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| | Genre and recalcitrance. Country music's move uptown (Site not responding. Last check: 2007-11-06) |
 | | Country music, before during and after the 1950s, was consciously created by people, not forces, and their beliefs about the nature and implications of change in the music was what ultimately transformed it. |
 | | The specter of country music being obliterated, unless it cloaked itself in the dominant music, pop music, is still invoked in Nashville today to explain the abandoning of honky-tonk instrumentation in the 1950s. |
 | | Honky-tonk music is the music of the exile, of the man who comes to the city, and watches as his dreams are shattered by the neon lights, taverns and estrangement of city streets. |
| www.icce.rug.nl /~soundscapes/DATABASES/TRA/Genre_and_recalcitrance.html (4974 words) |
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