| |
| | Richard Gilbert (Site not responding. Last check: 2007-10-22) |
 | | The idea of disjunction can be equally applied to poetry in general; what is significant for haiku particularly are those types of disjunction used, whether there may be consistent disjunctive styles, and the frequency of occurrence and quality of instances occurring in a single haiku, versus poems in other genres. |
 | | Importantly, disjunction is not, strictly speaking, paradox or juxtaposition, because the effects are not cognitively dualistic—the alchemy is that of impossibles, not polarities. |
 | | Disjunction has at least three arresting qualities: centrifugal force (the reader is thrown out of the poem and image, even out of language), gravitational force (the reader is drawn into interior contemplation), and misreading as meaning (a falling out of, and recovery of meaning). |
| www.worldhaikureview.org /3-2/essay_rgilbert.shtml (9811 words) |
|