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| | [No title] (Site not responding. Last check: 2007-10-11) |
 | | It is how we decode a DeKooning or a Rothko when we encounter one in an art museum. |
 | | They are, according to Roland Barthes, “the scene itself, the literal reality.” However, Barthes goes on to say that, although a photograph is, at first glance, an exact representation of a scene, it is not, by definition, the scene, and, therefore, draws a line between photograph and reality. |
 | | H e says that photographs are purely “denotative,” and, consequently, are in no way “connotative,” which is necessary in applying semiotics (since semiotics is, simply, the analysis of the connotative elements of something). |
| www.michaelgrandner.com /mg/files/papers/semioticsphotographs.doc (645 words) |
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