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	Gimell CDGIM 031 Notes
		Lobo, who should not be confused with his Portuguese namesake and near-contemporary Duarte Lôbo, is perhaps best known now for his consummate motet Versa est in luctum, recorded here, though in his lifetime he was respected as the equal of the great Victoria himself.
		Lobo's style was never purely madrigalian, but a halfway point between it and the calm order of strictly imitative counterpoint.
		Lobo's Ave Maria is a masterpiece of a rather different kind from the other motets, being based on a complex canon 8 in 4 at the upper fifth.
	www.gimell.com /Database/ReleaseNotes/031notes.html (1256 words)

	Manuel Mendes - Wikipedia, the free encyclopedia
		While his music remains obscure, he was important as the teacher of several of the composers of the golden age of Portuguese polyphony, including Duarte Lobo and Manuel Cardoso.
		He was born in Lisbon, and studied music in Évora as a youth.
		His students included some of the most famous Portuguese composers of the early 17th century, such as Duarte Lobo, Manuel Cardoso, Filipe de Magalhães and Manuel Rebelo.
	en.wikipedia.org /wiki/Manuel_Mendes (195 words)

	Duarte Lobo - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links (Site not responding. Last check: 2007-11-03)
		The greatest contribution that Lobo made to the corpus of musical literature was a six volume set of liturgical music.
		Duarte was at the forefront of polyphony with an unsurpassed contrapuntal facility.
		Lobo was a master of the chapel at Evora and Lisbon but retired early with an intent to teach.
	www.artistdirect.com /nad/music/artist/card/0,,542813,00.html (136 words)

	The Grey Shadow » Duarte Lôbo: Requiem
		While editing the church bulletin, I put in the CD player the wonderful Requiem Mass by the Portuguese composer Duarte Lôbo (c.1565-1646; a namesake of mine, since his name was latinized as Eduardus Lupus).
		Duarte Lôbo was one of the most prolific Portuguese composers at a time when Portugual was politically dependent on the Kingdom of Spain, and therefore his music shows a lot of Spanish influence, especially from Victoria.
		The music is, of course, a Mass that you were supposed to sing in order to pray for the dead, and while there are many Bible verses that speak of hope and comfort, there are many unbiblical prayers and sayings proper to Roman Catholicism.
	shadow.sombragris.org /?p=11 (675 words)

	meinfogo: 10/2004 - 10/2004 (Site not responding. Last check: 2007-11-03)
		Ildo Lobo, son of Antoninho Lobo, also a singer, was descended from a long line of musicians and vocalists.
		Antoninho Lobo was one of Cape Verde's great singers, leaving his personal mark on the morna played on the island of Santiago, and his son is carrying on the tradition today.
		Capeverdean singer Ildo Lobo, who will always be remembered as the true master of morna and coladera, passed away in Praia, the Capital of Cape Verde, on Wednesday October 20, 2004, at the age of 51.
	meinfogo.blogspot.com /2004_10_01_meinfogo_archive.html (2535 words)

	Gimell CDGIM 028
		All these Portuguese settings are stylistically on the cusp between a genuinely polyphonic renaissance idiom and something based more in harmonic movement, reflecting baroque thought.
		The aesthetic result is that the music conveys the same certainty of purpose and the same spirit of repose, never explicitly sad but encouraging the listener to contemplate something infinite, beyond human reasoning.
		Duarte Lôbo (whose name was Latinised as Eduardus Lupus and should not be confused with that of his Spanish near-contemporary Alonso Lobo) was born about 1565 and died in 1646 in Lisbon.
	www.gimell.com /Database/ReleaseNotes/028notes.html (836 words)

	World Music Central - Ildo Lobo, Cape Verde's Greatest Male Singer Passed Away
		Cape Verde - Ildo Lobo died of a heart attack in the morning of October 20th, 2004, at his home in Praia, the capital of Cape Verde.
		Son of Antoninho Lobo, who was also a singer, Ildo was descended from a long line of musicians and vocalists.
		While Cesaria Evora, known internationally by the affectionate title "The Barefoot Diva", became the ambassador of the Atlantic archipelago, many felt that Ildo Lobo was "the" voice of Cape Verde.
	www.worldmusiccentral.org /article.php/2004103107424374 (376 words)

