| | Gerhard Richter @ MOMA (Site not responding. Last check: 2007-10-20) |
 | | In 1971 he painted a series of "48 Portraits" based on photographic "mug shots" of famous dead white males picked out from an encyclopedia. |
 | | Richter stopped using photographs as the basis of his abstractions and learned that he could achieve the same cold, apparently photographic, non-Ab-Ex surface by using "spontaneous" brushstrokes and instruments to scrape away the layers of his painting process. |
 | | In this regard, the retrospective reaches a kind of apotheosis in the room dominated by paintings from the St. Louis Art Museum: three giant fl abstractions from 1988 and the exquisite red and white portrait of his daughter Betty seen from behind, also from 1988. |
| www.peekreview.org /archives/richter_ms.html (1507 words) |