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Topic: Division of Animation and Digital Arts

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	CNTV Bolsters Animation Program With Studio Upgrade and Professorial Appointment
		Vibeke Sorensen, director of Cinema-TV's division of animation and digital arts; second-year master of fine arts graduate student Michael Lang; and filmmaker Christine Panushka.
		The animation studio was inaugurated and Panushka welcomed at a reception and open house Nov. 5, which featured tours of the studio's cutting-edge graphics facilities.
		She became director of the division of animation and digital arts the following year, revising the curriculum and expanding the facilities.
	www.usc.edu /uscnews/stories/3264.html (662 words)

	USC School of Cinema-Television - Animation & Digital Arts (Site not responding. Last check: 2007-10-10)
		It is the art of motion, and art in motion.
		Animation is an expanding field that has reached out to encompass not only children's entertainment, but also entertainment for all ages, professional communication and personal expression.
		The Division of Animation and Digital Arts is leading the way by providing students with traditional animation education combined with experimentation and innovation with digital technologies.
	www-cntv.usc.edu /academic_programs/animation/academic-animation-home.cfm (741 words)

	WSOA - Wits School of Arts/Undergraduate Studies/Overview
		Digital Arts is the first new division in the Wits School of Arts.
		In 2003, Digital Arts launched a series of courses allowing for a digital multimedia specialisation within the existing MA, and MA Dramatic Arts programmes.
		Digital Arts students worked collaboratively on the development of a pilot for this pioneering project which aims to develop the expertise in South Africa for 3D feature animation.
	www.wits.ac.za /artworks/postgrad/digimedia.htm (392 words)

	Art Schools national American fine computer links education
		Arts at the Beach is also a valuable source of information on the wide variety of arts-related events that take place on campus each semester.
		The teaching of studio art, the complementary programs in art history, theory, and criticism and liberal arts, the visiting artists, and the collections and exhibitions of one of the world's finest museums all contribute to the variety, the challenge, and the resonance of the educational experience.
		The mission of Kansas City Art Institute is to be a leader in visual arts and design education by preparing gifted students for lifelong creativity through intensive interaction with preeminent faculty and facilities and by stimulating active public awareness, support, and participation in the visual arts and design.
	www.infinitee-designs.com /Art-Schools-USA.htm (5629 words)

	ArtSchools.com - The Ultimate Guide to Art & Design Majors and Programs.
		Art History programs often focus on the historical, cultural, social, and political context of art and encourage the development of analytical and visual skills and an appreciation for differing viewpoints.
		Art Therapy is an effective treatment for the developmentally, medically, educationally, socially, or psychologically impaired; and is practiced in mental health, rehabilitation, medical, educational, and forensic institutions.
		Calligraphy is the art of handwriting and lettering which uses fonts, pens, inks, paper and other writing tools to create artistic text and is commonly used in announcements of special events, where a hand-crafted piece of text is desired.
	www.artschools.com /majors-programs (8560 words)

	The Chronicle: Information Technology: September 10, 1999
		Art and science "are two areas that have a lot more in common than they often admit," she notes.
		Her pursuit of an art form that would allow her to realize that vision led to her subsequent work in film and animation, as well as to artworks using the World-Wide Web and installations such as "Morocco Memory II." She also has collaborated in experimental projects that combine animation with music.
		She instead wants to make art that is multisensory and experiential -- as in "Morocco Memory II," where participants can touch and smell spices, hear music, and be surrounded by a work of art.
	chronicle.com /free/v46/i03/03a03401.htm (1703 words)

	Wired News: Cartoons Ain't Just for Boys (Site not responding. Last check: 2007-10-10)
		Pearce said although being an animator does not strike a chord for all women, there is a large percentage of female animation producers.
		At the special effects and animation company Rhythm & Hues, none of the 11 character animators on staff are women, said Pauline Ts'o, vice president of the company.
		McKenna said the disparity between the sexes in the animation industry seems to be changing, but that could be partly due to the technicality involved with animation becoming user-friendly.
	wired-vig.wired.com /news/print/0,1294,43239,00.html (807 words)

