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Topic: De vulgari eloquentia


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  De Vulgari Eloquentia
Cumque de residuis in extremis Ytalie civitatibus neminem dubitare pendamus (et si quis dubitat, illum nulla nostra solutione dignamur), parum restat in nostra discussione dicendum.
Magistratu quidem sublimatum videtur, cum de tot rudibus Latinorum vocabulis, de tot perplexis constructionibus, de tot defectivis prolationibus, de tot rusticanis accentibus, tam egregium, tam extricatum, tam perfectum et tam urbanum videamus electum, ut Cynus Pistoriensis et amicus eius ostendunt in cantionibus suis.
Et hinc est quod in regiis omnibus conversantes semper illustri vulgari locuntur; hinc etiam est quod nostrum illustre velut accola peregrinatur et in humilibus hospitatur asilis, cum aula vacemus.
dante.ilt.columbia.edu /books/devulgari/devulgar.html   (9445 words)

  
 Dante - De vulgari eloquentia
Et quemadmodum de hiis dicimus que quantitatem et qualitatem ostendunt, de predicamentorum quolibet, etiam de substantia, posse dici putamus: scilicet ut unumquodque mensurabile sit, secundum quod in genere est, illo quod simplicissimum est in ipso genere.
3 Magistratu quidem sublimatum videtur, cum de tot rudibus Latinorum vocabulis, de tot perplexis constructionibus, de tot defectivis prolationibus, de tot rusticanis accentibus, tam egregium, tam extricatum, tam perfectum et tam urbanum videamus electum ut Cynus Pistoriensis et amicus eius ostendunt in cantionibus suis.
Et etiam quemadmodum de trimetro pede, et de omnibus aliis servandum esse asserimus; et sicut de uno eptasillabo, sic de pluribus et de pentasillabo et omni alio dicimus.
www.italica.rai.it /principali/dante/testi/de_vulgari.htm   (9551 words)

  
 De vulgari eloquentia - Wikipedia, the free encyclopedia
De vulgari eloquentia (On the Eloquence of Vernacular) is the title of an important essay by Dante Alighieri, written in Latin and initially meant to consist in four books, but aborted after the second.
It was probably written in the years that preceded Dante's exile, between 1303 and 1305.
He takes also inspiration from Aristotelian philosophy, and in Dante's work are traceable some references to texts by representatives of what is sometimes referred to as Radical Aristotelianism.
en.wikipedia.org /wiki/De_vulgari_eloquentia   (593 words)

  
 Dante Alighieri - MSN Encarta
De Vulgari Eloquentia (Concerning the Common Speech, 1304-1305) is a treatise on the uses and advantages of the Italian language.
It defends the vernacular as a literary medium, attempts to establish certain criteria of good usage in written Italian, and concludes with a section devoted to criticism of Italian poetry.
The Latin treatise De Monarchia (On Monarchy), probably written during the period of Henry’s stay in Italy, is an exposition of Dante’s political philosophy, including the need for a supranational Holy Roman Empire, as well as for complete separation of church and state.
encarta.msn.com /encyclopedia_761564824/Dante_Alighieri.html   (952 words)

  
 Italian Literature - MSN Encarta
The literary themes included the deeds of ancient heroes, of Arthurian knights, and of Charlemagne and his paladins.
He was one of the founders of the Italian literary language through his use of the vernacular for some of his greatest works.
Around 1304 he wrote in Latin De Vulgari Eloquentia (Concerning the Common Speech), in which he advocated the use of Italian as a literary language.
uk.encarta.msn.com /encyclopedia_761563851/Italian_Literature.html   (1042 words)

  
 Federazione CEMAT: Servizi | Profili e repertori | Opere | De vulgari eloquentia
De Vulgari Eloquentia is the title of a book Dante Alighieri wrote to highlight the dignity of vulgar (or the "language of the people"), to uphold the dialect, which he found mature enough to substitute Latin and to become what is now known as the Italian language.
I am interested in instrumental research (and De Vulgari Eloquentia is rich in all the new techniques I had been developing since the late Seventies) and in building up form, particularly through the continuous transformation of "energy", as I call the tension set up at the beginning of the piece.
There is also an idea of "sonic perspective", making particular reference to the leading role of the piano; its sound - acting as a "front" of the ensemble's output - is constantly "coloured" by the other instruments, sometimes backing it, sometimes dialectically opposing it.
www.cematitalia.it /servizi/profilierepertori/opere/ambrosinic/devulgarieloquentia.htm   (175 words)

