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Shouting across the Distance: Liminal States in Eavan Boland's Outside History |
 | | Boland is acutely aware of this socio-poetic bind and struggles with it in her poems and essays, searching for a hospitable territory-by definition, a liminal domain-in which woman and poet may overlap. |
 | | Boland realized that in terms of her politics and her poetics, she was living in a space between two realities, between what she terms the two "kingdoms" of experience and expression, the former inhabited by the word woman and the latter, by the word poet. |
 | | Boland undermines the trope by her choice of subject (a mother, a nappy, a child with a sticky mouth), her speaker's gender, and the suggestion that the "mother tongue" is one that speaks of women's concerns, with a lexicon of women's familiar objects. |
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