	I am interested in how the mind works together with the body, and makes connections between sense impressions to make a ... (Site not responding. Last check: 2007-10-10)
		By connecting a range of media and the art forms that have emerged from them, all based on the separate senses, we are creating new media, new artforms, and new associations between the senses.
		This is the intersection of art and science, the territory I am exploring.
		The art is in the sensitivity to nature and other people, and illuminated by technology.
	visualmusic.org /text/VS-UFRJ.htm (1100 words)

	Films - Indefinable Moods (Site not responding. Last check: 2007-10-10)
		After graduating from Visual Communication at Sydney College of the Arts in 1985 she was awarded the Sydney Morning Herald Traveling Arts Scholarship for painting and in 1986 the Desidirius Orban Youth Art Award from the Visual Arts Board of the Australia Council.
		In 1994 she was selected for the Australian Network for Art and Technology summer residency and it was here that she started her research in combining 2D oil painted sequences onto 3D forms.
		Since 1998 she has worked as artist in residence and adjunct faculty at the Division of Animation and Digital Arts School of Cinema-Television, University of Southern California creating 'Indefinable Moods' funded by the Australian Film Commission.
	www.fineartforum.org /screen/films/moods.html (796 words)

	Film and Fiction Fusion
		The National Alliance for Media Arts and Culture (NAMAC) is a nonprofit association composed of diverse member organizations who are dedicated to encouraging film, video, audio and online/multimedia arts, and to promoting the cultural contributions of individual media artists.
		The AFI Conservatory is world-renowned for its dedication to the moving image arts and as a place where advanced professional training nurtures the talents and enhances the skills of the men and women who will become the leading storytellers in the motion picture and television arts.
		RES The Magazine of Digital Filmmaking is devoted to digital filmmaking, and brought to you by the folks who produce the Res Fest.
	webdelsol.com /SolPix/sp-otherlinks.htm (2485 words)

	ATI
		The UW's two-quarter undergraduate course sequence on computer animation is nationally recognized for the unique way in which it brings together interdisciplinary teams of students from computer science, art, music, architecture, and other fields to create state-of-the-art short subjects.
		The animation curriculum of the ATI is designed to provide both undergraduate and graduate students from many different departments several areas of study and specialization in computer graphics and animation.
		David Salesin organized the Second Annual Conference of the International Society of the Arts, Mathematics and Architecture to be held at UW this summer.
	grail.cs.washington.edu /ati (5264 words)

	d>art 00 exhibition (Site not responding. Last check: 2007-10-10)
		As one of our panelists has observed: 'Macy Gray's album was recorded digitally, but we don't call her a digital artist'.
		Although artists are increasingly taking up digital technologies, there is evidence in their works that they are using these technologies as archeological tools to excavate the ongoing histories of cinema, television, video and sound.
		is a digital artist and Chair of the Division of Animation and Digital Arts at University of Southern California.
	www.dlux.org.au /dart00/forums.html (249 words)

	Digital Arts Courses (Site not responding. Last check: 2007-10-10)
		El Camino College offers a wide range of digital art classes designed both for students interested in an Associate of Arts degree in the field of Studio Art, and students who are already working and wish to upgrade their professional skills.
		This course builds upon skills introduced in Art 141 and goes on to cover advanced features of Photoshop such as layer masks, alpha channels, and adjustment layers for tonal and color correction.
		Preparing graphics, animation, and sound files for the web will be covered as well as effective design techniques and HTML authoring.
	www.elcaminocollege.org /digitalarts/digital.html (616 words)

	Digital Animation Programs: Three School Profiles (Site not responding. Last check: 2007-10-10)
		The USC School of Cinema-Television has created a new division to educate graduate students and conduct research in the expanding and broadly defined fields of animation and digital arts.
		The Division of Animation and Digital Arts is at the cutting edge of animation and new media, exploring what is still to be imagined and producing work that expands the frontiers of the art of animation.
		Vibeke Sorensen is Professor and Chair of the Division of Animation and Digital Arts.
	www.awn.com /mag/issue2.5/2.5pages/2.5schools.html (2369 words)

