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| | Guardian | Eduardo Chillida |
 | | Chillida's first sculptures, in plaster and clay, were of human forms - torsos and busts - but he soon moved into a realm more concrete, timeless and abstract. |
 | | There is also, in Chillida's larger works, a sense of slowed-down time in the way one must negotiate the forms and interlocking masses, and the arcs and geometries which embrace the spaces they contain. |
 | | Chillida's last public project, which may never now be realised, was for a vast cube, approached through an 80-metre-long tunnel quarried into the mountain of Tindaya, on Fuertaventura in the Canary Islands. |
| www.guardian.co.uk /print/0,3858,4485568-110432,00.html (933 words) |
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