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Topic: Dominant chord

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	Dominant Chord Voicings
		Basically dominant chords are derived from from four different scales: the mixolydian scale, the altered scale, the lydian dominant scale and the half/whole diminished scale.
		The following dominant chords are all derived from the G altered scale (Ab melodic minor) The altered scale contains both the lowered and raised fifth plus both the lowered and raised ninth making it an easy scale to apply to dominant chords with altered 5ths.
		The chords you get are almost the same except rather than a 7sus chord you'll get a 7#11 chord (guitar players usually play this chord the exact same as we would a 7b5 chord).
	chrisjuergensen.com.hosting.domaindirect.com /chords3.htm (1109 words)

	Tonality and Harmony: Chord Types
		An extended tertian chord, however, is often built on scale degree 5 to function as a dominant; 9th and 11th chords may be built on scale degree 2 and serve as a subdominant chord.
		Pre-Dominant Chords: are chords that precede the dominant (or sometimes the tonic six-four and then the dominant) in a cadence.
		Secondary Dominant (7th) of V: is a major triad or a major-minor 7th chord built on scale degree 2 (with scale degree 4 chromatically altered to #4).
	www.music.indiana.edu /som/theory/t511/chords.html (756 words)

	The Dominant Seventh and Augmented Sixth Discords
		The resolution of the dominant seventh is frequently extended with the interpolation of a triad in second inversion which is built on the same bass note as the resolution chord.
		It is possible for secondary dominants to resolve to non-diatonic chords, and for the secondary tonality of which this dominant is a diatonic chord to be extended.
		The dominant seventh is spelt 1 - 3 - (5) -
	www.tonalcentre.org /Discords.html (1383 words)

	Encyclopedia: Dominant chord (Site not responding. Last check: 2007-10-05)
		For example, in the C major scale (white keys on a piano), the dominant is the note G; and the dominant chord uses the notes G, B, and D. In music theory, the dominant chord in its root position is symbolized with the Roman numeral V if major and v if minor.
		As defined by Joseph Fetis the dominante was a seventh chord over the first note of a descending perfect fifth in the basse fondamentale or root progression, the common practice period dominant seventh he named the dominante tonique.
		A cadential dominant chord followed by a tonic chord (the chord of the key of the piece) produces an authentic cadence.
	www.nationmaster.com /encyclopedia/Dominant-chord (271 words)

	Chord (music) - Wikipedia, the free encyclopedia
		Chords are named for how many notes they contain, more commonly for what type of intervals they are constructed from, and by the root note and bass note.
		Chords are also distinguished and notated by the scale degree, pitch, or note of their root and bass, although there are many different conventions for indicating the quality of the chord, and the inversion of the chord (determined by which note of the chord serves as the bass note); see Inverted Triads below).
		A minor chord, such as the triad on D, has a smaller interval from root to third called a minor third, and the chord is D minor.
	en.wikipedia.org /wiki/Chord_(music) (2083 words)

	The Dominant Seventh and Augmented Sixth Discords
		The resolution of the dominant seventh is frequently extended with the interpolation of a triad in second inversion which is built on the same bass note as the resolution chord.
		It is possible for secondary dominants to resolve to non-diatonic chords, and for the secondary tonality of which this dominant is a diatonic chord to be extended.
		The dominant seventh is spelt 1 - 3 - (5) -
	www.andymilne.dial.pipex.com /Discords.shtml (1383 words)

	Dominant (music) -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-05)
		In music, the dominant is the (The musical interval between one note and another five notes away from it) fifth degree of the (An ordered reference standard) scale.
		A (Click link for more info and facts about cadential) cadential dominant chord followed by a (Lime- or lemon-flavored carbonated water containing quinine) tonic chord (the chord of the key of the piece) produces an (Click link for more info and facts about authentic cadence) authentic cadence.
		For use of the term "dominant" as a (Click link for more info and facts about reciting tone) reciting tone in (A liturgical chant of the Roman Catholic Church) Gregorian chant, see church modes.
	www.absoluteastronomy.com /encyclopedia/d/do/dominant_(music).htm (161 words)

	MO01
		The dominant 7th chord is a four note chord rooted on the dominant tone of the scale.
		The tritone in the dominant 7th chord is F# to C. C is the 7th of the chord so it resolves down to the B. F# is the leading tone which resolves up to the tonic.
		In the dominant 7th chord it is possible to omit the 5th of the chord and to double the root.
	www.odu.edu /al/wbartolo/mod32a.html (646 words)