	:: Sacred Music By Alonso Lobo at categoryshop.com (Site not responding. Last check: 2007-11-03)
		The Tallis Scholars first brought the music of 16th-century Spanish composer Alonso Lobo to wide public attention with their recording of Victoria's Requiem: the last item on that disc was Lobo's powerful motet Versa est in luctum, written for the funeral of Philip II in 1598.
		Alonso Lobo was held in the highest regard as a composer in his time - he was considered to be one of the finest composers of his time (a sentiment shared, incidentally, by fellow composer Victoria).
		Alonso Lobo was the pupil of Francisco Guerrero, one of the most famous composers of the Spanish renaissance.
	categoryshop.com /a/B0000041M5/Sacred_Music_By_Alonso_Lobo.shtml (192 words)

	GMCD 7276 Come Holy Spirit
		This is the antiphon to Mary sung daily in the period from Easter Day until the feast of the Trinity.
		Lobo's setting, published in Antwerp in 1602, lacks the first tenor part, and has been reconstructed and edited by José Abreu.
		Lobo evokes the joy of the season by repeatedly turning to triple time for 'alleluia'.
	www.guildmusic.com /catalog/gui7276z.htm (1963 words)

	Maurice Duruflé - Wikipedia, the free encyclopedia
		The Requiem has some similarities with Fauré's, though it also shows the strong influence of Gregorian chant and Renaissance music.
		For example, the opening theme in Introit-Kyrie is borrowed from Duarte Lobo's Missa pro defunctis.
		The piece was reworked into two other versions, and now exists in three versions—one for full orchestra, one for reduced orchestra, and a version with organ (plus an obbligato solo for cello in the "Pie Jesu").
	en.wikipedia.org /wiki/Maurice_Durufle (898 words)

	Peter Phillips's website (Site not responding. Last check: 2007-11-03)
		The founding principle of the course was to study only the music of the school of late renaissance composers who were employed at Evora Cathedral.
		So far we have not run out of good music to sing, and so far not a note has been sung on these courses that is not thought to have been written in Evora: a unique state of affairs in my work.
		In 1999 an entire choir from Slovakia joined the course (when the translating became particularly involved); in 2002 there was a choir from Sicily.
	www.peterphillips.info /projects-jornadas-internacionais.html (300 words)

	Prof. Ana M. Lobo
		"Ceramides from the Fungus Phellinus pini", Lourenco, A.; Lobo, A. M.; Rodriguez, B.; Jimeno, M.L. Phytochemistry, 1996, 43, 617-620.
		"C-Substitution Reactions of C,N-Diaryl Nitrones", Lobo, A.M.; Prabhakar,S.; Rzepa, H.S.; Skapski, A.C.; Tavares, M.R.; Widdowson, D.A. Tetrahedron, 1983, 39, 3833-3841.
		The Alkaloids of Erythrina lysistemon, E. abyssinica, E. poeppigiana, E. fusca and E. lithosperma; the Structure of Erythratidine", Barton, D.H.R. ; Gunatilaka, A.L.; Letcher, R.M.; Lobo, A.M.; Widowson, D.A. Journal of the Chemical Society, Perkin Trans.
	www.cqfb.fct.unl.pt /qoa/AL.html (2678 words)

	Staff
		He has edited music by two of the most important Portuguese composers of the period, Pedro de Cristo and Duarte Lobo.
		His research is frequently reflected in the performances and recordings of the various vocal groups which he directs: A Capella Portuguesa, The Choir of The Queen’s College, and The Cambridge Taverner Choir.
		With these groups he has released recordings on the Hyperion, Guild, and Herald labels, including five recordings of Portuguese polyphony by Duarte Lobo, Pedro de Cristo, and other composers.
	www.music.ox.ac.uk /staffprofiles/rees_o.html (479 words)

	Links Duarte. Informationen über Duarte (Site not responding. Last check: 2007-11-03)
		Brief biography noting his high standing in Portuguese music from the Grove Concise Dictionary of Music entry at WQXR radio.
		Reprints of specially commissioned paintings provided by the City of Duarte.
		Duarte, F. Books, papers, conferences, citations on tunable lasers.
	destinia.com /guide/odp/Duarte/55846/de (457 words)

