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 | | The most common type of seventh chord in classical harmony, however, is the dominant seventh, which is obtained by adding a minor seventh to the major triad built on the fifth note of the major scale, also called the dominant. |
 | | In the case of a diminished triad, the third added can either be a minor third, which creates a fully diminished seventh (for example, A C Eb Gb, or Adim) or a major third, which creates a half diminished seventh (for example, B D F A, or Bm7b5). |
 | | Fully diminished chords and augmented chords are used as well, but as will be seen, they are often used as substitutes for one of these four basic types of chords. |
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