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Topic: Eduard Steuermann

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	steuermann.html (Site not responding. Last check: 2007-09-21)
		Steuermann composed songs and choruses, music for solo piano, chamber works including Seven Waltzes for String Quartet (1946), a piano trio (1954), a string quartet, Diary (1961), and pieces for orchestra, among them a set of Variations (1958) and a Suite for Chamber Orchestra (1964).
		Some freely atonal, some serial, they are of economical, fastidious workmanship, imbued always with a keen feeling for instrumental style and sonority, and bearing, in their sensuousness, traces of his involvement with Debussy and Skryabin.
		Schuller: ' A Conversation with Steuermann', PNM, iii/1 (1964--5), 22--35
	www.schoenberglaw.com /exiles/steuermann.html (375 words)

	cdx29107 fanfare (Site not responding. Last check: 2007-09-21)
		Eduard Steuermann's piano trio transcription of Verklärte Nacht is an altogether unusual achievement.
		I'm convinced that, had Steuermann's 1932 arrangement gotten properly out in the world when it was new, it would be well inside the present boundaries of standard repertoire for the ensemble of violin, cello, and piano.
		Steuermann's motifs are clearly discernible, quite memorable enough to grasp and recall, and therefore to follow through a process lasting just twenty-three minutes.
	www.appassionato.ch /repertoire/catalogue/Reviews/29107FA.html (641 words)

	Arnold Schoenberg Center - Newsletter 4
		A rarity, then, is a heretofore uncatalogued autograph letter from Arnold Schönberg to the renowned pianist Eduard Steuermann written on 8 November 1916, which our foundation was able to acquire at Sotheby’s London auction of 4 December 1998.
		Steuermann furthermore arranged "Verklärte Nacht" for piano trio.
		Since during the first World War Eduard Steuermann was declared unfit for military duty at the front, he was assigned to the medical staff and in 1916 stationed in Przemysl as corporal.
	www.schoenberg.at /2_center/newsletter_edition4_e.htm (2492 words)

	Arnold Schoenberg in Berlin
		The sounds directly become an animalistic, immediate expression of sensual and spiritual movements.” With “Pierrot lunaire,” Arnold Schönberg wrote a composition that became the embodiment of expressionist aesthetics: to a multi-colored, fixed instrumental quintet is added a speaking voice that takes over the recitation of the 21 texts by Giraud.
		The work was completed on 9 July 1912, and the rehearsals, at which the Schönberg pupil and pianist, Eduard Steuermann, played a major role, began: “For my part, I will never forget these weeks and months, when the eight o’clock mail-delivery arrived with a new piece of the work.
		Steuermann reported about the première of “Pierrot”: “Frau Zehme insisted on appearing in a Pierrot costume and standing alone on the podium.
	www.schoenberg.at /4_exhibits/asc/berlin_2000/asc_berlin8_e.htm (374 words)

	Untitled Document (Site not responding. Last check: 2007-09-21)
		As both the son of a singer and the nephew of a singer, he could read notes - as Adorno would have it - before he could read the letters of the alphabet; the earliest of his piano pieces which have been preserved is the work of a seventeen-year-old.
		His first composition and piano teachers, in the Frankfurt days, were Bernhard Sekles and Eduard Jung; later, in Vienna, from 1925, it was to be Alban Berg and Eduard Steuermann.
		Adorno seems not to have cared much to have his piano pieces counted among those works on the basis of which he wanted to be judged as composer.
	www.amsterdam-adorno.org /T_RT_twa-music.html (2448 words)

	Jerome Lowenthal - Wikipedia, the free encyclopedia
		He has played sonatas with Itzhak Perlman, piano duos with Ronit Amir, his late wife and Ursula Oppens, as well as quintets with the Lark Quartet, Avalon Quartet, and Shanghai Quartet.
		His studies included lessons with Olga Samaroff in Philadelphia, William Kapell and Eduard Steuermann at the Juilliard School in New York, and Alfred Cortot at the École Normale de Musique de Paris in Paris, France.
		A prizewinner at Queen Elisabeth Music Competition in Brussels (1960) and Busoni Competition, he is a frequent judge in international piano competitions.
	en.wikipedia.org /wiki/Jerome_Lowenthal (313 words)

	Grudeff, Marian
		She taught 1948-52 at the RCMT, continued to give concerts, and toured British Columbia in 1951.
		Later she studied piano with Eduard Steuermann in New York and composition with Nadia Boulanger in Paris, and performed in Europe.
		Throughout the 1950s and the early 1960s she was connected with the Toronto revue Spring Thaw, beginning in 1950 as a rehearsal pianist, continuing as an arranger, serving 1956-62 as music director, and collaborating 1957-63 with Ray Jessel on lyrics and music.
	www.thecanadianencyclopedia.com /index.cfm?PgNm=TCE&Params=U1ARTU0001460 (366 words)

