
	Where results make sense

Topic: Eddie Campbell

Related Topics

Comic book

Graphic novel

Sal Buscema

Cerebus the Aardvark

Dave Sim

John Byrne

The Brave and the Bold

List of comic creators

Blue Beetle

Justice League

Bacchus

Pan (mythology)

Donkey

Chinese dragon

Tianlong

In the News (Thu 17 Dec 09)

Northern Trust

Marvin Harrison

Peter Chernin

Gary Locke

Match Play

Penelope Cruz

Mickey Rourke

AR Rahman

Danny Boyle

Hugh Jackman

	Eddie Campbell - Biocrawler (Site not responding. Last check: 2007-09-19)
		Grafitti Kitchen, which Campbell considers the highpoint of the series, was published by Tundra in 1993, and The Dance of Lifey Death followed in 1994 from Dark Horse Comics.
		Campbell did start to serialise another work, The History Of Humour, within the pages of his magazine Eddie Campbell's Egomania, but given the demise of the magazine in December 2002 it is questionable if this work will ever be finished.
		Campbell founded Eddie Campbell Comics and began self-publishing in 1995, after the film rights to From Hell were optioned.
	www.biocrawler.com /encyclopedia/Eddie_Campbell (1671 words)

	Eddie Campbell - Wikipedia, the free encyclopedia
		Eddie Campbell (born August 10, 1955) is a Scottish-born comics artist and cartoonist who now lives in Australia.
		Campbell did start to serialise another work, The History Of Humour, within the pages of his magazine Eddie Campbell's Egomania, but given the demise of the magazine in December 2002 it is questionable if this work will ever be finished.
		Campbell continued the story with Dark Horse until 1995 as a series of miniseries.
	en.wikipedia.org /wiki/Eddie_Campbell (1751 words)

	read yourself RAW - Profile: Eddie Campbell
		Eddie Campbell (1955-) was born in Scotland, but now lives in Australia, having emigrated in 1986 with his Australian-born wife, Annie.
		Eddie Campbell conducts an investigation into his own sudden disappearance, producing a complex meditation on the lonely demands of art amid the realities of everyday life.
		Eddie Campbell has created a graphic novel about the rise and fall of the graphic novel itself and along the way draws potent conclusions about the very nature of art.
	www.readyourselfraw.com /profiles/campbell/profile_campbell.htm (1153 words)

	VIBE.com: Music Search
		Best known as one half of the duo Eddie & Ernie, who cut a series of brilliant if criminally unknown singles that rank with the finest soul records of the 1960s, singer Eddie Campbell was born December 23, 1940, in Lodi, TX, and raised in Phoenix.
		Campbell's "Contagious Love" appeared first, followed by Johnson's devastating "I Can't Stop the Pain." Neither record generated much interest, and the singers agreed to go their separate ways.
		Campbell relocated to Los Angeles to focus on songwriting, while Johnson remained in Phoenix, battling substance abuse.
	www.vibe.com /music/search/artist.html?id=UCAgIDc0MzE1Ng== (488 words)

	Bacchus (comics) - Wikipedia, the free encyclopedia
		Bacchus is a comics character created by Eddie Campbell and based upon the Roman god of wine and revelry, known to the Greeks as Dionysus.
		Campbell worked with numerous collaborators on the many series and appearances Bacchus made, beginning with Phil Elliott, whom Campbell approached to colour the Deadface and Bacchus covers.
		Hermes vs. The Eyeball Kid is credited as being written by Eddie Campbell and Wes Kublick and drawn by Eddie Campbell, Pete Mullins and April Post, with Mullins again assisting with the art on the latter two thirds of The Picture Of Doreen Grey, whilst The Ghost In The Glass featured art by Teddie Kristiansen.
	en.wikipedia.org /wiki/Bacchus_(comics) (783 words)

