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| | Self-Expression; and Edmund Kean |
 | | Over the next nine years Kean and the woman he married, Mary Chambers, were strolling players in the provinces of England, often penniless and hungry, trying desperately to feed and clothe their two young sons who performed with them, one of whom died. |
 | | When Edmund Kean, after hardship that had him destitute and frantic, made his debut at London's Drury Lane Theatre on January 26, 1814, the audience saw the self of a man taking an outside form in a way that was tremendous and new. |
 | | Edmund Kean's life—his greatness as an artist, his hopes as a man—show the truth of Aesthetic Realism and what it can teach every man about how to have the honest, vibrant, joyous self-expression men have longed for. |
| www.aestheticrealismtheatreco.org /bcarticleonkean.htm (2857 words) |
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