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Topic: Early Netherlandish painting

	The Donor's Image: Gerard Loyet and the Votive Portraits of Charles the Bold.(Book Reviews)(Book Review) - HighBeam ... (Site not responding. Last check: 2007-09-11)
		Early Netherlandish painting found its defenders in the early 19th century in the likes of Friedrich Schlegel and Johann Wolfgang von Goethe, who declared the works of Jan van Eyck and Hans Memling superior to those of Italians, even Raphael, in their embodiment of Christian truth.
		Painting clearly took a central position in Margaret's collection; although she also owned sculptures by Michel Colombe and Pietro Torrigiani, Conrad Meit is the only sculptor mentioned by name.
		The inventories call the painting "fort bien faicte" and "bien faicte"; in 1535 Bernard van Orley appraised the picture for the new regent, Mary of Hungary, at the high sum of twenty livres.
	www.encyclopedia.com /doc/1G1-122866058.html (5669 words)

	ART REVIEW; Giving Icons Real Life and Humans a Paradise - New York Times
		Organized by Keith Christiansen, a curator of European painting at the Met, and Maryan Ainsworth, a senior research fellow in painting conservation, the show is arranged chronologically.
		And it opens at the birth of the oil tradition, with an early diptych painting of the Crucifixion and the Last Judgment attributed to that most modest of revolutionaries (his motto was ''As best I can''), Jan van Eyck.
		Painted around 1430, the two narrow vertical pictures are about a foot and a half high.
	query.nytimes.com /gst/fullpage.html?res=9C06E5DB1739F936A1575AC0A96E958260 (626 words)

	Peter Gillgren: The Eye of Faith
		A painting in the Hermitage (Petersburg), attributed to the Venetian painter Palma Vecchio (1480-1528) is a typical example of this development (Plate 4).
		While in Italian painting the relation between the human and the divine is characterized by closeness and intimacy, contemplative devotion becomes the main motif of this tradition.
		One of them was painted for the burgher Gerdt Hansson Körner in 1617 to memorialize a dead daughter, and found in the Cathedral of Västerås (Plate 10).
	homepage.mac.com /gillgren/Eye.html (5858 words)

	sehepunkte - Rezensionsjournal für die Geschichtswissenschaften - 6 (2006), Nr. 6
		National Gallery of Art, Washington, DC As stated at the outset the avowed purpose of this book is to examine the "centrality of visual experience" in certain Netherlandish paintings of the fifteenth century and to put them into the context of contemporary devotional practice.
		These are all outstanding examples of early Netherlandish painting, but the publisher has lamentably chosen to illustrate them and the other pictures in the book with fl and white reproductions that are often mediocre in quality, with some tending toward a monochrome gray tonality.
		In particular, he is taken by the seeming paradox of Netherlandish realism, the use of convincing corporeal illusionism to lead the viewer into a state of meditation and devotion that transcends images.
	www.sehepunkte.de /2006/06/9293.html (770 words)

	575bib
		Painting and Sculpture in Germany and the Netherlands, 1400-1500.
		This volume is solely dedicated to the scientific examination of early Netherlandish paintings.
		Painting in the Northern Netherlands in the Fifteenth Century.
	www.spencerart.ku.edu /ha575/nrbib.htm (2863 words)

	The Triumph of the Innocents
		He also provides Hunt with a means of using an iconographic device common in Early Netherlandish painting, for as a complex type of martyr, priest, and Christ himself, this little child enforces upon us the fact that the picture's symbols present the Saviour simultaneously as officiating priest and sacrifice.
		Both the engravings of Dürer, which Hunt studied in the British Museum, and the various painting of the Flemish Masters he encountered on his 1849 pilgrimage to the continent are obvious sources, and later when he visited Florence and Venice he would have found other congenial examples of this form of illumination.
		Furthermore, he succeeded in his lifelong attempt to create a truly English religious painting: drawing upon Protestant interpretations of the Bible, Flemish and German iconography, and Greek, Roman, and Renaissance Italian figure types, Hunt produced a painting that was perceived as characteristically English and yet part of the traditions of art.
	www.victorianweb.org /painting/whh/replete/triumph.html (3551 words)