	Cleveland Irish \| Eddie Campbell \| West Side Irish American Club
		It was in Ballycroy, County Mayo, Ireland that Eddie Campbell was born on August 13, 1925.
		Eddie moved to the West Side when he got married and instantly became active in the West Side Club, which, at the time, was located at 98th and Madison.
		Eddie was also one of the original founders of the United Irish Societies along with the late Rip Reilly and Pat Lynch.
	www.clevelandseniors.com /people/eddiecampbell.htm (1503 words)

	From Hell - Alan Moore, Eddie Campbell - Graphic novel review
		Campbell's monochrome artwork on the story is typical of his style but perfectly suited to the dark, gas-lit streets of Victorian London.
		There's an evocation of the period here and Campbell's work is perfect to pull you into the pea-soup fog and grimy poverty.
		This is horror at its most disturbing, partly because it's based on a true series of crimes and partly because of the complete disregard the ruling classes have for their socially inferior neighbours.
	www.grovel.org.uk /reviews/fromhe01/fromhe01.htm (389 words)

	The Friday Review: Bacchus: Immortality Isn't Forever
		Eddie Campbell is best known for FROM HELL and ALEC, but one of his longest running works covers the modern day exploits of an ancient god of wine.
		Bacchus is supposed to be virile and youthful, the fusing of the masculine and the feminine.
		Campbell knows his mythology, with one of Bacchus's new followers, Simpson, an owlish scholar who knows his Euripides back to front, quoting works to do with the god of wine.
	www.ninthart.com /display.php?article=732 (860 words)

	Neil Gaiman - Neil Gaiman's Journal
		Well, the news, at http://www.eddiecampbellcomics.com/ isn't that Eddie Campbell Comics is stopping.
		Just that Eddie's not going to be self-publishing the next major work he's doing, and is enjoying not working for himself for right now.
		(At least, that's what it says if I've read it right.) In the meantime, twenty years of Eddie Campbell work, on Alec and on Bacchus, is now pretty much all collected and in print and available, which is in itself a small cause for celebration.
	www.neilgaiman.com /journal/2003/02/neil-doesnt-it-suck-news-that-eddie.asp (286 words)

	Perpetual Comics Articles (Site not responding. Last check: 2007-09-19)
		It is unfair to cast Campbell as an inferior draftsman, as he has proved time and time again that he's perfectly capable of rendering near-photographic quality with his pen...
		From there, Campbell thought it'd be keen to do a quarterly magazine entitled EGOMANIA, (as Campbell is quick to point out, his wife named it) where he'd not only do a continuing graphic history of humor, but also various articles & interviews of anything that currently struck his fancy.
		Campbell now has a good-sized and well-deserved fan base, (myself among them) who will keep their eyes peeled in anticipation.
	www.perpetualcomics.com /Column.asp?ColId=323 (1453 words)

	Looking Inside Out. The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell) by Lisa Coppin
		The motive: Queen Victoria discovers Crown Prince Eddy has a child with an ordinary woman and charges William Gull with the mission to avoid the leaking of this secret that could mean the ruin of the empire that is already in distress.
		Moreover, illustrator Eddie Campbell visualizes all this raw material in a very rough manner; his drawings are all but a caress for the eye with their hard and angry pen strokes.
		Moore and Campbell focus in the construction of their book precisely on the return of both textual and visual elements to create an uncanny feeling.
	www.imageandnarrative.be /uncanny/lisacoppin.htm (6845 words)

	TIME.com: All Yours in No Easy Steps -- Page 1
		Eddie Campbell's new book, "Alec: How to be an Artist," ($13.95, 128pp.) should not be confused with books like Lee & Buscema's "How to Draw Comics the Marvel Way," or Will Eisner's "Graphic Storytelling." Consider the cover: a man sits with his head in his hand, thinking.
		Using this tether Campbell dives into and returns from extended caveats on subjects like the history of the industry during the '80s "boom-years," the difference between craft and art, and the challenges of remaining an Artist in such an historically disposable medium.
		Campbell has a sketchy style that captures the essence of a moment through the expression of his line, rather than minute details.
	www.time.com /time/sampler/article/0,8599,128668,00.html (671 words)