	Heller, Irving
		Heller studied 1940-3 at the Juilliard School with Carl Friedberg (piano) and Vittorio Giannini (composition), and obtained the Harry Rosenberg Memorial Prize in 1942 as best pianist among the graduating students.
		After working with Eduard Steuermann in New York City and California, he studied 1948-9 in Paris at the École normale de musique with Yves Nat (piano) and at the Paris Conservatory with Nadia Boulanger (composition).
		He returned to New York in 1956 and then moved to Montreal, where he taught piano 1960-78 at the Conservatoire de musique du Québec à Montréal.
	thecanadianencyclopedia.com /PrinterFriendly.cfm?Params=U1ARTU0001590 (228 words)

	Alfred Brendel
		After the war, Brendel composed music, as well as continuing to play the piano and paint.
		He never had any more formal piano lessons, however, and although he did attend masterclasses with Edwin Fischer and Eduard Steuermann[?], he is largely self-taught.
		Brendel gave his first public recital in Graz at the age of seventeen.
	www.ebroadcast.com.au /lookup/encyclopedia/al/Alfred_Brendel.html (508 words)

	Schoenberg Webern BIS CD-1467 [HC]: Classical CD Reviews- November 2005 MusicWeb-International (Site not responding. Last check: 2007-09-21)
		Schoenberg’s Verklärte Nacht Op.4 is probably one of his best known pieces, either in its original version for string sextet or in the transcription for string orchestra.
		However, the present transcription for piano trio, made by Eduard Steuermann in 1932 is a rarity; and this must be its first recording ever.
		Although Schoenberg has the lion’s share, the Webern selection may be intrinsically more interesting and revealing, for it confronts mature works with earlier pieces (Two Pieces for cello and piano, 1899) and pieces that have been either discarded or merely forgotten.
	musicweb.uk.net /classrev/2005/Nov05/Schoenberg_Webern_BISCD1467.htm (524 words)

	Los Angeles Philharmonic Association - Piece Detail
		The Concerto, completed in July of 1942, was nevertheless presented under the most glamorous circumstances nearly two years later.
		The soloist was the redoubtable pianist of the Schoenberg circle, Eduard Steuermann, with the NBC Symphony — “Toscanini’s orchestra” — conducted by Leopold Stokowski.
		All are based on a single theme, though there is considerable development of secondary material in the scherzo.
	www.laphil.org /resources/piece_detail.cfm?id=671 (749 words)

	WCSU Music: Faculty (Site not responding. Last check: 2007-09-21)
		Patricia Lutnes, a resident of Southbury, CT, holds the title of Professor Emeritus of Music at the University of Connecticut, from which she retired after thirtyyears of service.
		She is a student of Karl Ulrich Schnabel and has also studied with Eduard Steuermann.
		She has performed in solo concerts and with orchestras and chamber groups throughout the United States, including the Ives Festival in Danbury, CT. Recently, she appeared as soloist in a program sponsored by the Rockefeller Foundation at the Villa Serbilone in Bellagio, Italy.
	www.wcsu.edu /music/faculty/patricia_lutnes.html (157 words)

	Obituary: Georg Knepler Independent, The (London) - Find Articles
		But young Georg, who was used to playing chamber music at home, found the experience distant, impersonal; he far preferred to go to hear Mozart at the Staatsoper - and his sense of the theatrical, of the importance of direct communication, stayed with him all his life.
		His undergraduate musical training shaped him as an all-rounder: theory with Guido Adler, piano with Eduard Steuermann and conducting with the composer Hans Gal.
		He first made his name as the accompanist, for almost three years from 1928, of the Viennese satirist Karl Kraus.
	www.findarticles.com /p/articles/mi_qn4158/is_20030421/ai_n12693414 (416 words)

	Harvard Gazette: Composer, music theorist David Lewin dies at 69
		Before coming to Harvard, Lewin taught at the University of California, Berkeley, the State University of New York, Stony Brook, and at Yale University.
		Born in New York City, Lewin was studying piano with the renowned teacher Eduard Steuermann by the age of 12.
		He earned an A.B. degree in mathematics (summa cum laude) from Harvard in 1954, then continued his musical studies with Josef Polnauer in Vienna from 1954 to 1955.
	www.news.harvard.edu /gazette/2003/05.15/13-lewinobit.html (511 words)

