Factbites
 Where results make sense
About us   |   Why use us?   |   Reviews   |   PR   |   Contact us  

Topic: Eastman Johnson


Related Topics

In the News (Tue 2 Dec 08)

  
  EASTMAN JOHNSON 1824
When Eastman Johnson painted Feather Duster Bay, he was turning to a theme that had considerable appeal to American art patrons in the mid-nineteenth century, that of the young entrepreneur eagerly hawking his wares or his skills.
Johnson draws a solid figure with a convincing contrapposto, and he understands the massing of lights and darks.
Typical also of Johnsons work are his use of the brown underpainting to represent the middle tones in the composition and his deployment of delicate highlights to animate the surface of the painting, such as the blue lights on the boy's shoes.
www.butlerart.com /pc_book/pages/eastman_johnson_1824.htm   (599 words)

  
 Eastman Johnson - MalibuMountainWiki
Eastman Johnson (1824 - 1906) was an American painter.
Eastman Johnson was born and raised in southwestern Maine.
After 1880 Eastman Johnson painted fewer genre subjects and devoted his energy primarily to formal portrait commmissions, for which he was in great demand.
www.malibumountaingallery.com /wiki/index.php/Eastman_Johnson   (403 words)

  
 Eastman Johnson's portrait of aging New England Magazine Antiques - Find Articles   (Site not responding. Last check: 2007-10-08)
Johnson's Corn Husking (Pl. VII) was exhibited at the annual exhibition of the National Academy of Design in New York City in 1861, which opened three weeks before the bombardment of Fort Sumter and was still running when nearly two hundred thousand New Yorkers rallied in Union square in support of the Union cause.
Johnson's inclusion of the inscription "Lincoln and Hamlon" on the barn door in Corn Husking is a reference to Lincoln's running mate in 1860, Hannibal Hamlin (1809-1891) of Maine.
Johnson's subsequent production of what he called "Down east"(6) scenes was dominated by his effort to produce a large and profitable canvas on the theme of maple sugaring, which he never painted despite producing preparatory figure studies.
www.findarticles.com /p/articles/mi_m1026/is_5_156/ai_57590149   (638 words)

  
 Tweed Museum of Art : Eastman Johnson : Paintings and Drawings of the Lake Superior Ojibwe   (Site not responding. Last check: 2007-10-08)
Eastman Johnson (1824 –1906) is one of America's most important painters, known for his scenes of rural life, and for portraits of political and literary figures.
Johnson came to Lake Superior in 1856 and 1857 to visit his sister Sarah, who married Superior pioneer William Newton, and his brother Reuben, owner of a sawmill there.
Unsold after Johnson's death, the works were purchased by Richard T. Crane in 1908, and given to the City of Duluth, where they remain in the collection of the St. Louis County Historical Society.
www.d.umn.edu /tma/exhibitions/ejohnson.html   (246 words)

  
 Sugaring Off - The Maple Sugar Paintings of Eastman Johnson   (Site not responding. Last check: 2007-10-08)
Maple sugar occupies a distinct place in New England lore, a place the artist Eastman Johnson (1824-1906) sought to define and exploit in a series of paintings of sugar making from the early 1860s, when Johnson was becoming one of the most prominent genre painters and portraitists of his time.
Johnson, who lived in Fryeburg, Maine, as a child, used the sugaring off to explore a range of New England characteristics and types.
Yet for all his efforts, Johnson never completed a major oil of the sugaring off, and all of the works in the exhibition are experiments for the final painting that he mysteriously never finished.
www.clarkart.edu /exhibitions/eastman/home_page.cfm   (206 words)

  
 Eastman Johnson: Paintings and Drawings of the Lake Superior Ojibwe
Johnson's images are of individuals, not types, and always present their subjects in a manner that appears both casual and dignified, an observation that has been verified by the comments of many Native American visitors who have seen the exhibition in Duluth.
Eastman Johnson's painting of his sister's husband William Newton is a classic example of mid-19th century portraiture: a skilled blend of accurate likeness, attention to detail, and a hint of the sitter's station in life in his face, body language, and clothing.
Johnson's drawing skill is evident in the firm outlines of the face, with smudges of charcoal that mark the shadows of his cheekbones and textures of his hair.
www.tfaoi.com /aa/6aa/6aa427.htm   (4744 words)

