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Topic: Dignity and Shame

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	Shame - Wikipedia, the free encyclopedia
		Shame is a psychological condition and a form of religious, political, judicial, and social control consisting of ideas, emotional states, physiological states and a set of behaviors, induced by the consciousness or awareness of dishonor, disgrace, or condemnation.
		Shame differs from embarrassment in that it does not necessarily involve public humiliation: one can feel shame for an act known only to oneself, but in order to be embarrassed, one's actions must be revealed to others.
		Toxic shame often induces what is known as complex trauma in children who cannot cope with toxic shaming as it occurs and who dissociate the shame until it is possible to cope with.
	en.wikipedia.org /wiki/Shame (1463 words)

	Center for Transformational Psychotherapy: Shame
		The basic nature of chronic, or excessive, shame is that the shamed person believes, at some level, that she--or he--should not exist, that she is a worthless, defective and empty human being.
		Because shame is an uncomfortable feeling, a person who is not overwhelmed by it can use it to alter his or her behavior.
		Because shame exists at the very core of one's being and because the shamed person believes his or her worthlessness is an incontrovertible fact, the shamed person doesn't recognize shame as the reason he or she feels worthless.
	www.forhealing.org /shame.html (1214 words)

	FirstCoast News.com - Print Article (Site not responding. Last check: 2007-11-02)
		Dignity and Shame is a simple, yet rich, beautifully woven tapestry that has traditional Spanish and folk influences splashed throughout.
		"Dignity and Shame," "Weary Arms," and "Sleep All Summer," are tributes to the grandeur and simplicity of American folk music and they show Crooked Fingers at their most fragile and pure.
		While Dignity and Shame continues Crooked Fingers ongoing exploration of Americana, it is the bands most successful, mature and sophisticated album to date.
	www.firstcoastnews.com /printfullstory.aspx?storyid=33648 (301 words)

	Dignity in Old Age: The Poetical Meditations of Peter Viereck
		This is the being who has bewildered dignity, who undertakes risky adventures, who asserts his own self-transcendence in the face of being transcended by the world (a "rogue"), who clutches at shreds of glory.
		Politically, his commitment to human dignity is articulated through a "humanistic conservatism" that defends constitutional democracy and freedom of expression against statist tendencies and movements that force conformity.
		In his poetry, human dignity is wrested, precariously, from the struggle to affirm self-transcending life against both the adversity of the world and the evil of those fellow creatures who cooperate with that adversity and spread and intensify it.
	www.nhinet.org /wein-vie.htm (3814 words)

	Crooked Fingers: Dignity and Shame - PopMatters Music Review
		Dignity and Shame is about the promise of human compassion, a wise and weathered presence that consoles while acknowledging that the world is not a perfect place.
		Though Dignity and Shame is predominantly upbeat (quicker paces, major chords, choruses that are simply anthemic), it doesn't betray Bachmann's weary worldview; rather, the album's songs offer and seek solace with the understanding that such solace should be smothered upon receipt.
		Dignity and Shame features Australian singer Lara Meyerratken on a handful of tracks, her pale, pastoral voice the perfect foil to Bachmann's gritty timbre.
	popmatters.com /music/reviews/c/crookedfingers-dignity.shtml (696 words)

	* Dusted Reviews - Crooked Fingers *
		The front cover of Dignity and Shame, Eric Bachmann’s third release as Crooked Fingers, is a portrait of the legendary Spanish bullfighter Manolete.
		Dignity and Shame is not a concept album, however.
		Musically, Dignity and Shame will probably be thrown in with Americana; and while it doesn’t owe much to either Americana or alt-country, it does share a fondness for simplicity.
	www.dustedmagazine.com /reviews/2028 (537 words)

	Interview with Crooked Fingers
		R: I read that Dignity and Shame was loosely inspired by the story of a bullfighter and his lover.
		The first song that I wrote for the record was ‘Dignity and Shame.’ And that song fell out, and obviously who knows where the hell they come from.
		So that was an obvious thing to me when I was thinking of dignity and shame, well obviously the biggest test of that is bullfighting, in terms of visual things that look cool.
	www.recoilmag.com /interviews/crooked_fingers_0405.html (1235 words)

