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| | The Mini-master |
 | | The tentacular roots out of which, living in a given time and place, Satie became what he was spread over a wide area in a diversity of fields; and Whiting makes even the most recherché details seem illuminating, hilarious, or touching - or a combination of all three qualities. |
 | | For instance, his chapter on the entertainer Vincent Hypas demonstrates how, with his parodic deconstruction of familiar material and his deadpan humour, Hypas had no less to offer to Satie than did 'greats' like Debussy, Ravel, Cocteau, and Picasso with whom he's commonly associated. |
 | | Satie, throughout his working life, fought hard - but on the whole with good humour - for their erasure: a small but militant saint wearing bowler hat, pin-stripe suit, and a pince-nez, armed with his rolled umbrella. |
| www.mvdaily.com /articles/1999/09/chatnoir.htm (415 words) |
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