  
 Phoenix Art Museum - Eastman Johnson:The Tea Party   (Site not responding. Last check: 2007-10-08)
Johnson's own daughter, Ethel, was three years old at the time and some of the furniture in this painting is seen in some of his later work.
Johnson was born in Lovell, Maine in 1824.
During his career, Johnson developed two distinct painting styles -- one was a careful, detailed approach to a subject; the other was a looser handling of paint.
www.phxart.org /collection/johnson.asp   (265 words)

  
 MPR: Eastman Johnson's legacy in art
Duluth, Minn. — Eastman Johnson was a New Englander who came to the pioneer west to visit his sister and brother.
He discovered Eastman Johnson's works when he was in high school, and he's been using them as a resource ever since.
Johnson's guide was probably George Bonga, a son of Pierre Bonga, a freed slave.
minnesota.publicradio.org /display/web/2006/06/30/eastmanjohnson   (871 words)

  
 Sugaring Off: The Maple Sugar Paintings of Eastmen Johnson
While Johnson is best known for his portraits of distinguished members of society, representations of fl life in the South, and scenes of cranberry harvests on Nantucket Island, one of his most intriguing projects revolved around his efforts to produce a major picture depicting a "sugaring off" in New England.
While Johnson's maple sugar paintings might at first appear to be straightforward nostalgic scenes of a traditional New England activity, they were intended to communicate a powerful message about freedom and independence.
Given the position of maple sugar in political and moral debates, Johnson could well have understood the subject as a metaphor for the larger themes implicit in the establishment of the nation.
www.huntington.org /ArtDiv/Johnson2004/Johnson2004.html   (987 words)

  
 Eastman Johnson - Search Results - MSN Encarta
Johnson, Eastman (1824–1906), American painter, who painted in the open air, developing a fresh and luminous landscape style.
Johnson & Johnson, one of the world’s oldest and largest drug and consumer products companies, based in New Brunswick, New Jersey.
Iowa City, city, seat of Johnson County, eastern Iowa, on the Iowa River; incorporated 1853.
encarta.msn.com /Eastman_Johnson.html   (104 words)

  
 mnartists.org | Portraiture sans Politics: Eastman Johnson’s portrayal of the Ojibwe   (Site not responding. Last check: 2007-10-08)
Johnson (1824-1906) painted with remarkably dignity and apparent objectivity the Ojibwe people he observed during a trip to the Lake Superior region in the mid 1800s.
Gawboy borrows from Johnson again in “Eastman Johnson’s Woman,” a spin on a 1856-57 original entitled “Sha men ne gun” that shows a woman in typical Ojibwe dress.
Johnson’s and Gawboy’s drawings are joined in the gallery by a deluge of other art and information, including books, maps, beadwork, American Indian imagery by other artists and non-Ojibwe portraits by Johnson.
www.mnartists.org /article.do?rid=118299   (858 words)

  
 Jonathan Eastman Johnson Biography | Encyclopedia of World Biography
The American painter Jonathan Eastman Johnson (1824-1906) excelled at genre paintings of life in America during the 1860s and 1870s.
Eastman Johnson was born in August 1824 at Lovell, Maine.
It was not until 1848 that Johnson made his first oil painting, a portrait of his grandmother.
www.bookrags.com /biography/jonathan-eastman-johnson   (513 words)

  
 Eastman Johnson   (Site not responding. Last check: 2007-10-08)
A native of Lowell, Maine and raised in Augusta, Eastman Johnson earned a reputation as a renowned painter of sentimental genre.
When Eastman was ten, the family moved again, this time to Augusta, Maine, where Eastman became a clerk in a dry good store and where the family prospered.
Eastman Johnson went to Boston at age sixteen to train as a lithographer but shortly after returned to Augusta and built his art career on more familiar territory.
www.shannons.com /eastmanjohnson.htm   (525 words)

  
 Eastman Johnson: Painting America
Eastman Johnson: Painting America is a comprehensive retrospective of Johnson' s career, which spanned the Civil War through the turn of the century.
Eastman Johnson was born in 1824 and raised in southwestern Maine.
Johnson also cultivated a circle of patrons that included some of the city's most prominent collectors, and became by the end of the decade one of New York' s most respected and popular artists.
www.tfaoi.com /aa/1aa/1aa282.htm   (1046 words)

