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| | The First Fifty Years of American Cinema |
 | | As the lead director at the Biograph studio, Griffith spearheaded numerous cinematic advances, including varied shot depth, such as close-ups and far shots; special effects, such as irises and split screens; the move to high-quality stories; expressive lighting and camera angles; longer film lengths; traveling shots; and a more naturalistic, low-key acting style. |
 | | The Trust was formed with the 1908 merger of studios Edison, Biograph, Vitagraph, Essanay, Lubin, Selig, Kalem, Méliès and Pathé. |
 | | Edison bought and pooled 16 major patents on movie machines, such as cameras and projectors, then entered into an exclusive agreement with Eastman Kodak for the supply of raw film stock. |
| www.fathom.com /course/21701779/session2.html (1369 words) |
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