	The Age of Van Eyck - The Mediterranean World and - Early Netherlandish Painting
		Between 1420 and 1440, a fundamentally new form of painting emerged in the Netherlands, in the work of Jan van Eyck, Robert Campin and Rogier van der Weyden.
		Instead of the stylized forms of expression of late-Gothic art, it set out to convey an observed or pursued reality in a 'realistic' or 'naturalistic' painting style that transcended even the high standard of the generation of artists active around 1400.
		This well illustrated catalogue of the exhibition held at The Groeningemuseum, in Brugge, details the growth and influence of this important movement in early Netherlandish painting.
	www.nijhoflee.nl /article/9789055443963 (125 words)

	PSS! - Arts > Visual Arts > Van Eyck
		Summary: This article explains oil painting as it was invented during the Renaissance by Jan Van Eyck.
		From Van Eyck to Bruegel: Early Netherlandish Painting in the...
		From Van Eyck to Bruegel: Early Netherlandish Painting at SHOP.COM
	www.pssdir.com /dir/category_8241/category_8242/category_8289/category_8289 (392 words)

	Art Museum, Art History, Art Techniques, and Articles on Art - This is the Home Page
		In painting, the term fresco (pl. frescoes) comes from the Italian phrase buon fresco, ("really fresh") a technical term in opposition to in secco ("on dry surface").
		Thus, most of the Early Renaissance works in northern Europe were produced between 1420 and 1550.
		For instance, Early Renaissance artists sometimes used the theme of Adam and Eve as a way to represent female and male nudes in a then morally acceptable way.
	artshowmuseum.com (325 words)

	Staedel-Museum english: 2001-13 Gold, Weihrauch und Myrrhe
		As the former centres of early Netherlandish painting begin to dwindle into insignificance, the big city on the Schelde also assumes the leading role in the development of new forms of expression and means of production in the sphere of art.
		The return to compositions and picture designs of the founding fathers of early Netherlandish painting is combined in Antwerp with a late-Gothic, almost “Mannerist” stylistic vocabulary.
		One of the main proponents of this group is himself only known by the makeshift name of Master of the Groote Adoration“ whose eponymous masterpiece, the triptych of the adoration of the magi, was on public display for the first time in half a century in our cabinet exhibition.
	www.staedelmuseum.de /index.php?id=574 (330 words)

	Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies - The Metropolitan Museum of ...
		The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of the works and shed new light on their meaning in the context of the growing interdisciplinary activity and burgeoning scholarship in the field.
		Each of these areas is considered in two parts: the first summarizes the history of the approach thus far, and the second consists of the respondent's comments on the proposal presented and the charting of unexplored territory for future study.
		The aim is to stimulate further discussion on existing methodology in the field, with a view toward developing new directions for explorations of Early Netherlandish painting.
	www.metmuseum.org /store/st_family_viewer.asp/familyID/{149E698D-3D6E-11D6-9419-00902786BF44}/FromPage/familyNo/10/catID/{4B083233-5B52-4C08-8D79-E56BD3853605} (246 words)

	Christ the Pilot
		As I have argued elsewhere, Hunt had long been attracted to the pictorial theme of the visionary or symbolic boat, which he had employed in both paintings and book illustrations, but the main inspiration of this triptych lay in Evangelical hymnody.
		Although Hunt finally did not complete his projected painting of Christ the Pilot, his last years as an active painter reveal the same concern with appealing directly to the wider public that marked this planned work.
		The artist's fascination, even obsession, with his first great popular success left its mark not only in obvious ways, such as his painting the late version that now hangs in St. Paul's Cathedral, but also in the effects it had upon the composition and themes of his later art.
	www.victorianweb.org /painting/whh/shadlow/pilot.html (761 words)

