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| | Bassoon Reed and Instrument Theories |
 | | This article, reprinted from The Double Reed 26/4 (2003), defines, compares, and contrasts the many varying qualities of cane, including hardness, stiffness, resiliency, density, flexibility, resonant frequency, color, and “feel under the tool.” Some disagreement about cane quality is seen to result from the varied reed styles cultivated by individual reed makers. |
 | | Some reed makers are swash-buckling speed demons, shunning measurements, safeguards, and tedious routine in the heat of the creative moment. |
 | | In this article, reprinted from The Double Reed 29/2 (2006), this topic is explored, along with the relevance to the bassoon of such acoustical concepts as ancestor fingerings, cross-finger vents, mode shifting, regimes of oscillation, full-system resonances, and overtone compression. |
| koppreeds.com /theories.html (475 words) |
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