	Live At Club Cafe (Site not responding. Last check: 2007-11-02)
		In contrast, the beauty of Dignity and Shame lies in its simplicity and accessibility.
		The infusion of Latin influences that began on Red Devil Dawn has been taken to the forefront on Dignity and Shame - the bold Spanish guitar of the opening instrumental "Islero" to the hint of mariachi in the trumpet line of "Twilight Creeps" depicts a band expanding on their signature sound.
		Dignity and Shame will be released February 22, 2005 on Merge Records.
	www.clubcafelive.com /tv/episode_6.htm (1164 words)

	MusicMule :: View topic - Crooked Fingers - Dignity and Shame (2005)
		With the release of Dignity and Shame, former Archers of Loaf frontman Eric Bachmann has now issued as many albums under the Crooked Fingers moniker as with his celebrated indie rock band.
		At a bar, those tracks would be ordering whiskey shot-for-shot with W.C. Fields while most of Dignity and Shame was in the bathroom spewing its second sangria.
		Dignity and Shame also sheds blood from its chosen genre's double-edged sword: This kind of rootsy, ruminative pop inevitably teeters on the brink of the AAA abyss-- a place where songs are served in tall, grande, and venti.
	www.musicmule.com /viewtopic.php?t=4206 (906 words)

	Crooked Fingers - Dignity And Shame CD: Two If By Sea Indie Music Store
		Dignity and Shame, Crooked Fingers fourth full length finds front man Eric Bachmann embracing great traditions of American Music from appalachian folk, southwestern blues, country and good old rock and roll.
		With Dignity and Shame, Bachmann and company have completely severed themselves from their indie-rock origins.
		Like a windswept desert, Dignity and Shame is sparse and vulnerable, showcasing nothing but Bachmann's bittersweet musings and his deep growl of a voice.
	www.twoifbysearecords.com /catalog/product_info.php?ref=4&products_id=118&affiliate_banner_id=1 (560 words)

	Creative Loafing - Creative Loafing Atlanta: Vibes: Feature: Digit-al Love
		With Dignity and Shame, the challenge was to examine the emotions embodied within the title.
		With Dignity and Shame, Bachmann reflects the influences of Alan Lomax, Townes van Zant and Hank Williams Sr.
		Dignity and Shame also features Bachmann's most "straightforward" musical arrangements, in that Bachmann found a trusted cadre of pop-friendly musicians to back him up.
	atlanta.creativeloafing.com /2005-03-16/vibes_feature3.html (797 words)

	The Triangle Online- The Student Newspaper at Drexel University (Site not responding. Last check: 2007-11-02)
		Dignity and Shame is the new album out from Dave Bachmann.
		It made sense with the concept of Dignity and Shame, which is why a put it on the album.
		I would argue that the characters in every song are dealing with that issue of dignity and shame.
	www.thetriangle.org /media/paper689/news/2005/04/08/Entertainment/Bachmann.Spills.Beans.To.Triangle-917563.shtml (2362 words)

	Shame or Dignity. Islam-Submission-Introduction,definition, discussion, debate, laws, justice, human rights, history, ...
		Shame and humiliation are human feelings that we sometimes encounter in our lives for many different reasons.
		Thus, it's important to learn the Quranic prospective of shame and humiliation versus dignity, for the sake of our souls in this life and in the hereafter.
		You grant dignity to whomever You choose, and commit to humiliation whomever You choose.
	www.submission.org /friday/shame122404.html (963 words)

	Tower Records - Dignity And Shame * - Crooked Fingers
		DIGNITY AND SHAME continues Bachmann's progression and expands his palette, fusing elements of alt-country, indie-pop, and Americana roots-rock.
		There is a sleepy, intimate vibe to most of the record, and, be it the pensive, walk-through-the-cornfield feel of "Twilight Creeps" or the drowsy melancholy of "Destroyer," Bachmann is skilled at creating an ambience of dreaminess and quiet.
		Parts of DIGNITY AND SHAME are Spanish-tinged, from the dusty, flamenco-styled instrumental "Islero" to the driving "Andalucia." (The album's cover art and references to bullfighter Manolete contribute to the theme.) Many of Bachmann's songs are so subtle and unassuming it is easy to overlook their craftsmanship.
	www.towerrecords.com /product.aspx?pfid=3188776 (381 words)