	Early Netherlandish Painting by Colin Eisler and Simon de Pury : Booksamillion.com (0856673536, Hardcover)
		"Early Netherlandish Painting" will be equally welcome to the art lover, the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.
		The collection is also rich in works by the painters of the new generation of the early 16th century.
		An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling.
	www.booksamillion.com /ncom/books?pid=0856673536 (244 words)

	Medieval Art Bibliography - Painting - Northern, Art History & Theory, University of Otago, Dunedin, New Zealand
		Early Netherlandish painting : from Rogier van der Weyden to Gerard David / Otto Pacht ; foreword by Arthur Rosenauer ; edited by Monika Rosenauer ; translated by David Britt.
		The altar and the altarpiece : sacramental themes in early Netherlandish painting / Barbara G. Lane.New York : Harper and Row, c1984.
		Rogier van der Weyden; an essay, with a critical catalogue of paintings assigned to him and to Robert Campin.
	www.otago.ac.nz /arthistory/medieval/paintingNorthern.html (695 words)

	ARH 343 Northern Renaissance Art: Bibliography
		Bauman, G. and Liedtke, W. Flemish Paintings in America: A Survey of the Early Netherlandish and Flemish Paintings in the Public Collections of North America.
		Châtelet, A. Early Dutch Painting: Painting in the North Netherlands in the Fifteenth Century.
		Wilson, J. Painting in Bruges at the Close of the Middle Ages: Studies in Society and Visual Culture.
	darkwing.uoregon.edu /~arthist/arh343/343biblio.html (1128 words)

	Course Outline - Victoria and Albert Museum
		In the Netherlands the development of oil painting enabled Jan van Eyck and Rogier van der Weyden to paint with astonishing fidelity to appearances, while in Italy the impetus of classical antiquity, triggered by humanist scholars, prompted the creation of a new realistic style by Donatello, Ghiberti and Masaccio in Florence.
		Netherlandish art itself was influential in Italy, however, notably in the adoption of oil painting and in portraiture.
		The period concludes with the French invasions of Italy at the end of the century, the new aesthetic ideal embodied in the transition from early to high Renaissance and the spread of Italian influence north of the Alps, giving Italy an artistic pre-eminence unparalleled before 1500.
	www.vam.ac.uk /activ_events/courses/art_history_courses/medieval_early_ren/outline/index.html (1121 words)

	Books on the Flemish painting Master, Jan van Eyck
		Roughly 130 paintings from the 15th century (almost all on panel) generously fill the pages; some are reproduced here for the first time in color.
		Instead of depicting the sacrament of marriage, Hall argues, the painting commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time.
		This text is a study of the painting commonly known as the "Arnolfini Wedding" by Jan van Eyck in 1434.
	essentialvermeer.20m.com /books/books_van_eyck.htm (605 words)

	The Clark - Met Curator to Speak at the Clark November 20
		Her topic will be "Technical Aspects of Netherlandish Art," including infrared, radiography, and other techniques used to analyze centuries-old paintings.
		Ainsworth is co-author of the catalogue From Van Eyck to Bruegel: Early Painting in the Metropolitan Museum of Art and editor of the recent Early Netherlandish Painting at the Crossroads: A Critical Look at Current Methodologies.
		The 15th-century Netherlandish painter known only as The Master of the Embroidered Foliage is best recognized for his panel paintings of the Virgin and Child.
	www.clarkart.edu /make_a_visit/press_releases/content.cfm?ID=381 (316 words)

	FINA A437 2172 Early Netherlandish Painting (Site not responding. Last check: 2007-09-11)
		In A437, there is an emphasis on the early Netherlandish painters Jan van Eyck, the Master of Flamelle, Rogier van der Weyden and their followers, and on innovations in devotional imagery and developing secular interests.
		the career of Hans Memling, the early 16th century and the concept of "Northern Renaissance," Dutch painting of the 15th and early 16th centuries.
		The course is open to both undergraduates and graduate students; course requirements are a mid-semester and final examination, and a research paper.
	www.indiana.edu /~deanfac/blfal98/fina/fina_a437_2172.html (105 words)