	[No title]
		Dominant chords are those whose ROOT is the FIFTH (or dominant) degree of a major scale.
		Dominant chords have a MAJOR third and a minor seventh, so one possible chord would be G7, the interpretation being: G 7 The TRIAD The MINOR seventh.
		In dominant harmony, the interval of the minor seventh is always present in the chord, so a G add 6 (or G6) is _not_ dominant harmony.
	www.guitarsite.com /HowToPlay/bass-lessons/jims_chord_lesson_3.txt (2105 words)

	Chord Study 9 - Dominant 7th With Lowered and Raised 5th
		This chord is formed by moving the 5th note of a dominant 7th chord by one fret lower.
		It is also done by lowering the 5th note one fret while adding it to the dominant 7th chord.
		The position of notes is similar to the above mentioned chord except for the raised 5th note.
	www.guitarreference.com /chord_study_9.htm (159 words)

	About Chord Symbols
		Chord symbols are constructed from five components: The root, a modifier, extensions, alterations, and a bass note if the chord is inverted.
		The worst offense of all is using the slashed 7 to represent a major 7th chord.
		Since the diminished triad is rare, the diminished 7th chord is often indicated with the "o"(degree) symbol.
	www.smartutils.com /fastchords/manual/aboutchordsymbols.htm (948 words)

	Tonicization
		When referring to this non-diatonic chord, we call it a V/ii (read "five of two") chord and may also refer to it as a secondary dominant chord (since the diatonic dominant chord is the primary V chord).
		So the voice leading for a secondary dominant chord is the same as for a diatonic dominant chord: the "new" leading tone, i.e.
		Notice how the Ab chord on the downbeat of measure 2 is normally labeled as simply a VI chord in c minor, but in the larger sense is the I chord of the whole Ab Major tonicization in that measure.
	www.smu.edu /totw/tonicize.htm (759 words)

	Chord Progressions
		Chord progressions are the succession or sequence of chords in a section of music.
		Chord progressions are described in terms of root movement (the succession of roman numerals).
		The viio chord is sometimes called a dominant functioning chord because it leads to tonic and can be substituted for the dominant chord.
	www.alcorn.edu /musictheory/Version2/theory1/Progres.htm (467 words)

	Marc Sabatella's Jazz Improvisation Primer: Playing Changes
		The third and seventh of a chord are the two most important notes in defining the sound and function of the chord.
		The chords are usually all played as dominant seventh chords, although they are not actually functioning as dominant chords in that they do not resolve to a tonic.
		This diminished chord is serving as a substitute for the dominant seventh, since both Bdim and Bb7b9 share the same Bb HW (B WH) diminished scale.
	www.outsideshore.com /primer/primer/ms-primer-5-2.html (2564 words)

	Dolmetsch Online - Music Theory Online - Chords & Cadences
		Notes in both chords can be doubled although it is better not to double the 7th in the dominant chord.
		The plagal or church cadence replaces the dominant, or dominant 7th chord, with a subdominant chord, that is a chord on the 4th.
		The expectation that a dominant chord moves to a tonic chord, thus producing a perfect cadence, is very strong.
	www.dolmetsch.com /musictheory22.htm (2325 words)

	Chord progressions
		A secondary dominant is a chord that serves as the “V” of another.
		For example, in the “B7-E7-A7-D7-G7-C” progression the “B7” is the “V” of the “E7” chord and the “E7” is the “V” of the “A7” chord.
		Similarly, the “A7” is the “V” of the “D7” chord and the “D7” is the “V” of the “G7” chord.
	www.easy-song-writing.com /articles/chordProgressions.asp (2945 words)

	Beginning Harmonic Analysis
		If you are searching for chords to go with a particular melody (in a particular key), it is very helpful to know what chords are most likely in that key, and how they might be likely to progress from one to another.
		In fact, the most common added-note chord in most types of Western music is a V chord (the dominant chord) with a minor seventh added (V7).
		The major dominant chord would be most useful in establishing the tonal center of the piece, although the diminished sharp seven might also sometimes be used for cadences.
	cnx.org /content/m11643/latest (1965 words)

	A7 The Dominant chord at Musiclearning.com
		The A7 chord is built from the 5th degree of the D major scale and is called a dominant chord.
		All dominant 7th chords are built from the 5th degree of a scale.
		The chord form is built from the open C chord.
	www.musiclearning.com /lessoncentral/chords/a7strings1234.html (316 words)