  
 Hollander: Barlow II
What has not occurred to any of these recent discussants is that the facts that the first four paragraphs of the Epistle are almost entirely rhythmically cadenced and that the following ones are considerably less so may be the result of the author's turning from the epistolary style to that of commentary.
They are all aware of the argument that the change from epistolary to expository prose may be significant, and deal with that problem by comparing the prose of other expository works by Dante (De vulgari Eloquentia, Monarchia) with the longer part of the Epistle (with less than convincing results, as we shall see shortly).
On the other hand, this turning from the style of epistolary prose to that of commentary (not merely that of other forms of expository writing) seems to me to frame the crucial question, and it is not even raised.
ccat.sas.upenn.edu /jod/barlow.2.html   (3004 words)

  
 De vulgari eloquentia - Wikipedia
De vulgari eloquentia (lat: Über die Redegewandtheit in der Volkssprache) ist ein Werk des italienischen Dichters Dante Alighieri.
De vulgari eloquentia beschäftigt sich vor allem mit den neolatinischen Sprachen.
Außerdem verbindet er als einer der ersten die Einheit des Volkes mit der Vereinheitlichung der Sprache.
de.wikipedia.org /wiki/De_vulgari_eloquentia   (249 words)

  
 “Dante’s Apprenticeship:
The Vita Nuova, the De Vulgari Eloquentia and the Convivio may seem minor works when compared to his masterpiece, but they are extremely important in the psychological and artistic development of the Poet, as are his active political life and educational growth among the leaders of his time.
He writes the De Vulgari in Latin because he directs it to those experts who continue to write in Latin and don’t see the vulgar as a true language capable to express whatever concept in prose or poetry, be it philosophical, political or religious.
The themes that Dante proposes in the De Vulagari Eloquentia, arms, love and virtue, are all present in the Divina Commedia: from the Breton and Carolingian Cicles to Fredrick II and the crusades, from Boniface VIII to St. Thomas Aquinas, from the love of the earthly fire as its flames reach for the
fred.ccsu.edu:8000 /archive/00000112/01/etd-2004-2.html   (10662 words)

  
 LE OPERE DI DANTE
Pur troppo il trattato, incominciato con bell'impeto dimostrativo, rimase bruscamente interrotto a mezzo il capitolo decimo quarto del libro secondo, proprio quando l'insegnamento dell'espressione d'arte in volgare ("doctrina vulgaris eloquentiae") cominciava a disnodarsi e a concretarsi con dovizia di argomentazioni e di esempi.
Accanto alla "locutio vulgaris" si pone, ma non sempre, una "locutio secundaria potius artificialis": il linguaggio della cultura, espressione di una determinata civiltà, come svolgimento propriamente umano e principalmente intellettuale, morale (pratico e artistico) e spirituale, nella più generica accezione della parola.
Il libro De vulgari eloquio non è un "fior di rettorica", quale si costumava allora, un accozzamento di regole astratte cavate dagli antichi; ma è vera critica applicata ai tempi suoi, con giudizi nuovi e sensati.
xoomer.virgilio.it /brdeb/Dante/devulgari.htm   (1850 words)

  
 American Dante Bibliography for 1990
The volume includes consideration of the late medieval grammarians--the modistae: Martin de Dacia, Boethius de Dacia, Johannes de Dacia, and Michel de Marbais--and their influence on Dante, as well as a new English translation of De vulgari eloquentia, which is based on Pier Vincenzo Mengaldo's edition (Padova: Antenore, 1968).
Makes passing references to Dante's De vulgari eloquentia and Letter to Can Grande della Scala, as well as to the overall structure of the Comedy in his attempts to illustrate the unity among Petrarch's Trionfi and to understand Petrarch's use of allegory and symbolism in the poems.
De Fazio, Marina R. "The Scribe and the Inventor: The Poet in Inferno." In Lectura Dantis, VI (Spring), 60-68.
www.brandeis.edu /programs/interdepartmental/italian/dante/adb1990.htm   (13705 words)

  
 American Dante Bibliography for 1981
Presents a brief history of the Dante Society and its activities from the time of Longfellow and his translation of the Divine Comedy and the local "Dante Club" that was prompted by that effort, to the eventual incorporation of the society as a national organization and its accompanying growth in world-wide scholarly importance.
Touches on a number of Dantean echoes in the context of his theme emphasizing that Tennyson's grief and consolation over the death of his friend Hallam reflected in the poem, "Ulysses," is colored by Homeric and Dantean literary memory.
Elaborates on Andre Pézard's thesis and the ideological matrix established by it (Dante sous la pluie de feu) in examining Inferno XV as a brilliant poetic synthesis of amorous desire, rhetoric, and text--three notions commonly associated together in the Middle Ages.
www.brandeis.edu /library/dante/adb1981.htm   (10637 words)

