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| | Richard Lowenstein |
 | | The most notable examples of this are Dogs In Space, in which music operates as the central plot-structuring device of the film, and He Died With A Felafel In His Hand, which includes a number of songs that Lowenstein wrote his script around. |
 | | Lowenstein's second feature film, Dogs In Space, was set against the backdrop of Melbourne's late '70s punk rock scene, and placed its focus on the young, inner city world of the shared household: a melting pot of hippies, addicts, student political activists, and punk musicians. |
 | | Evictions, Strikebound, Dogs In Space and He Died With A Felafel In His Hand are all rife with the discourse of difference, and the subculturally hybrid Dogs In Space household exudes a particular dissatisfaction with the essentially conservative mores and values of Australian society. |
| www.sensesofcinema.com /contents/directors/03/lowenstein.html (2630 words) |
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