	Eddie C. Campbell, MP3 Music Download at eMusic
		Campbell left rural Mississippi for the bright lights of Chicago at age ten, sneaking a peek at Muddy Waters at the 1125 Club soon after he arrived and jamming with his idol when he was only 12.
		Campbell paid his sideman dues on the bandstand with everyone from Howlin' Wolf and Little Walter to Little Johnny Taylor and Jimmy Reed.
		Campbell cut his own debut album, the rousing King of the Jungle, in 1977 for the Steve Wisner's short-lived Mr.
	www.emusic.com /artist/10566/10566507.html (352 words)

	Comic Book Galaxy - Pushing Comix Forward Since 2000.
		Eddie Campbell, as writer, artist, and publisher, is an entity unlike any other you are likely to find in the annals of comics history.
		Eddie's own work, whether the autobiographical Alec stories or the more visceral Bacchus, sometimes takes a backseat in discussions of Campbell in the glare of From Hell's vast influence, buoyed by his own meticulous visual research and the utterly mind-blowing implications of Moore's story.
		If you have never read an Eddie Campbell comic that he himself wrote, you are, in my estimation, missing out on one of the finest experiences that comics, indeed, even has to offer.
	www.comicbookgalaxy.com /campbell.html (3125 words)

	READERSVOICE.COM - Comics Artist Eddie Campbell - May
		In an interview not long before his comic FROM HELL was made into a movie, I talked to Eddie Campbell about his life, his comics and his reading.
		Comics artist Eddie Campbell is probably best known for his comic FROM HELL, about the Jack the Ripper murders and the royal cover-up conspiracy theories, which was made into a film starring Johnny Depp.
		Campbell decided to be an artist and left the factory to live in London in the late 1970s, early '80s.
	www.readersvoice.com /interviews/2003/May/66 (841 words)

	iComics.com
		Campbell's storytelling for Alec: How to be an Artist is interesting in that he not only traces his own history, but that of the graphic novel at the same time.
		Campbell doesn't romanticize the industry at all; he does an excellent job of showing how success one minute can be snatched away a moment later.
		Campbell does a great job of mapping the ups and downs of the comics scene, and showing how it mirrored his own life.
	www.icomics.com /rev_051601_alec.shtml (534 words)

	Spartanburg SC \| GoUpstate.com \| Spartanburg Herald-Journal (Site not responding. Last check: 2007-09-19)
		Eddie Campbell (born August 10 1955) is a Scottish comics artist and cartoonist who now lives in Australia.
		Campbell self-published these early comics in the amateur press association BAPA and then as short-run photocopied pamphets in London in the early 1980s, selling them at conventions and comic marts and via Paul Gravett's "Fast Fiction" market stall.
		Graffiti Kitchen, which Campbell considers the highpoint of the series, was published by Tundra in 1993, and The Dance of Lifey Death followed in 1994 from Dark Horse Comics.
	www.goupstate.com /apps/pbcs.dll/section?category=NEWS&template=wiki&text=Eddie_Campbell (1712 words)

	Ninth Art - The Friday Review: Alec: How To Be An Artist
		Campbell continues to use the character of Alec from his earlier works, the excellent THE KING CANUTE CROWD and GRAFFITI KITCHEN (the latter in particular is highly recommended), but the reader is left in no doubt that, as with the earlier works, this follows the story of Campbell's own life.
		In his brief Foreword, Campbell suggests that, "If you don't care for history, then just pretend I made it all up." It is a great tribute to Campbell (both his storytelling ability and the way he has lived his life) that the book is capable of standing on its entertainment value alone.
		Campbell's writing style is refreshingly frank and conversational - the reader is left with the feeling that they are listening to a person speak, rather than lifting the words visually from the page.
	www.ninthart.com /printdisplay.php?article=105 (1072 words)

	artbomb.net
		Eddie Campbell self-published his first graphic novel in 1975, long before anyone knew it was okay to do that sort of thing.
		In the next twenty years, he continued to tell his stories by whatever means were available to him, whether that be photocopied stripzines, strips in newspapers, short pieces in magazines, long chapters in an irregular periodical, and even regular American-style comic book pamphlets.
		Currently available from Eddie Campbell Comics are three volumes of his influential autobiographical series ALEC, eight of the mythological satire BACCHUS, and the multi-award-winning FROM HELL, now a big Hollywood wank.
	www.artbomb.net /profile.jsp?idx=2&cid=12 (197 words)