  
 Medieval Attitudes Toward Vernacular Literature
The prologue to Chrétien de Troyes's Erec and Enide demonstrates that "originality" was not the goal of medieval poets.
Marie presents her work as part of a dynamic literary tradition governed by the principle of translatio studii, the transfer of literary legitimacy from the Ancients (Greece and Rome) to the Moderns (12th-century England and France).
The notion of translatio studii et imperii is explicitly formulated in the prologue to Cligés, the second extant romance of Chrétien de Troyes (active ca.
cla.calpoly.edu /~dschwart/engl203/vernacular.html   (1225 words)

  
 Институт лингвистических исследований. Larisa Stepanova: Italian linguistic thought ...   (Site not responding. Last check: 2007-10-12)
The vulgare illustre theory is regarded, after the pioneering work of Maria Corti of 1982, as a theory of poetic language, which allows one to avoid the misconceptions potential in the vague term 'literary language' with its sociolinguistic connotations imposed on a terminology derived from the medieval scholastic tradition.
As for the 15th-century Italian conception of the Latin language, the main contribution of the Humanists, and a contribution whose significance for the subsequent development of linguistics it would be difficult to overestimate, was the discovery of language as a historical category.
Tolomei's Cesano is interesting, too, as evidence of the reception of Dante's De vulgari eloquentia, allusions to which pervade the speech of its characters - that is, the participants in the dialogue.
iling.nw.ru /comparativ/persona/stepanova/ist_en.html?language=en   (2911 words)

  
 bibliotheca Augustana (via CobWeb/3.1 planetlab2.cs.unc.edu)   (Site not responding. Last check: 2007-10-12)
De varietate idiomatis in Italia a dextris et a sinistris montis Appennini.
Caput XI De habitudine stantiae, de numero pedum et syllabarum et de distinctione carminum ponendorum in dictamine.
De relatione rhythmorum et quo ordine ponendi sunt in stantia.
www.fh-augsburg.de.cob-web.org:8888 /~harsch/Chronologia/Lspost14/Dante/dan_vu00.html   (341 words)

  
 Dante as vernacular poet: the Vita Nuova and the Commedia
In addition to De Vulgari Eloquentia, the Italian poet Dante (1265-1321) wrote two great literary works in Italian: the Vita Nuova (ca.
In De Vulgari Eloquentia, Dante expresses his admiration for troubadour love poetry written in the langue d'oc (Provençal, which he considers the vernacular best suited for love poetry).
Recall that the first known troubadour poet was William IX, grandfather of Eleanor of Aquitaine, who introduced the ideal of "courtly love" found in troubadour lyrics into the literary tradition of Anglo-Norman England.
cla.calpoly.edu /~dschwart/engl203/dante.html   (4304 words)

  
 Dante Alighieri on the Web   (Site not responding. Last check: 2007-10-12)
The De vulgari eloquentia is an essay about language usage, written in Latin.
After that, the spread of the television will finally set a common ground for the language used by all Italians, in both the written and oral forms.
To get a full, free copy of the De Vulgari Eloquentia, go to the Texts download area.
www.greatdante.net /vulgari.html   (418 words)

  
 De Vulgari Eloquentia
Signum autem horum que dicimus promptum in conspectu habetur; nam quicquid de cacuminibus illustrium capitum poetantium profluxit ad labia, in solis cantionibus invenitur.
Et ideo confutetur illorum stultitia qui, arte scientiaque immunes, de solo ingenio confidentes, ad summa summe canenda prorumpunt; et a tanta presumptuositate desistant, et si anseres natura vel desidia sunt, nolint astripetam aquilam imitari.
De pentasillabo quoque non sic concedimus: in dictamine magno sufficit enim unicum pentasillabum in tota stantia conseri, vel duo ad plus [in pedibus]; et dico 'pedibus' propter necessitatem qua pedibus, versibusque, cantatur.
www.italica.it /dante/devulgari.html   (9376 words)