	Crooked Fingers - Dignity and Shame - Review - Stylus Magazine
		Shame isn't based on your condition, but on what you do with it, and Bachmann sets out to prove that point throughout the album.
		He sings, "You're not the same as the day that you came / You can choose dignity or shame / You've got to carry your heart / Like a torch in the night." Dignity and shame become a choice, free for all to make.
		Sometimes dignity and shame come in the same package.
	www.stylusmagazine.com /review.php?ID=2742 (629 words)

	The Between: Dignity and Shame
		The lead singer, Eric Bachmann, has a wonderful, time-worn and weary voice that perfectly captures the pain of life and an honest and realistic angst that comes from repeated emotional hardships.
		Now, on their fourth full length album, Dignity and Shame, Crooked Fingers are embarking in a new direction while bringing along familiar sounds.
		"Dignity and Shame" is the perfect closer to the album, beautifully encapsulating the entire work and living up to the promise of the opening track.
	the-between.blogspot.com /2005/02/dignity-and-shame.html (898 words)

	Crooked Fingers: Dignity And Shame (2005): Reviews
		Dignity and Shame is just another day in the world-weary lovelorn characters that Bachmann has so vividly brought to life for the past five years with his Crooked Fingers entourage.
		If Bachmann officially solidified his place in modern song with Red Devil Dawn, then Dignity and Shame lodges that place in cement for posterity.
		Dignity and Shame is sparse and vulnerable, showcasing nothing but Bachmann's bittersweet musings and his deep growl of a voice.
	www.metacritic.com /music/artists/crookedfingers/dignityandshame (602 words)

	Crooked Fingers - Crooked Fingers, Bring On The Snakes, Red Devil Dawn, Dignity and Shame Review
		Dignity and Shame is Bachman's fourth album as Crooked Fingers (add one EP of covers to that number too) and with the Latin style opener "Islero", complete with a bongo drumline, you know that Eric is about to embark on a bit of a different journey this time around.
		Then on "Call To Love" we get one of the best tracks on Dignity and Shame, a duet with Australian Lara Meyerattken, who we hear on a couple other songs as well.
		Dignity and Shame is not my favorite Crooked Fingers album, yet, but it is in no way a bad album, just up a different alley than his previous albums.
	www.musicemissions.com /display_review/678 (893 words)

	TrouserPress.com :: Crooked Fingers
		There’s plenty of honesty, front porch philosophizing, epigrammatic soulfulness and characters with their doubtful dignity barely attached on these albums, making them ideal for bleak afternoons.
		What were supple guitars and piquant melodies in the Archers are here disarming, eclectic, mournful arrangements, a stripped-down world of tricky, but elemental riffing and narratives that can’t be codified into partial truths by the college crowd upon one hearing.
		Dignity and Shame is more of the same, with the emphasis on the latter part of the title.
	www.trouserpress.com /entry.php?a=crooked_fingers (887 words)

	Metroland Online - Recordings
		The Dark Side appeared to be winning with Bring on the Snakes, an album so bourbon-doused, it might have been better-titled Bring on the Shakes, and a heavy Springsteen jones reared its head on most of 2003’s Red Devil Dawn (not to mention the reverent cover of “The River” on the Reservoir Songs EP).
		But on Dignity and Shame, the fourth full-length under the Crooked Fingers banner, Bachmann has trained his sights on matters of the heart, and brought in a broader, brighter sound to match.
		Dignity and Shame isn’t completely removed from past efforts, though, and should avoid alienating longtime fans.
	www.metroland.net /back_issues/vol28_no10/recordings.html (920 words)

