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	Dick Giordano - Wikipedia, the free encyclopedia
		Giordano is probably best-known as an inker, particularly over the pencils of Neal Adams, on an influential late 1960s and early 1970s run at DC Comics that redefined the characters of Batman, Green Lantern and Green Arrow, although he has also pencilled.
		In the late 1970s Giordano was lured back to DC by its new publisher, Jenette Kahn.
		Giordano went into semi-retirement in the early 1990s, although he does the occasional inking job, and in 2002 was part of the launch of Future Comics (with writer David Michelinie and artist Bob Layton).
	en.wikipedia.org /wiki/Dick_Giordano (304 words)

	Comic creator: Dick Giordano (Site not responding. Last check: 2007-09-18)
		The American comics artist Dick Giordano is mainly known for his work on 'Sarge Steel', 'Green Lantern', 'Green Arrow', 'Catwoman' and 'Modesty Blaise'.
		Giordano majored in illustration and advertising art at the High School of Industrial Art in New York and went to work at Jerry Iger's studio, starting out inking backgrounds.
		Giordano has acted as Editor-In-Chief for Charlton Comics, during which he oversaw the creation of their most memorable characters including such classics as 'The Blue Beetle' and 'Captain Atom'.
	www.lambiek.net /giordano_dick.htm (219 words)

	The Sandman: Worlds' End - Wikipedia, the free encyclopedia
		Written by Neil Gaiman, illustrated by Michael Allred, Gary Amaro, Mark Buckingham, Dick Giordano, Tony Harris, Steve Leialoha, Vince Locke, Shea Anton Pensa, Alec Stevens, Bryan Talbot, John Watkiss and Michael Zulli, coloured by Danny Vozzo, and lettered by Todd Klein.
		The framing sequence is penciled by Bryan Talbot and inked by Mark Buckingham, Dick Giordano and Steve Leialoha, with the exception of the funeral procession, which is penciled by Gary Amaro and inked by Tony Harris.
		It concerns the difficulties presented by extraordinary truths, and reintroduces Hob Gadling, whose story is first told in The Doll's House, and is penciled by Michael Zulli and inked by Dick Giordano.
	en.wikipedia.org /wiki/Worlds'_End_(Sandman) (996 words)

	Dick Giordano Interview - Comic Book Artist #1 - TwoMorrows Publishing
		Dick: It was Steve Ditko, believe it or not, who made the pitch from DC.
		Dick: I felt that the freelance work-my inking-and the editing were both part of the same job.
		Dick: He was accused of stealing stuff from the library and was fired, which I thought was pretty silly.
	www.twomorrows.com /comicbookartist/articles/01giordano.html (9415 words)

	Titans Tower: Nightwing (Site not responding. Last check: 2007-09-18)
		Dick enjoyed his first year as Robin, regarding the job as an adventure until a confrontation with Two Face served as a rude awakening for the young hero.
		Dick endured brainwashing at the hands of Brother Blood, his relationship with Starfire would suffer due to her marriage of state, he would be deeply affected by the fact that Batman trained a new Robin (Jason Todd) only for him to be killed at the hands of the Joker.
		Dick Giordano said 'Let's go with it!' Since Dick Grayson has been established as being 19, and Batman has been established as 29 (the way Superman and all the other male characters are).
	www.titanstower.com /source/whoswho/dgrayson.html (4407 words)

	NEWSARAMA - THE RETURN OF DRACULA, THOMAS, & GIORDANO
		The four-issue miniseries, written by Roy Thomas and Dick Giordano, is a retelling of Bram Stoker’s famed novel that the duo had started to tell thirty years ago as a serialization that ran through various Marvel horror magazines.
		Legendary artist Dick Giordano was astonished at the call he had received, “Mark called in early January and seemingly unaware of my severe hearing problem, started talking about I knew not what.
		Giordano’s memories of the project and attempts to finish his work are still vivid in his mind, “In 1974 it had been a labor of love for me and I think for Roy as well.
	www.newsarama.com /forums/showthread.php?s=&threadid=18731 (2451 words)

