understandable controversy when it first appeared in its key position at the head of the Amstel) it offers renewal and renewed insights and thereby plays its part in keeping opera alive.
musicweb-international.com /SandH/2000/sept00/CapriccioAmsterdam.htm   (1061 words)

  
 Opera Europa   (Site not responding. Last check: 2007-10-07)
Opera Europa, 23 rue Léopold, 1000 Bruxelles, Belgium
De Nederlandse Opera, Het Muziektheater, Waterlooplein 22, 1011 PG Amsterdam, Netherlands
Malmo Opera och Musikteater, Östra Rönneholmsvägen 20, 20010 Malmo, Sweden
operabase.com /en/links/opeu   (1270 words)

  
 Opera della Casa   (Site not responding. Last check: 2007-10-07)
She took a part as an extra with the Nederlandse Opera when she was a student of Spanish, after which she promptly swapped Spanish for a study of solo singing, with a major in opera.
Mylou Mazali has worked with the New Israeli Opera, among others; after that, she sang in the choir of the Nationale Reisopera.
In 1998 she made her solo debut in Germany at the Festspielhaus in Baden Baden, after which she performed at the Staatstheater in Saarbrücken.
www.operadellacasa.com /english/mylou.html   (144 words)

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