  
 [No title]
Johnson played a lively role in the New York Art milieu, holding memberships at the Century Association and the Union League Club and exhibiting with the Society of American Artists.
Eastman Johnson began his career in art at the age of 16, after becoming engaged as an apprentice to the Bufford's lithography firm in Boston, Massachusetts.
We are indebted to Johnson scholar Patricia Hills and Ira Spanierman Gallery for the research they have shared on Eastman Johnson in preparation for Dr. Hills' forthcoming catalogue raisonné of the artist's work.
www.askart.com /askart/j/eastman_johnson/eastman_johnson.aspx   (1731 words)

  
 Eastman Johnson ( - ) Artwork Images, Exhibitions, Reviews
Johnson, Eastman Portrait of Langhamer 1849 Crayon and charcoal on light brown paper Sheet: 60.0
The Hatch Family, 1870-1871 Eastman Johnson (1824-1906)AmericanOil on canvas; 48 x 73 3/8 in.
Ed and Stacia Johnson are featured in the International Library of Photography in several upcoming editions, and have their work featured on several web sites.
wwar.com /masters/j/johnson-eastman.html   (1544 words)

  
 Eastman Johnson: Painting America
The exhibition will be accompanied by a catalogue that is the first major publication on Eastman Johnson since 1972 and the first ever to illustrate his work in full color.
Jane Weiss writes about Johnson's domestic subjects in the context of the burgeoning domestic fiction movement of the period.
A comparative study of Eastman Johnson and Winslow Homer in the postwar years is the subject of an essay by Sarah Burns.
www.tfaoi.com /newsm1/n1m212.htm   (1251 words)

  
 Eastman Johnson The Caldwell Gallery
Eastman Johnson studied art in Düsseldorf from 1849-51 and then at The Hague from 1851-55 where he was known as the “American Rembrandt”.
Johnson’s subjects were usually African American life as well as rural genre paintings.
In the 1880s Johnson painted portraits of the rich and famous such as John Quincy Dams, Daniel Webster and Ralph Waldo Emerson.
www.caldwellgallery.com /bios/ejohnsonbio.html   (135 words)

  
 A Bio. of America: Slavery - Feature
Eastman Johnson was born in Maine in 1824, and after some training as a lithographer in Boston, established himself as an itinerant portrait painter based in Portland.
In 1848, Johnson decided to travel to Germany to study at the famous Dusseldorf Academy where he met with Emanuel Leutze who was at work on his famous painting, Washington Crossing the Delaware.
Several years later, Johnson found himself in the Netherlands, at the Hague.
www.learner.org /biographyofamerica/prog09/feature/essay.html   (223 words)

  
 Timken Museum: Eastman Johnson
Using an evocative, rather than descriptive, technique, Johnson lavishes attention on the landscape, from the dry grasses of the cranberry bog to the distant and accurate view of Nantucket's spires and lighthouse.
The principle focus of this scene washed by late-afternoon light is the configuration of pickers, and their poses and gestures.
The standing woman in the center who looks at a boy carrying an infant to her creates a narrative suggesting that the artist recorded the scene as he witnessed it.
www.timkenmuseum.org /1-american-johnson.html   (143 words)

  
 Eastman Johnson, (1824-1906) - Lawrence J. Cantor and Company
Eastman Johnson, portrait and genre painter, was perhaps the most prominent and successful of the many American artists who came to the fore at the time of the Civil War.
Born Jonathan Eastman Johnson in Lowell, Maine, July 29, 1824; died in New York, April 5, 1906.
He was the son of Philip C. Johnson, Secretary of State for Maine.
fineoldart.com /browse_by_essay.html?essay=330   (237 words)

  
 Eastman Johnson - Wikipedia, the free encyclopedia
He was best known for his genre paintings, paintings of scenes from everyday life, his portraits both of everyday people, but he also painted portraits of prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow.
Eastman Johnson - Henry Wadsworth Longfellow - Nathanel Hawthorne - Ralph Waldo Emerson - each Crayon and Chalk on Paper 21 x 19 in.
His paintings and sketches of the Ojibwe remained unsold during his lifetime and now are in the possession of the Tweed Museum of Art on the campus of University of Minnesota Duluth.
en.wikipedia.org /wiki/Eastman_Johnson   (1331 words)

  
 eBay Guides - Eastman Johnson Picture
I have a print of a painting that was done by Eastman Johnson during the time he was still in art school in Holland.
At the botton it says Eastman Johnson 1853 and it looks like it says Hannah.
The picture is of a girl maybe a boy and the picture is real old and not in the orginal frame.I have ask several places about this picture and no one seems to be able to help.
reviews.ebay.com /Eastman-Johnson-Picture_W0QQugidZ10000000000709679   (233 words)