	Dominant Chords
		The dominant chord by itself is unstable and usually needs to resolve to a more stable chord a perfect fourth above, but that's not always the case as sometimes they play a static role where they are not intended to resolve to a specific chord.
		Dominant chords resolves to both major and minor chords a perfect fourth above, for example a G7 chord could resolve effectively to either a Cmaj7 or a Cm7.
		Where the 3rd of the first chord is the 7th of the second one and the vice versa, therefore the function of a G7 could be accomplished with a Db7.
	www.angelfire.com /jazz/beeflat79/Dominant.htm (726 words)

	Chords Leading -- 1 Feb 2002 (Site not responding. Last check: 2007-10-05)
		The most important chord in any key is the tonic (the ‘I’, or Roman numeral one) chord (in the key of C, it’s C).
		So in the key of C, the ii chord is Dm.) This is because, in theory, just as the dominant moves to the tonic, the second (which is the dominant of the dominant) moves toward the dominant.
		Count 1 - 2 - 3 - 4 - 5 for the dominant, 5 - 6 - 7 - 8 - 9 for the dominant of the dominant.
	home.earthlink.net /~kstengel226/guitar/theory/chord_leading.html (1757 words)

	MO01 (Site not responding. Last check: 2007-10-05)
		The scale degrees of the dominant seventh chord are 5 - 7 - 2 - 4 in root position.
		If a dominant seventh is in first inversion, the 3rd of the chord is in the bass.
		When the bass line is ascending (1 - 2 - 3), the second inversion dominant 7th is the only time that the 7th of the dominant 7th does not have to resolve down by step.
	www.odu.edu /al/wbartolo/mod36a.html (436 words)

	Neapolitan
		The chord is sometimes called the Phrygian II in reference to Phrygian mode where the triad built on the second degree of the scale is major and its root is a half step above the tonic.
		The chord is considered chromatic, because the altered second scale degree does not result from either tonicization or mixture.
		Although the scale degree b2 and the natural scale degree 2 in the V chord produce a cross relation, its effect is softened by the distribution of the pitches in the progression.
	www.utexas.edu /courses/mus612b/fmain/fdocs/notes/neapolitan.html (1598 words)

	One Octave Dominant 7th
		The dominant 7th chord uses a flatted 7th; that is, it uses a 7th which is a half-step lower than the 7th used in the major 7th chord.
		The chord symbol for a dominant 7th is simply the chord’s root followed by the number 7.
		In the dominant 7th bass exercises and examples, I’ll show you some familiar sounding basslines that apply the dominant 7th chord pattern.
	www.studybass.com /lessons/bass-chord-patterns/one-octave-dominant-7th (646 words)

	Dominant chord
		The chord or triad that is based on the fifth tone of the scale.
		In the key of C, the dominant triad would consist of G, B, and D.
		A dominant seventh chord is a dominant chord with a seventh added; in the key of C, the dominant seventh chord would consist of G, B, D, and F.
	www.music.vt.edu /musicdictionary/textd/Dominantchord.html (58 words)

	minor 7th Chords, and all about Guitar Chords
		In the discussion of the dominant 7th chord, I have stressed that the important interval in that chord is the tritone 3-7, which in a C7 chord is E-Bb.
		We have a minor third, meaning that the third is a halft step lower than in the 7 chord (Eb compared to E for Cm7 and C7, but the seventh is the same, Bb in both chords).
		This is also the reason why we often use the V7 instead of the Vm7 as a the dominant V chord in minor, and the reason why we have harmonic minor.
	www.chordmine.com /Guitar-Chords/Chord/chord_3.aspx (241 words)

	The Jazz Sub-Dominant Chord - II-7
		Chords of rest and resolution are called tonic chords, and the Imaj7 chord we have been studying functions this way in Bebop.
		Chords of tension are chords which create harmonic momentum through dissonance and placement within a progression, and are called dominant chords.
		In many cases the extensions of a chord must be altered to fit the function of the chord with 'allowable' tensions.
	www.franksinger.com /II-7.htm (535 words)

	GuitarPeople.com - Lessons
		The flat (5) dominant 7 chord of the dominant 7th chord can be used in place of the 5 dominant 7th.
		Db dominant is the flat 5 substitute of G dominant.
		Remember that any chord with a flat 7 in it is a leading chord and any chord with a major 7 (natural 7) stops the harmony.
	www.guitarpeople.com /jazz/rule.asp (1505 words)

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