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| | Social and Political Novel III |
 | | Perhaps this illusion of discovery, the uncovering of a world which is related to, but not continuous with, the known world, is fiction’s greatest beauty: fiction’s false bottom. |
 | | Wood thinks novelists should use less information and less social reality and abstraction because such phenomena do not function aesthetically in fiction, since they are not closely related to the essence and depths of character and the human condition, at least not in revealing ways. |
 | | This is great writing, great art, great satire, as far as it goes, lively and deeply social engaged, and important in ways that Edmund Wilson and scores of other critics and novelists have understood fiction to be effective, as a living, enlightening and influential mode of knowledge and experience. |
| www.politicalnovel.org /socialandpoliticalnovelIII.html (3234 words) |
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