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| | The Emergence of Japan as a Western Text, 2 |
 | | Whatever might be said of the reasons for seeing things this way, or the placement in New York of a centre to which fate had pulled the Japanese (their own diaries kept on the journey present a radically different interpretation of the embassy and its implications), [9] Whitman’s lines were prophetic. |
 | | The perfumes that poured from the box newly opened were copious indeed, and soon were to be diffused throughout the aesthetic landscape of Western Europe and the United States, with effects considerable and wide ranging. |
 | | The popular imagination was stirred, however, by the curios—fans, kites, combs, parasols, sword guards, porcelains, dolls, kimonos, and the like—that constituted the first Japanese cultural exports of the modern period, and by ukiyoe—the ‘pictures from the floating world’ still so much associated in the West with the Japanese tradition. |
| themargins.net /bib/front/intro2.htm (3360 words) |
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