	Ink 19 :: Dick Giordano: Changing Comics, One Day At A Time
		But this was not the end of Giordano's association with the DC superheroes; indeed he helped define them to “the outside world” for several years in the ‘70s.
		This book is an entirely agreeable tribute to Giordano and his work, but I couldn’t quite shake the feeling that there was another story to be read between the lines, or that I was seeing only the tip of an iceberg.
		This may not be the most valuable contribution to the library of books about comics ever made, and Dick Giordano may not be the most talented editor/illustrator/inker the field has ever seen—although that is perhaps arguable in the inker category.
	www.ink19.com /issues/october2003/printReviews/dickGiordanoChanging.html (853 words)

	Platinum Studios, LLC, Creator (Site not responding. Last check: 2007-09-18)
		When one mentions legends of the comics history, high on that list is Dick Giordano, active in the field since 1951.
		A biography entitled Dick Giordano: Changing Comics, One Day at a Time by Michael Eury was released in late 2003 by TwoMorrowspublishing.
		Dick currently lives in Palm Coast, FL with his daughter, son-in-law and two grandchildren.
	platinumstudios.com /people/dick_giordano.php (362 words)

	[No title]
		Giordano is, let me simply say, he's one of the legends of comics.
		In addition to inking all of the best artists of the last 50 years, Dick was also the head honcho of DC Comics [you know, the folks who publish Superman, and Batman], worked with Neal Adams at Continuity Studios, and currently co-owns, with Bob Layton, Future Comics.
		Dick had the assignment of pencilling a cover that featured a sexy female super-hero.
	www.stallonezone.com /122102dick.htm (190 words)

	COMICON.com: DICK GIORDANO FINISHING STOKER'S DRACULA
		Giordano was only too happy to fit the art assignment into his busy schedule when Marvel approached him and Thomas last January with the offer to put the last nail in this comic Dracula's coffin.
		DICK GIORDANO: Actually, I was influenced by the way the various versions of Dracula were designed by other Marvel artists in the SAME magazine that Roy's and mine appeared in, Dracula Lives.
		Giordano ink a bit of my pencils (primarily in Power of Shazam!), and I'm glad to see him hard at work.
	www.comicon.com /cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=003003 (2116 words)

	COMICON.com: GIORDANO'S HOW TO BOOK & SDCC
		Giordano's been active in comics since the Silver Age and, with new works appearing from many different publishers, shows no sign of stopping anytime soon.
		GIORDANO: Actually, Pam Wissman, who had undoubtedly done her homework, constructed the initial 'flat plan', a page-by-page layout sheet with the sort of material she thought could be covered.
		GIORDANO: Simply that I was asked to attend by Impact University to attend and be on a panel and spend time at their booth, signing and talking to fans.
	www.comicon.com /cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=003987 (1326 words)

	Dick Giordano biography .ms (Site not responding. Last check: 2007-09-18)
		Dick Giordano is an American comic book artist and editor.
		Giordano is probably best-known as an inker, particularly over the pencils of Neal Adams, on an influential late 1960s/early 1970s run at DC Comics that redefined the characters of Batman, Green Lantern and Green Arrow, although he has also pencilled.
		While none of his titles (such as Batlash and Deadman) was a commercial hit, they were critical successes, but by the early 1970s Giordano had left DC, helping to set up Adams' Continuity Studios (which produced comics and commercial art).
	dick-giordano.biography.ms (242 words)

	Charlton Comics
		This was indicative of the attitude brought about in 1966 when Dick Giordano became the editor at Charlton.
		All of these creators got their starts at Charlton under editor Dick Giordano, and the Charlton comics produced at this time have an exuberance brought out by young artists set free.
		The new titles failed to catch on, and Dick Giordano left Charlton for DC comics in 1968, where he brought many of the Charlton writers and artists (including Denny O'Neil, Steve Ditko and Jim Aparo) and ignited a new renaissance of great comic books there.
	www.tvparty.com /comics/charlton.html (848 words)