	SIGGRAPH 99 Emerging Technologies
		Recent trends of embedding digital technology in toys have led to greater possibilities for manipulation and interaction.
		A state-of-the-art facial tracking and animation system tracks the motion of an actor on a live set (without a cumbersome motion capture suit) and drives the movement of a 3D digital character.
		As the mask moves within a prescribed area (the stage), its position and orientation are detected by a camera, and the computed projected image moves accordingly.
	www.siggraph.org /s99/conference/etech/projects.html (1322 words)

	It Takes Three To Tango: Students (Site not responding. Last check: 2007-10-10)
		I believe that animation is in a renaissance, building on the possibilities generated by new technology, and the excitement of new markets.
		I already had a Master's of Fine Arts from Columbia University, and I was an assistant professor of art at a university in North Carolina.
		The Division for Animation and Digital Arts at the University of Southern California's School of Cinema-Television is providing me with a very well rounded experience in all forms of animation and production.
	www.awn.com /mag/issue3.3/3.3pages/3.3survey_students.html (2019 words)

	WORLD@RT (Site not responding. Last check: 2007-10-10)
		She is currently Professor and Chair of the Division of Animation and Digital Arts in the School of Cinema-Television at the University of Southern California.
		Users are invited to make connections and associations between these personal and cultural memory fragments by employing a range of sensory input, including smell and touch.
		This piece was installed at the Fisher Gallery at the University of Southern California as part of the Interactive Frictions Art Exhibit of the Labyrinth Research Initiative, from June 4 - 18, 1999.
	www.playscape.dk /worldart/people/sorensen.htm (496 words)

	What's Happening at the U of M :: News (Site not responding. Last check: 2007-10-10)
		Sanctuary is a cross between painting and photography, animation and documentary, employing touchable and sensory media in navigating thousands of images, sounds, texts and movies recorded around the world.
		It combines animation, music, found images on the web and links to many other sites, incorporating pseudo-random algorithms and weighted probabilities in recombining the many source elements to create new results each time the site is accessed.
		Sorensen was professor and founding chair of the Division of Animation and Digital Arts in the School of Cinema-Television at the University of Southern California from 1994-2005.
	myuminfo.umanitoba.ca /index.asp?sec=2&too=100&eve=8&dat=10/13/2005&npa=9295 (442 words)

	SFSU Bulletin 2005/06--Interdisciplinary Digital Arts
		The curriculum provides an interdisciplinary foundation in digital skills and theory/criticism, plus advanced course work in discipline-specific areas within the visual arts, media arts, and performing arts.
		Students in the program are required to complete an internship, to pass a senior portfolio review, and to fulfill major requirements for an undergraduate degree in a creative arts area in order to receive the certificate.
		Program application is limited to undergraduate majors in the College of Creative Arts who have earned at least 56 units, have completed foundation work (core courses) in their major area with a GPA of at least 3.4, and have completed their lower division English proficiency requirement (see below).
	www.sfsu.edu /~bulletin/current/programs/interart.htm (503 words)

	Animation World Magazine (Site not responding. Last check: 2007-10-10)
		In 1955, a pupil of legendary animator Slavko Vorkapich produced a short clay animated student film at the University of Southern California.
		Exhibits celebrating both Art Clokey and Gumby began this past summer at the Lynn House Gallery near San Francisco and at the Museum of the Moving Image in New York.
		So Animation World Magazine sat down with Art’s son Joe to discuss the significance of Gumby at 50 and the future of clay animation.
	mag.awn.com /index.php3?ltype=pageone&article_no=2659 (654 words)

	Mac News: Music & Film : What Makes Pixar Run?
		Although an animation studio naturally draws creative and lively employees, there is much to be said for good old-fashioned, vision-driven management -- and Pixar CEO Steve Jobs has shepherded the company with what appears to be an impressive amount of care and focus.
		Mary Clarke-Miller, an academic director at the Art Institute of California, told MacNewsWorld that the company's animation style is very believable, but all the computer graphics in the world will not help if the story being shown is not compelling.
		Elepano is the production supervisor of the division of animation and digital arts at the School of Cinema Television at the University of Southern California.
	www.macnewsworld.com /story/34107.html (941 words)