  
 Dante: De vulgari eloquentia - Cambridge University Press   (Site not responding. Last check: 2007-10-12)
Its opening consideration of language as a sign-system includes foreshadowings of twentieth-century semiotics, and later sections contain the first serious effort at literary criticism based on close analytical reading since the classical era.
De vulgari eloquentia is a key text for early literary theory and the history of vernacular language and literature
Introduction; Select bibliography; A note on the text; De vulgari eloquentia Book I, Book II; Explanatory notes; Index.
www.cambridge.org /0521400643   (220 words)

  
 Dante
Thus, it should serve as a model for the formulation of the vernacular.
The attainment of this idea is the main focus of De Vulgari Eloquentia.
Dante’s syntax and grammar clearly stem from two major sources: 1) the Latinate stylistic construction of the vernacular that he proposed in De Vulgari Eloquentia and 2) a specific target audience.
www2.bc.edu /~keegann/schoolwork.html   (730 words)

  
 Dante - Riassunti - De vulgari eloquentia
e sé stesso i poeti di quella regione che hanno attinto alla "vulgaris excellentiam" [XIII].
Il libro si conclude preannunciando gli argomenti che saranno svolti nel prosieguo dell’opera [XIX].
, tra quelli della materia etica Guiraut de Bornelh e sé stesso [II].
www.italica.rai.it /principali/dante/riassunti/dve.htm   (1193 words)

  
 Opere teoriche: De vulgari eloquentia
E nel trattato stesso Dante afferma che l'argomento del testo è la "doctrina De vulgari eloquentia".
Ma soprattutto perché l'impianto concettuale dell'opera deriva dalle innovative teorie filosofico-linguistiche della grammatica speculativa, che Dante acquisisce soprattutto da Gentile da Cingoli.
Il De vulgari eloquentia è, come già s'è osservato, un'opera molto originale, ma anche di passaggio nel pensiero dantesco.
culturitalia.uibk.ac.at /nanda/dante/info/DEVE.HTM   (1014 words)

  
 Il De vulgari eloquentia
I primi tre capitoli del De vulgari eloquentia trattano dell’essenza del linguaggio umano considerato sotto il profilo della comunicazione tra uomo e uomo, e quindi della necessità di un signum istituito ad placitum in cui un significante sensibile veicola un significato intelligibile.
Questo primo momento definitorio prelude alla trattazione di un problema ulteriore: una volta chiarito il rapporto tra funzione e struttura del linguaggio, ovvero tra la finalità comunicativa e la dualità del segno, si tratta di risalire alle origini della umana locutio tracciando una genealogia degli atti di parola.
Come nel Convivio, anche nel De vulgari non c’è discrepanza tra metodo teologico e via razionale.
digilander.libero.it /arcangelico/dante/dve2.htm   (1022 words)

  
 Sicilian Poetry
I'm suggesting that political correctness, a euphemism, has a long history and that these early poets may have been as brilliant and creative as any of us and perhaps should be given extra credit for coming through the experience with their skins intact, because we know about some of them who were less fortunate.
Dante noted the impact of the Sicilian School on Italian culture in De Vulgari eloquentia (Book I, Chapter XII, verse 2-4) where he says that at the present time, Italian poetry consists of the Sicilian School.
The complete text of De Vulgari eloquentia is available at: http://www.filosofico.net/devulgarieloqquentia.htm
www.dieli.net /SicilyPage/Poetry/Poetry.html   (477 words)

  
 [No title]
Al tempo del De vulgari eloquentia Dante aveva già scritto abbastanza della Commedia per sapere che cosa stava nascendo.
Pare che non si capissero più tra loro le diverse specialità delle maestranze e l'attività cessò (De vulg.
Il De vulgari eloquentia resta un testo memorabile.
web.tiscali.it /maxhead/storia/devulgari.htm   (876 words)

  
 Reflections on Diglossia
In medieval Western and Central Europe, for example, Latin was the universal standard, and the written forms of the vernacular were used mainly for popular poetry and stories.
It is significant that Dante, who may be said to have created literary Italian, wrote his famous essay on the subject, De vulgari eloquentia, in Latin, just as Pompeu Fabra, the codifier of modern Catalan, wrote his first Catalan grammar in Spanish.
A semistandard may acquire official status and become the language of elementary (but usually not secondary) education, or of parliamentary debate (but not bills); this is the case of Lëtzebuergesch in Luxembourg (which in addition to this semistandard has two standards, French and German) and of Haitian Creole.
www.ce.berkeley.edu /~coby/essays/refdigl.htm   (3793 words)

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