	FangoriaTV
		We recently had the opportunity to talk with Dick Giordano about his Marvel Comic’s project Stoker’s Dracula — here is a little of what the legendary artist had to say.
		Dick Giordano: That was a very busy time in my life and I guess I didn't even give it much thought.
		It is aimed at people who are interested in a career in comics, haven't had any previous art training and want to learn the basics to see if they want to try for the next level of art instruction.
	www.fangoriatv.com /stoker.asp (1376 words)

	The Diana Prince Index page 8
		Giordano's familiar touch lessens the shock of transition to a new penciller -- and unfortunately, Don Heck was not one of my favorite artists, though he was far from being my least favorite.
		As for Denny, he apologizes in the lettercol for missing the fact that this was Big Issue 200 until after most of the issue was on press, and promises big things for issue 300 instead.
		In this issue, Diana gives an intro for the story as if it concerned her as a girl, whereas in the original the intro named the protagonist as Wonder Girl, as a separate character from Wonder Woman, and indeed I'd classify this as a Donna Troy adventure.
	members.aol.com /linastrick/dpindex8.html (2411 words)

	The Charlton Empire - Comic Book Artist #9 - TwoMorrows Publishing
		Dick Giordano accepted a brief position as Masulli's assistant and, because of Atlas' collapse in 1957, he was able to give Charlton assignments to an impressive array of freelancers.
		Dick Giordano spoke of meeting Fleetwood Mac at Charlton's New York office one evening, while McLaughlin and Gill seem to remember one more infamous guest.
		Giordano soon after took an editorial position at DC, as the Action Hero books were cancelled, something that has been attributed to everything from poor distribution to lack of advertising.
	www.twomorrows.com /comicbookartist/articles/09empire.html (6091 words)

	THE 20 GREATEST COMIC INKERS: 15-11 (Site not responding. Last check: 2007-09-18)
		Giordano's style blended perfectly with Adams' own: deep fls rendered in bold, confident strokes; sketchy linework which resolved itself into naturalistic shadows and detail under the eye.
		And although his pencilling tends to be a little stiff, Dick is yet another example of the idea that the best inkers are also excellent artists in their own right.
		Sharp silouettes, stark lighting and solid forms are all handled with supreme ease under the brush of Dick Giordano.
	web2.chicagonet.net /~atlas/ink4.htm (842 words)

	Bookview, issue 194, Wm.Tienken
		At the age of four, Dick was diagnosed with asthma and a variety of allergies, and was bedridden during much of his early childhood.
		Dick was enchanted by newspaper comics and at an early age was reading autonomously, and soon voraciously.
		Dick returned to his first love, his drawing board and for the next three years he commanded assignments from DC Comics.
	members.aol.com /wmtienken/issue194.html (4263 words)

	Eury on His Giordano Bio: Q&A - Silver Bullet Comics - comics news, comic book news, comics information
		Dick Giordano is still, and will always be, a part of DC Comics’ extended family.
		He’s illustrated a book (Moby Dick), is drawing Deathmask projects for Future Comics, occasionally illustrates The Phantom for European publisher Egmont, and has other projects on his drawing board.
		As Neal Adams says in the book, “Dick has become the mother and father of a kind of inking style that’s a basic foundation in a tremendous amount of work that’s done in comics.” And he encouraged dozens of young DC editors, myself included.
	www.silverbulletcomicbooks.com /news/107595536933886.htm (969 words)

	North Light Books Online
		When it comes to drawing comics in classic American style, Dick Giordano is a superhero.
		Draw Comics with Dick Giordano gives you a powerful combination: A hot drawing style taught by an even hotter author.
		Dick Giordano is best known for his work at DC comics in the 80's, where he revitalized the entire line as its managing editor, and brought in such talented writers as Alan Moore and Neil Gaiman.
	www.artistsnetwork.com /nlbooks/display.asp?id=2414 (154 words)

