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| | Welcome to Bitter Films |
 | | Don animated the lip synchs of many characters before any dialogue was recorded (and in some places, written!), requiring the actors to perform their lines against the finished cartoon, a very backwards method: although this is generally a bad idea, it allowed for fresh improvisation. |
 | | Much of the sound mix was also concentrated around the film's finale sequence, for which Don and Rob created what was dubbed 'the world's greatest crash-box' - a sound effects box filled with broken bottles, pieces of road, smashed glass, lightbulbs, and giant rocks that was thrown down stairs, against walls, and from great heights. |
 | | Don performed some experiments with the animation camera's motor to achieve the desired camera and motion blurs, whereas the crumple and paper effects are a simple blend of stop-motion-animated paper and traditional animation, not unlike Genre. |
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