	Press Release Network - Press Releases
		Currently, very little original animation is exported from South Asia, in part due to the lack of training and expertise in pre-production.
		Toonz Animation India is producing original television series and feature films based on Indian folklore and mythology and destined for audiences worldwide.
		The studio has so far recruited 150 animators, 45 of which are apprentices, has hired an international, award-winning staff of creative and production professionals, and has installed the latest digital ink-and-paint systems.
	www.pressreleasenetwork.com /pr-1999/mainpr43.htm (557 words)

	Trimmer, Writing with a Purpose
		There is a detailed description and commentary for each work of art included in the databases, plus links to information on the artists.
		The artists, cancer survivors or friends and family members of cancer patients, used art to help cope with the illness.
		Some exhibitions are presented in animated as well as still versions.
	college.hmco.com /english/trimmer/writing/13e/students/weblinks/ch08.html (299 words)

	LEA - Volume 9, No. 4 - Feature Article (Site not responding. Last check: 2007-10-10)
		The author discusses her recent work in digital art in relation to her background and identity, focusing on multi-disciplinarity and multiculturalism.
		My interest in visual-music and multi-modal performance and art is to extend the relationships between the senses beyond 1:1 associations, to new relationships that explore deeper realities, including metaphorical relationships based on the larger questions, multiple memories and experiences of the world, freed by improvisation.
		In my animation, a ladder falls from space down to the earth and lands on a surface that changes between water, air, fire, and earth.
	mitpress2.mit.edu /e-journals/LEA/ARTICLES/LA_SORENSEN/sorensen.html (4066 words)

	Vibeke Sorensen (Site not responding. Last check: 2007-10-10)
		Bill Moritz's death is a deep and profound loss to our community in animation and visual music, both here in Los Angeles, including USC and CalArts, and around the world.
		Bill was the authority, whenever we were in doubt about any film or color-sound instrument, almost anywhere and at anytime in history, especially the most rare and obscure, or delicate, he always knew the details.
		He was our 'rock', our 'reference point,' our 'home.' He opened his expanding universe of light, music, and the transcendent in art to all of us.
	www.centerforvisualmusic.org /VibekeSorensen.htm (451 words)

	Vibeke Sorensen (Site not responding. Last check: 2007-10-10)
		She taught and developed programs in digital media at Virginia Commonwealth University, California Institute of the Arts, and Princeton University.
		From 1994 - 2004, she was Professor and Founding Chair of the Division of Animation and Digital Arts, School of Cinema-Television, at the University of Southern California.
		She is currently in the Arts, Media, and Engineering Program at ASU where her research includes Expanded Cinema.
	ame2.asu.edu /faculty/vibeke/biography (200 words)

	Shish Aikat Interview
		I was a student of Mar at USC's Division of Animation and Digital Arts, Cinema-TV, and WINTER inspired me tremendously because it used music and images in a very harmonious way.
		Well, the approach that I used was an attempt at using the principles of experimental animation that Mar covered in class here at VC.
		I have to be the idea creator, the storyboard artist, the director, the actor (sometimes), the animator, and the editor--you have to chart out the creative path as well as figure out how you are going to use the artistic tools.
	www.vconline.org /ff04/intervshish.html (400 words)

	USC School of Cinema-Television - Animation & Digital Arts - Graduate Admissions (Site not responding. Last check: 2007-10-10)
		The following materials must be submitted directly to the School of Cinema-Television to support an application to the Division of Animation and Digital Arts.
		It should reflect the applicant's individuality and explain why he or she would like to study animation and digital arts at USC.
		Admission to the Animation and Digital Arts Program is contingent upon acceptance to the University.
	www-cntv.usc.edu /academic_programs/animation/academic-animation-admissions.cfm (865 words)

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