	[No title] (Site not responding. Last check: 2007-09-19)
		LUCIE E. In 1855, Lucie Eddie Campbell, the youngest of nine children, was born to Burrell and Isabella (Wilkerson) Campbell in Duck Hill, Mississippi.
		Lucie Campbell was educated in the public schools of Memphis.
		She defied the "Jim Crow" streetcar laws when she refused to relinquish her seat in the section reserved for whites, and as president of the Negro Education Association she struggled with governmental officials to redress the inequities in the pay scale and other benefits for Negro teachers.
	www.tnstate.edu /library/digital/camp.htm (684 words)

	PopImage Feb '00 (Site not responding. Last check: 2007-09-19)
		Alan Moore and Eddie Campbell's 11-year Jack the Ripper project is finally collected.
		Campbell's scratchy, organic art is the perfect way to depict this period, and the effects achieved when the style varies into softer tones are very nice indeed.
		Campbell, on the other hand, has used his research to ensure that the art is accurate down to the smallest details, which provides a solid grounding for Moore to straddle the line between fiction and reality.
	www.popimage.com /feb00/reviews/fromhell.html (798 words)

	Mars Import - Creator
		Campbell has always worked as an author, which placed him ahead of his time in the 80s environment of writers, pencillers, and humor cartoonists.
		Campbell's eye for human expression, urban details, and historical research gives the story a terrifying authenticity that properly supports the power of Moore's language and story structure.
		Campbell is continuing to work with Moore, adapting his occult performances The Birth Caul and Snakes and Ladders.
	www.marsimport.com /display_creator?ID=942 (403 words)

	The Comics Reporter
		CAMPBELL: The typeset pages work fine, allowing that they are, when all is said and done, just a big joke, but of course i consider myself as being in the joke business and Fate of the Artist is but a colossally elaborate jest.
		CAMPBELL: I gave the text of the O.Henry story "Confessions of a Humorist" to one or two people to read and they agreed that it really was me in that story.
		CAMPBELL: Well, of course i have to make a living, and not everything i do is necessarily something I want on my permanent bookshelf, or that I can stand up against the artistic principles you find me spouting about in interviews like this.
	www.comicsreporter.com /index.php/resources/interviews/4621 (4452 words)

	iCOMICS - 12/22/98: The Birth Caul By Alan Moore & Eddie Campbell
		The news that Eddie Campbell is going to be adapting THE BIRTH CAUL into comic form is one I find terrifically exciting on so many levels."
		Eddie Campbell is preparing a fully illustrated graphic novel version of Alan Moore's masterwork, THE BIRTH CAUL.
		It started life as a reading/performance piece in 1995 at the county courthouse in Newcastle-upon-Tyne, England, where it was sound-taped and subsequently released as a (very hard to obtain) CD.
	www.icomics.com /122298_moore_campbell.htm (177 words)

	Alan Moore and Eddie Campbell, From Hell
		When Prince Albert Victor, known to friends as Prince Eddy, falls in love with a shop girl, impregnates her, and secretly marries her, he sets in motion the actions which will bring a reign of terror to Whitechapel.
		Annie Crook is taken to a madhouse, and her daughter Alice is left in the care of Mary, or Marie, Kelly, a Whitechapel prostitute.
		Eddie Campbell's fl-and-white artwork, mostly ink drawing with a few charcoal panels for effect, brings a starkness to the story that strengthens it, reduces it to the essentials.
	greenmanreview.com /book/book_moorecampbell_fromhell.html (1070 words)

Try your search on: Qwika (all wikis)