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| | Edgar Degas (via CobWeb/3.1 planetlab2.cs.unc.edu) (Site not responding. Last check: 2007-10-14) |
 | | Degas was much harder to take, with his spiny intelligence (never Renoir's problem), his puzzling mixtures of categories, his unconventional cropping and, above all, his "coldness" - that icy, precise objectivity which was one of the masks of his unrelenting power of aesthetic deliberation. |
 | | Degas was the most modern of artists, but his kind of modernity, which entailed a passionate working relationship with the remote as well as the recent past, hardly exists today. |
 | | Degas copied everything from Mantegna to Moghul miniatures, and even the work of lesser painters than himself; an artist, he said, should not be allowed to draw so much as a radish from life without the constant habit of drawing from the old masters. |
| www.artchive.com.cob-web.org:8888 /artchive/D/degas.html (1811 words) |
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