	Cinescape - Home - Editorial
		Co-founders Bob Layton and Dick Giordano have switched artistic duties on the upcoming series FREEMIND.
		Giordano will now be the regular penciler of the series with Layton providing the finished art.
		For David Michelinie, Dick Giordano and myself, this is strictly going to be a 'labor of love'.
	www.cinescape.com /0/editorial.asp?aff_id=0&this_cat=Comics&action=page&type_id=&cat_id=270363&obj_id=32295 (276 words)

	Last Kiss #2 Review (Site not responding. Last check: 2007-09-18)
		This issue is called “The Dick Giordano Issue” and with good reason.
		Dick Giordano is a veteran of the romance comics field and was a contributor to several stories in the original run of First Kiss.
		The rest of the issue also features several Giordano drawn stories reworked by Lustig: “Royal Romance” in which two princesses discover America is not the land of their dreams and “Oh, Darling!
	www.flooby.com /archives/rev-lastkiss2.htm (428 words)

	Index to Comic Art Collection: "Gino" to "Gipsy"
		Call no.: PN6728f.S8R6 1983 ----------------------------------------------------- Giordano, Dick, 1932- Batman in Terror on the High Skies / by Joe R. Lansdale ; illustrated by Edward Hannigan and Dick Giordano.
		Call no.: PN6700.C62no.105 ----------------------------------------------------- Giordano, Dick, 1932- "The Library of Elvira's House of Mystery" (Elvira) / Dwight Turner, pencils ; Dick Giordano?, inks ; 1 introductory page in Elvira's House of Mystery, no. 8 (Oct. 1986) -- Data from Gene Reed of Grand Comics Database.
		Dick Giordano interview (16 p.) in David Anthony Kraft's Comics Interview, no. 4-5 (June-July 1983).
	www.lib.msu.edu /comics/rri/grri/gino.htm (6090 words)

	THE LEGION OF SUPER-HEROES (II)
		SUPERBOY NO.252 (June 1979) Cover by Dick Giordano.
		SUPERBOY NO.255 (September 1979) Cover by Dick Giordano.
		SUPERBOY NO.258 (December 1979) Cover by Dick Giordano.
	members.fortunecity.es /superspain/sb1979.html (344 words)

	Last Kiss Interview: Dick Giordano
		GIORDANO: There are only two ways to go: you could either just write a regular romance story with regular romance dialogue and I'd draw it.
		GIORDANO: I think I've written two...and a third one that was adopted for "The Life and Loves of Sinclaire," which was a regular feature that I had in Young Love.
		GIORDANO: Vertigo is doing a Western and it's a weird Western, and they did romance but it was a weird romance.
	www.lastkisscomics.com /readgior.htm (1826 words)

	Dick Giordano Bio
		Giordano has been active in the comics field since 1951 and credits his major artistic influences as Stan Drake, Alex Raymond and Hal Foster.
		In the years that followed, Giordano worked his pencil and ink magic for a variety of publishers including Charlton Comics, DC Comics, Marvel Comics, Dell, American Comics, Valiant, Treasure Chest and Junior Life.
		Most recently, Dick completed the art for a graphic adaptation of the classic, Moby Dick as well as his literary contributions to a biography of his fascinating career as told by author Michael Eury.
	dickgiordano.com /dikbio.htm (334 words)

	Dick Grayson - Nightwing
		Young Dick Grayson, circus performer with The Flying Graysons, watched in horror as his parents fell to their deaths from a sabotaged trapeze.
		Dick insisted on becoming his partner, and after intensive training became Robin, Boy Wonder.
		Robin was a founding member of the Teen Titans, most of whom were originally the teenage sidekicks of older heroes: Aqualad, Kid Flash, and Wonder Girl.
	www.hyperborea.org /flash/nightwing.html (462 words)

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