	Document
		Perhaps the most impressive performances are the thoughtful and moving accounts of Duarte Lobo’s pair of funeral motets, Audivi vocem and Pater peccavi, the choir’s sustained and beautiful tone bringing out the harmonic logic of the two pieces to perfection (losing nothing to either the William Byrd Choir or The Sixteen).
		The idiosyncratic Magalhaes Mass is also superlatively sung, Ars Nova seeming to enjoy the abrupt textural contrasts in the work somewhat more than does the rather blander reading by A Capella Portuguesa.
		This is the slowest of the three recordings of Lobo’s Audivi vocem, too.
	home.wanadoo.nl /jdpt/reviews/M/Magal_Holten.htm (303 words)

	Rose Ensemble - Lobo / Van Wilder
		The Rose Ensemble is pleased to announce the release of its first recording, a CD featuring the Requiem mass of Duarte Lôbo and the complete sacred works of Philip van Wilder:
		Duarte Lôbo was the most important Portuguese composer of his day, having spent more than forty years as choirmaster and musical director at the Cathedral in Lisbon.
		His Missa pro defunctis (Requiem mass) is influenced by that of the Spanish composer Tomas-Luis de Victoria, with the plainchant on which the work is based appearing in long, sustained notes in the soprano.
	www.dolcevitaaudio.com /RoseEns1.htm (237 words)

	Cambridge Taverner Choir: Reviews
		But by interspersing the movements of Duarte Lobo's Missa Cantate Domino with motets, organ pieces and plainchant, Owen Rees and the Cambridge Taverner choir give a very good idea of what Sunday Mass might have been like in Lisbon cathedral sometime in the 17th century.
		Though compact, the Missa Cantate Domino sets the text with great attention to detail and shows Lobo's complete mastery of the art of writing for an eight-part choir.
		Lobo's rhythmically exciting climaxes have all the necessary exuberance, and the performances communicate a strong sense of commitment to the music." Daily Telegraph, 16/11/02
	www.cambridgetavernerchoir.org.uk /reviews.html (476 words)

	Adventures of Portuguese 'Ancient Music' In Oxford, London, and Paris: Duarte Lobo's 'Liber Missarum' and Musical ...
		Adventures of Portuguese 'Ancient Music' In Oxford, London, and Paris: Duarte Lobo's 'Liber Missarum' and Musical Antiquarianism, 1650-1850 -- Rees 86 (1): 42 -- Music and Letters
		Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
		Lobo’s music entered the repertory of the Academy of Ancient
	ml.oxfordjournals.org /cgi/content/abstract/86/1/42 (184 words)

	Amazon.com: Sacred Music By Alonso Lobo: Music: Adrianne Hill,Caroline Trevor,Michael Lees,Robert Harre-Jones,Donald ... (Site not responding. Last check: 2007-11-03)
		Versa est in luctum is one of my favorite pieces, not only for the sheer beauty of its part writing, but for the sensitive attention Lobo pays to the emotions indicated in the text (despair, compassion, penitence, and ultimately hope).
		It is the only source for a collection of Lobo's music brought together in one place.
		It starts out sounding as if it were sung by a self-consciously cute child that has been caught with their hand in the cookie jar and is trying to con their way out of trouble.
	www.amazon.com /exec/obidos/tg/detail/-/B0000041M5?v=glance (1262 words)

	Prof. Sundaresan Prabhakar
		"A New Synthesis of (-)-Debromoflustramine B, (+)-ent-Debromoflustramine B and (+)-Debromoflustramide B", Cardoso, A. S.; Natarajan, S.; Lobo, A. Prabhakar, S. Tetrahedron Letters, 2001, 42, 6663-6666.
		""New Syntheses of the Amaryllidaceae Alkaloids Vasconine, Assoanine, Oxoassoanine, Pratosine and Ismine by Radical Cyclisation, Rosa, A. Lobo, A. M.; Branco, P. S.; Prabhakar, S.; Sa-da-Costa, M. Tetrahedron, 1997, 53, 299-306.
		"A New Synthesis of Quinoline Derivatives", Clemente, D. V.; Lobo, A. Prabhakar, S.; Curto, M. Tetrahedron Letters, 1994, 35, 2043-2046.
	www.dq.fct.unl.pt /qoa/SP.html (2437 words)

	CFS1 Aircraft page 34
		Everything else put together by Random Nut (aka Edmond Li).
		Model by Richard Osborne, repaintig, DP profile and panel by Miguel Angel Duarte Lobo.
		by Miguel Angel Duarte Lobo The Airco Built DeHavilland D.H. 2 was quite possibly the airplane.
	www.simviation.com /cfs1aircraft34.htm (333 words)

