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Westinghouse-Desilu Playhouse |
 | | By the late 1950s, the company was producing, through a variety of financial arrangements (wholly owning, co-producing, leasing of facilities and personnel), several situation comedies and western dramas. |
 | | Departing from the standard practice of networks committing to series only after a sponsor had agreed to bankroll production costs, CBS bought Desilu Playhouse on the strength of the Desilu track record and with a promise that The Lucy-Desi Hour would be among the planned package of dramas, comedies, and musical spectaculars. |
 | | Although Westinghouse-Desilu Playhouse did prove Desilu to be multi-faceted at telefilm production, Desi Arnaz did not get a chance to expand his acting range, and the musical spectaculars he had envisioned producing for the series fell short of the quantity and quality promised to Westinghouse. |
| www.museum.tv /archives/etv/W/htmlW/westinghouse/westinghouse.htm (459 words) |
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