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| | Strange Horizons Articles: The Western Genre Fled Across the Desert, and Stephen King Followed, by David M. Higgins |
 | | This absence, this breakdown of meaning in the genre Western, the void left behind where the Western once stood, becomes the Dark Tower, a mysterious and unrevealed center of power that Roland quests for with unrelenting determination and an absolute absence of any moral or ethical value. |
 | | is a Western that comes after the death of Westerns (a post-Western?); it exemplifies what happens when the Western continues, across the irrational landscape of dreams and emotional investments, long after the high ideals of the traditional Western have faded. |
 | | If the Western is a dead genre, and the Western was the theatre where American models of masculinity were performed, then where can men in the modern day find something to fill the void, the absence left in the dust of this genre? |
| www.strangehorizons.com /2005/20050627/western-king-a.shtml (3222 words) |
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