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| | Donna Tartt interview, Vanity Fair 9/92 |
 | | Donna Tartt seems, in many ways, a figure from another decade: a small, hard-drinking, southern writer, a Catholic convert, witheringly smart, with an occluded past, sadness among the magnolias. |
 | | In early 1989, Tartt's Bennington classmate and friend Bret Easton Ellis introduced her and her project (it was three-quarters done; she had an outline of the rest) to his agent, ICM honcho Amanda Urban. |
 | | Urban accepted Tartt as an unsigned client; two years later, with the completed (866-page) manuscript in hand, Urban was able to whip up a bidding frenzy among several publishing houses. |
| www.geocities.com /SoHo/8543/dvf.htm (1112 words) |
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