	Los Angeles Philharmonic Association - Performer Details
		A Young Musicians Foundation scholarship recipient, Gold began his performing career as a member of the YMF Debut Orchestra of Los Angeles; while still a teenager, he was a member of a piano trio that won a prestigious Coleman Chamber Music Prize.
		He earned both his bachelor's and master's degrees from the Juilliard School of Music, which awarded him the Eduard Steuermann Memorial Prize upon his graduation in 1979.
		In addition to cello studies with Harvey Shapiro, he studied chamber music with Felix Galimir and members of the Juilliard String Quartet.
	www.laphil.org /resources/performer_detail.cfm?id=266 (247 words)

	GM 2067 - Russell Sherman: BEETHOVEN PIANO SONATAS, VOLUME 4
		GM 2057) have received widespread critical acclaim, including Stereo Review's "Pick of the Month," five-star reviews, and numerous mentions on annual Top Ten lists.
		Sherman began his studies at the age of six, and by the age of eleven, was studying with the renowned Eduard Steuermann, friend of Ferruccio Busoni and Arnold Schoenberg.
		A child prodigy from New York, Sherman graduated from Columbia University in Humanities at the age of fifteen and soon thereafter played solo piano with Leonard Bernstein’s orchestra.
	www.gmrecordings.com /gm2067.htm (162 words)

	ullmann.html
		Late in the same year he enrolled in Arnold Schoenberg's composition seminar, having been prepared for its demands by theory tuition he had received from Josef Polnauer since 1914.
		He had also studied piano with Eduard Steuermann.
		At Schoenberg's suggestion, he was made a founder-member of the committee of the Verein fur Musikalische Privatauffuhrungen.
	www.schoenberglaw.com /exiles/ullmann.html (1725 words)

	Citizens First National Bank
		The Schoenberg, originally written for string sextet and arranged by Eduard Steuermann, is a work the trio is playing for the first time this season.
		An interesting personal connection to the arrangement is that Steuermann was Kalichstein's teacher at New York City's prestigious Juilliard School.
		On the June 25 program the ensemble is performing Felix Mendelssohn's Trio in C minor, Richard Danielpour's "A Child's Reliquary" and another Beethoven trio, called "Ghost."
	www.citizens1st.com /story.asp?idstr=94565249 (657 words)

	Practical Italian Non-credit Language Course
		Associate Professor Raymond Petrillo received his Ph.D. in Italian Letters from Rutgers University in 1982 and joined the faculty of the Department of Modern and Classical Languages at Texas A&M in 1989.
		Prior to Dr. Petrillo's academic career, he studied at Juiliard School of Music under the tutelage of Eduard Steuermann.
		During a promising career as a concert pianist, he sustained serious injuries to his hands in an auto bike accident and subsequently began studies that culminated in his present career.
	cibs.tamu.edu /outreach/Italian.html (338 words)

	CSUEB Department of Music - Ellen Wassermann
		Ellen Wassermann began studying piano with her father, Irving Wassermann.
		She studied at Juilliard with Eduard Steuermann and with John Perry at Oberlin College where she received her Bachelor of Music degree.
		Wassermann received a Master of Music from Peabody where she was a student of Leon Fleisher, and served as staff accompanist and vocal coach.
	class.csueastbay.edu /music/Ellen_Wassermann.php (147 words)

	Manhattan School of Music: Faculty Bio
		David Volckhausen received his bachelor’s and master’s degrees in piano performance from Juilliard and a master’s degree in theory from Manhattan School of Music.
		His piano teachers have included Ilona Kabos, Eduard Steuermann, and Rudolf Firkusny as well as master classes with Leon Fleischer and Alicia de Larrocha and coaching with members of the Guarneri Quartet.
		He has performed concertos throughout the eastern U.S., including Pennsylvania and with the Westchester Philharmonic, as well as in Michigan.
	www.msmnyc.edu /catalog/facbio.asp?fid=1008173033 (226 words)

	Biography - Friedrich Cerha (Bio 2024)
		Intense contact with the "Art-Club", a group of avant-garde painters and writers, and with the ISCM, where Josef Polnauer introduces him to the interpretation and analysis of works of the Second Viennese School
		Attends the International Ferienkurse for New Music at Darmstadt, taking part in the courses of Rudolf Kolisch and Eduard Steuermann, among others.
		Together with Kurt Schwertsik founds the Ensemble "die reihe" in Vienna, a forum for new music and music of the Viennese School.
	musicbase.h1.ru /PPB/ppb20/Bio_2024.htm (637 words)

