| |
| | GOLDBERG: Gesualdo, CarloGesualdo, CarloGesualdo, Carlo |
 | | In L’astratto (The distraction), the composer Barbara Strozzi, born in 1619, six years after Gesualdo’s death, employs a formal structure that mimics the succession of arias and recitatives, alternating cantabile passages with a clear rhythmic dance pattern, and recitar cantando passages in the stile nuovo, plagued with dissonances. |
 | | It was one of Don Carlo’s uncles, Giulio Gesualdo, who having discovered them embracing and resentful because he himself had been rejected by Maria, already twice a widow and famous in Naples for her beauty, denounced them to the prince. |
 | | Gesualdo’s music was thus more than a group of madrigals and imaginative sacred works, of great originality and admirably written, which he symbolised. |
| www.goldbergweb.com /en/magazine/composers/2002/06/254_print.php (2766 words) |
|