	Philip Wilson Publishers Thyssen-Bornemisza Collection
		German painting from the fourteenth to the early sixteenth century, under the influence first of Netherlandish art and next of the Italian Renaissance,; attained a high point unsurpassed in later times.
		"Early Netherlandish Painting" will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.
		A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established.
	www.philip-wilson.co.uk /acatalog/Tyssen_Bornemisza_Collection.html (1003 words)

	Max J. Friedländer; Max J. Friedlaender; Max J. Friedlander
		Through Lippmann's recommendation, he joined the Gemäldegalerie (Paintings Department) of the Berlin State Museums in 1896 under Wilhelm Bode (q.v.).
		He and Bode were responsible for the great acquisitions years of the Berlin museums, with Friedländer personally donating a number of works to the Gemäldegalerie and Kupferstichkabinett.
		In 1924, Friedländer began publishing his magnum opus, a history of early Netherlandish painting artist by artist, which, for its detail and documentation, has never been surpassed.
	www.dictionaryofarthistorians.org /friedlanderm.htm (860 words)

	Roger van der Weyden Summary
		In its austere and hieratic frontality, the painting displays the influence of Gothic sculpture, yet the absence of demons and other traditional symbols of the tortures of hell suggests a highly subjective, almost modern conception of Christian eschatology.
		Weyden's journey to Rome in 1450 is evidenced by two paintings, the Entombment in Florence and the Virgin and Child with Peter, John the Baptist, Cosmas, and Damian in Frankfurt, which are based on unique Italian iconographies, yet remain thoroughly northern in style.
		In this painting, his only treatment of the theme of the Adoration of the Magi, Weyden attains a total harmony of fluid surface design with formal balance and clarified spatial organization.
	www.bookrags.com /Roger_van_der_Weyden (1677 words)

	Early Netherlandish Painting in The Metropolitan Museum of Art
		The emphasis placed on worldly possessions is quite apparent, and fitting too, as this region was one of the wealthiest in all of Europe at that time.
		In contrast, the last painting on view is Pieter Breugel's The Harvesters, a sweeping pastorale depicting working people involved in the simple pleasures of swimming, eating, and sleeping alfresco.
		Netherlandish Drawings of the Fifteenth and Sixteenth Centuries
	www.culturevulture.net /ArtandArch/Netherlandish.htm (276 words)

	Colin Eisler (Site not responding. Last check: 2007-09-11)
		HDescrip: Art historian of Netherlandish painting and graphic works of art.
		Eisler was born to George B. Eisler, a Hamburg publisher, and Kate Basseches (Eisler).
		He was named professor of art history in 1968 and Robert Lehman Professor of the History of Art.
	www.dictionaryofarthistorians.org /eislerc.htm (240 words)

	Dutch art
		Dutch art: Bibliography - Bibliography On early Netherlandish painting see studies by E. Panofsky (2 vol., 1953) and M. Dutch art: The Twentieth Century - The Twentieth Century During the 20th cent., Dutch painting was strongly influenced by fauvism,...
		Dutch art: Early History - Early History During the Middle Ages, Netherlandish art was subject to the leveling influence of...
		Dutch art: The Eighteenth and Nineteenth Centuries - The Eighteenth and Nineteenth Centuries During the 18th cent.
	www.factmonster.com /ce6/ent/A0816445.html (167 words)

	Early Netherlandish Painting (0856673536) EISLER - Philip Wilson Publishers (Site not responding. Last check: 2007-09-11)
		Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler.
		Levitan’s lyrical, expressive evocations of the Russian countryside are little known in the West and this book is intended as an introduction to his life and work.
		Morandi is often defined within the traditions of still life and landscape painting, and is known for the domestic and local source of his subject matter.
	www.palgrave-usa.com /catalog/product.aspx?isbn=0856673536 (843 words)

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