	CONCERT: SELMA EPSTEIN PLAYS THE PIANO - New York Times
		As a pianist, Miss Epstein, who has had a career in Australia, lacked the technique necessary to cleanly articulate the multiple voices and virtuosic figurations of Schumann's ''Kreisleriana.'' She also permitted the lines to drift, clouded contrapuntal activity, and often slackened rhythms into sentimentality, even in some of the minor works.
		She has studied with such pedagogues as Rosina Lhevinne and Eduard Steuermann, and as far as sound production and basic instincts were concerned, the training showed.
		Miss Epstein cared about the music, and when the occasion permitted, as in Chopin's D flat Nocturne (Op.
	query.nytimes.com /gst/fullpage.html?res=9B07E2DA143BF931A25753C1A965948260 (212 words)

	ZoomInfo Web Summary: Eduard Steuermann (Site not responding. Last check: 2007-09-21)
		Born in New York, Russell Sherman was a child prodigy whose talent was cultivated by his parents (a gentle, businessman-father and a music-loving Rumanian Gypsy mother), entrusting his musical education beginning at age 11 to famed master-teacher, Eduard Steuermann - Viennese composer, pianist, former student of Busoni and Schoenberg.
		Click to find more people named Eduard Steuermann...
		The Zoom List: information about companies, products and services.
	www.zoominfo.com /directory/Steuermann_Eduard_289914439.htm (141 words)

	Menahem Pressler :: Interview
		I studied with Robert Casadesus in Fontainebleau; I spent a summer with Egon Petri in California; then, when I was already giving concerts, I studied in New York on and off with Eduard Steuermann, the pianist to whom Schoenberg dedicated his Piano Concerto and Webern his Variations.
		‘Steuermann was a tremendous musician: a difficult man and a difficult musician too, because he’d convince you one way – and then proceed to convince you of exactly the opposite!
		Pressler answers, with a knowing glint: ‘Luck!’ He had begun to make solo recordings in the US for MGM and had thought of recording some Mozart piano trios.
	www.menahempressler.org /international_piano.html (1778 words)

	CEU :: Central European University (Site not responding. Last check: 2007-09-21)
		He began playing the piano at the age of six and went on to study piano, composition, and conducting in Zagreb, Yugoslavia, and Graz, Austria.
		Though his formal piano lessons ended when he was sixteen, Brendel had studied with Paul Baumgartner and later attended masterclasses given by Eduard Steuermann and Edwin Fischer.
		After winning a prize in the 1949 Busoni Competition in Bolzano, Brendel embarked on an international career.
	www.ceu.hu /news-event.jsp?nr=1219&content_type=2 (218 words)

	Newsroom
		Maria Bachmann, Alexis Pia Gerlach, and Jon Klibonoff, join together as Trio Solisti to create performances that have thrilled audiences across America.
		They will perform works by Robert Beaser, Paul Moravec and Arnold Schoenberg/Eduard Steuermann.
		Tickets are free but must be requested in advance.
	www.ias.edu /calendar (263 words)

	Love him or loathe him, he transformed music - The Boston Globe
		Performance issues also contributed to Schoenberg's scary reputation.
		He once quipped, ''I don't write modern music, it is just badly played." He had no lack of gifted interpreters committed to his cause: such soloists as the pianist Eduard Steuermann and the violinist Louis Krasner, as well as chamber musicians including the Kolisch Quartet.
		Some of the solo and chamber music consequently found its public before the larger works did.
	www.boston.com /ae/music/articles/2006/02/12/love_him_or_loathe_him_he_transformed_music (1335 words)

	Castle Classics Schoenberg - Instrumental & Chamber
		A Schoenberg: Verklärte Nacht, op.4 (1899) arrangement by Eduard Steuermann for violin, viola, violoncello and piano-1932 - The Prometheus Ensemble
		Including Verklärte Nacht, Op.4 (1899) arrangement by Eduard Steuermann for violin, viola, violoncello and piano-1932; Kammersymphonie Nr.1, Op.9 (1906) arrangement by Anton Webern for flute, clarinet, viola, violoncello and piano-1923; Kammersymphonie Nr.2, Op.38b (1906/16-1939) version for two pianos- 1941/2
		Including KORNGOLD Piano Trio in D major, op.1; SCHOENBERG Verklärte Nacht, op.4 (arr.: Eduard Steuermann); MAHLER Piano Quartet (in one movement) in A minor
	shop.castleclassics.co.uk /acatalog/Schoenberg___Instrumental___Chamber.html (1059 words)

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