  
 Celebrating The American Wing: American Portraits | Explore & Learn | The Metropolitan Museum of Art   (Site not responding. Last check: 2007-10-08)
The most elaborate of Johnson's informal group portraits in a domestic interior, the painting stems from the tradition of eighteenth-century English conversation pieces and seventeenth-century Dutch interiors.
Johnson painted it with the high finish and meticulous draftsmanship for which he was highly acclaimed.
Roll over the image with your mouse to explore details of this painting in greater depth.
www.metmuseum.org /explore/amwing/html/el_amwing_hatch1.htm   (157 words)

  
 Eastman Johnson Online
Eastman Johnson in the Los Angeles County Museum of Art Database
Eastman Johnson at the National Portrait Gallery, Washington D.C. Portrait of Benjamin Harrison
All images and text on this Eastman Johnson page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
www.artcyclopedia.com /artists/johnson_eastman.html   (284 words)

  
 Director's Choice: "The Girl I Left Behind Me"   (Site not responding. Last check: 2007-10-08)
We do know that Johnson thought enough of this large painting (almost 42 x 35 inches) to send it to major exhibitions in Chicago, Brooklyn, and Philadelphia in 1875 and 1876.
It was still in Johnson's possession—along with several other ambitious and important pictures—when he died in 1906.
Alexander Hamilton Rice in memory of her husband and by Ralph Cross Johnson.
americanart.si.edu /collections/tours/johnsone/index.html   (202 words)

  
 Eastman Johnson
You are in: Museum of History >> Hall of North and South Americans >> Eastman Johnson
JOHNSON, Eastman, artist, born in Lovell, Nebraska, 29 July, 1824.
Adopting drawing as a profession at eighteen, he settled first in Augusta, Nebraska, working almost wholly on portraits in fl and white and in pastel.
www.famousamericans.net /eastmanjohnson   (534 words)

  
 Lamson Library » Blog Archive » Eastman Johnson : Painting America
From Crayon to Brush: The Education of Eastman Johnson, 1840-1858 / Teresa A. Carbone
Eastman Johnson and Winslow Homer in the Postwar Decade / Sarah Burns
tags: brooklyn museum of art, carbone, teresa a, exhibitions, hills, patricia, johnson, eastman, 1824-1906, johnson, eastman, 1824-1906 — exhibitions, san diego museum of art, seattle art museum
www.plymouth.edu /library/opac/record/1294691   (412 words)

  
 Amazon.com: Eastman Johnson: Painting America: Books: Teresa A. Carbone,Patricia Hills   (Site not responding. Last check: 2007-10-08)
The first major Eastman Johnson retrospective in the last 25 years will be held at the Brooklyn Museum of Art from October 29, 1999 - February 6, 2000.
The paintings of Eastman Johnson (1824-1906) are distinguished icons of American art.
Exceptionally gifted as a draftsman, Johnson returned from his years of European training highly skilled and inspired by the liberating example of Rembrandt-bringing a refined and evocative handling of color and light to his subjects.
www.amazon.com /Eastman-Johnson-Painting-Teresa-Carbone/dp/0847822141   (1265 words)

  
 MAM - Collection - American Art - John Frederick Kensett
The early 1870s marked the height of Eastman Johnson’s career.
His sentimental genre scenes of rustic youth and rural life were extremely popular in the wake of the Civil War, evoking a nostalgia for simpler times.
This energetic and convincingly spontaneous scene of children playing on the wreck of a stagecoach was actually staged in Nantucket on a platform, which the artist altered in the studio to conform to an abandoned coach he had drawn in the Catskills.
www.mam.org /collections/americanart_detail_johnson.htm   (148 words)

Try your search on: Qwika (all wikis)

Factbites
  About us   |   Why use us?   |   Reviews   |   Press   |   Contact us  
Copyright © 2005-2007 www.factbites.com Usage implies agreement with terms.