	Punknews.org \| Crooked Fingers - Dignity And Shame
		Crooked Fingers’ previous releases were defined by melodic finger picking and melancholic lyrics, traits that seemed to have changed a bit with the new release Dignity And Shame.
		Dignity And Shame starts off with an instrumental, a Spanish-influenced ditty that is quite enjoyable.
		Fortunately, the closer and title track, “Dignity And Shame,” finishes out the record with a melodic, stirring piano-orientated track.
	www.punknews.org /reviews.php?op=albumreview&id=3772 (832 words)

	Moustache » 20 for 2005 (#13): Crooked Fingers - Dignity and Shame
		I’ll be the first to admit I never really cared for Archers of Loaf, Eric Bachmann’s band from the mid-90s that has been elevated to mythical status in the indie rock world.
		I don’t know if this is related to the fact that he sounds more and more like Neil Diamond on each record or not.
		Dignity and Shame is a solid, solid record.
	www.studiomoustache.com /blog/index.php/2005/12/17/20-for-2005-13-crooked-fingers-dignity-and-shame (232 words)

	Bornbackwards(dot)com - A Man of Many Talents (Site not responding. Last check: 2007-11-02)
		What’s unfortunate is that Dignity and Shame’s best moments are those that recall the unreachable heights of those older, better bands.
		Rather than the infectious glee of their vocal harmonies though, Bachmann’s voice is that of a weary old man. This prevents the songs from sounding like total ripoffs by giving them a new context and presentation.
		Ultimately Dignity and Shame wants to make a big statement, it wants to be very important but those moments when it does manage to crawl from beneath the shadow of other, better bands, it only shows its worst face.
	www.bornbackwards.com /wordpress?p=71 (1038 words)

	Crooked Fingers, the Dears / March 26, 2005 / New York (Bowery Ballroom) (Site not responding. Last check: 2007-11-02)
		This was indeed the case at the Bowery Ballroom, a show that marked the halfway point of the band's tour supporting its new Merge album "Dignity and Shame." As the band took the stage, one thing became quite evident: these guys are not getting any younger.
		But to interpret that as a bad thing would be wrong; as they walked onto stage, they greeted the adoring audience with smiles, waves and a sense of comfort.
		Bachmann is writing songs with a generous splash of Americana that are genuine, heartfelt and the perfect compliment to his voice.
	www.editorandpublisher.com /bb/livereviews/article_display.jsp?vnu_content_id=1000865683 (471 words)

	Shame Theory
		SHAME IS CRUCIAL TO IDENTITY, CONSCIENCE, AND DIGNITY.
		SHAME IS EQUALLY CENTRAL TO SELF-ESTEEM AND TO INTIMACY.
		SHAME IS OBSERVABLE FROM BIRTH THROUGHOUT THE LIFE CYCLE TO DEATH.
	www.quest.msu.edu /psy325/shame.html (274 words)

	Eric Bachmann waves his crooked fingers at convention (Site not responding. Last check: 2007-11-02)
		This is a guy who took his show outside onto the street because a club kicked his band out for dance party night, not some prima donna rock star jerk.
		Turns out his tour van had gotten ripped off while the band was in Canada, throwing his tour for Crooked Fingers’ new album Dignity and Shame off schedule by a few hours.
		SM: In an interview you did while on tour for Dignity and Shame, you said you were more influenced by books and movies than by music.
	maroon.uchicago.edu /voices/articles/2005/04/05/eric_bachmann_waves_.php?x=email (1033 words)

	No Ripcord Album Review - Crooked Fingers - "Dignity and Shame" (Site not responding. Last check: 2007-11-02)
		Lou Reed, Neil Diamond and a handle of scotch hitch a ride on The Partridge Family bus perhaps.
		Either way, Dignity and Shame is just another day in the world-weary lovelorn characters that Bachmann has so vividly brought to life for the past five years with his Crooked Fingers entourage.
		The piano-laden closers Wrecking Ball and Dignity and Shame fit the bill perfectly; don’t forget Eric Bachmann is the man behind the Archers of Loaf cult classic Chumming the Ocean almost a decade ago (from All the Nation’s Airports), still the most hauntingly romantic recollection of a shark attack as only Bachmann could provide.
	www.noripcord.com /reviews/C/crookedfingersalbum2.html (286 words)

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