	ARS NOVA, biography, discography
		With great enthusiasm and expertise, Vocal group ARS NOVA has pioneered in renaissance vocal music with highly praised performances of intricate polyphonic masterpieces by composers such as Guillaume Dufay, Josquin des Prèz, Thomas Tallis, Orlando di Lasso and Giovanni da Palestrina.
		Furthermore, the group has revived neglected masters like Pierre de la Rue, Nicolas Gombert, Filipe de Magalhaes, John Dunstable, Jacob Obrecht, Alonso Lobo, Duarte Lobo, Manuel Cardoso, and Giaches de Wert.
		ARS NOVA made first performances of many of these works in modern age.
	www.goldbergweb.com /en/interpreters/orchestras/16858.php (368 words)

	Magnum Mysterium I
		Hier hören wir Geistliche Chormusik der Renaissance von Palestrina, Tallis, Lobo, Cardioso u.a.
		In fact, it is probably the biggest story of the l990s in the recording industry.
		Agnus Dei from Requiem Mass by Duarte Lobo
	www.blacksun.com /releases/14060.htm (895 words)

	Missa pro defunctis (complete) (Duarte Lobo) - ChoralWiki (Site not responding. Last check: 2007-11-03)
		Missa pro defunctis (complete) (Duarte Lobo) - ChoralWiki
		(Redirected from Missa pro defunctis: Graduale (Duarte Lobo))
		This page was last modified 12:10, 5 January 2006.
	www.cpdl.org /wiki/index.php/Missa_pro_defunctis:_Graduale_(Duarte_Lobo) (90 words)

	VIII International Workshop 'Évora Cathedral Music School', Early music and baroque music courses
		To spread the heritage of Évora Cathedral Music School (16 and 17 centuries);(Friar Manuel Cardoso, Duarte Lobo, Diogo Dias Melgás, Estevão de Brito, Estevão Lopes Morago);
		To create an open environment to the participation of all the comunity;
		To increase the knowledge about the work of Duarte Lobo and Filipe de Magalhães;
	www.goldbergweb.com /en/trainning/portugal/23268.php (157 words)

	LOBO
		Be sure to look for the GEMM Guarantee!
		There are at least 6716 listings in GEMM of rare, hard to find, out of print, collectible, or just plain cheap new & used CDs, LPs, 45s, vinyl, videos, posters, videos, DVDs and more related to "LOBO" from many specialty record stores and collectors around the world.
		Only show "LOBO" listings added in past [ 1 7 14 30 90 ] days.
	www.gemm.com /q.cgi?rb=ANDYBURNETT&wild=lobo (97 words)

	Restaurants in Almancil (Site not responding. Last check: 2007-11-03)
		Replay your last round and watch others teeing off, golfing heaven.
		The Almancil area includes Quinta do Lago and Vale do Lobo.
		There is a wide selection of restaurants, the fish is normally excellent and you can find any meat dish you wish.
	algarvehouses.com /Almancil_restaurants.htm (223 words)

	Cherwell Singers Concert History
		Duarte Lôbo Missa pro Defunctis, Missa Vox Clamantis;
		Durufle Motets, Messe Cum Jubilo, Faure Cantique, Mess Basse, Poulenc Litanies, Francois d'Assise, French motets in aid of the National Autistic Society
		English Anthems, Lobo Lamentations and Libera Me in aid of Oxfam
	www.cherwellsingers.org /concerthistory.html (631 words)

	Portuguese Polyphony (Site not responding. Last check: 2007-11-03)
		Cardoso, Lobo and Magalhães were all students of Manuel Mendes (c.1547-1605) at Évora cathedral.
		Pedro de Escobar was famous in an earlier period, and only recently identified as of Portuguese origin.
		To page of FAQ citation for this disc; alternate location
	www.medieval.org /emfaq/cds/nxs53310.htm (129 words)

	Alonso Lobo: Missa Maria Magdalene (Site not responding. Last check: 2007-11-03)
		The Spanish composer Alonso Lobo (c.1555-1617) was apparently a student of Francisco Guerrero, and not to be confused with the Portuguese composer Duarte Lobo.
		Alonso Lobo: Lamentationes Ieremiae Prophetae / Vivanco: Missa Assumpsit Iesus
		To page of FAQ citation for this disc
	www.medieval.org /emfaq/cds/gim54931.htm (50 words)

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