
	Where results make sense

Topic: Eleventh chord

	Extended chord - Wikipedia, the free encyclopedia
		In music extended chords are tertian chords (built from thirds) or triads with notes extended, or added, beyond the seventh, including all the thirds in between the seventh and the extended note.
		Thus ninth, eleventh, thirteenth, and all farther chords are extended chords.
		In practice however, extended chords do not typically use all the chord members; the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is omitted in an eleventh chord, the ninth and eleventh are omitted in a thirteenth chord).
	en.wikipedia.org /wiki/Extended_chord (325 words)

	chord names
		Eleventh chords are made by adding a perfect 11th from the root on top of that, and thirteenth chords are made by adding a major thirteenth on top of that.
		Augmented seventh chords are formed by adding a minor seventh to an augmented triad, or alternatively by augmenting the 5th of an ordinary seventh chord.
		In a sus chord the third of the chord is replaced by another note – usually the 4th, sometimes the 2nd – with the original notion being that it should resolve by changing to the third, albeit a little late.
	www.mozart.co.uk /information/articles/chordnames.htm (1511 words)

	Greg Jones - Instrumental Rock Guitarist
		Chords are derived from numbering the scale degrees of the corresponding root.
		The notes of all chords (except suspended chords, 6th chords and some altered chords) are derived from choosing a tonic, and building the rest of the notes from the corresponding scale by skipping every other note of the scale.
		If a chord does not hold to the pattern, say the alleged eleventh is missing the 9, containing 1 3 5 7 11, then it is said to be a "seven add eleven".
	www.gregjonesmusic.com /chords.htm (1326 words)

	MUS 212 Popular Chord Symbols v. Roman Numerals
		The half-diminished ninth chord would be written as Cmi9(b5) = C, Eb, Gb, Bb, D. The trend has been to move away from graphic symbols in popular chord symbol notation, thereby eliminating the use of the "circle" for full-diminished and "circle/slash" for half-diminished.
		Major chord structures are represented by uppercase numerals, and minor structures are represented by lowercase numerals.
		Their structure, however, would be the typical major-minor seventh chord as the basis, and all extended notes (9, 11, 13) would be determined by the key signature.
	spider.georgetowncollege.edu /music/burnette/Mus212/212popular.htm (1579 words)

	Dolmetsch Online - Music Theory Online - Chords in Detail
		The first and fourth are major seventh chords, the second, third and sixth are minor seventh chords, the fifth is a dominant seventh chord while the last, the seventh, is called a minor seventh flat five chord.
		Thus, a small a after the chord name denotes a chord in root position (although this is usually omitted), a small b indicates that the chord is in first position, a small c that the chord is a second inversion, and so on.
		the German augmented 6th chord is derived from the raised subdominant, whereas the Swiss augmented 6th chord is derived from the raised supertonic chord.
	www.dolmetsch.com /musictheory17.htm (2511 words)

	Pocket Piano Chord Name Finder
		Whatever displays as the shortest chord name is usually (not necessarily) the best option to use, unless it says "11th" or "13th" somewhere in the display, then that is probably the chord in question and it's showing you what notes are also included in the chord.
		In an true "ninth" chord the "flat seventh" is also included 1, 3, 5, b7, 9 (in a "C9th" or "C7th" chord the "flat 7th" or "b7"...usually just called "7th"is a "Bb or A# note").
		In an true "eleventh" chord 1, 3, 5, b7, 9, 11 the ninth and the flat seventh are also included but the 5th and 9th or the 3rd and 5th are usually omitted
	www.gootar.com /piano (744 words)

	music definitions
		Chord symbols identify the root of the chord in relation to the key center, as well as the quality.
		Dominant seventh chord - A chord of four tones built in thirds on the fifth scale degree, a major minor seventh chord.
		Symmetrical relationship - Tones, chords or rhythms that bear some kind of equal relationship to one another, e.g., a passage of chords in which roots are related consistently by the interval of the third.
	guitarsecrets.com /music_definitions.htm (3370 words)

	harmonizing the major scale (in extended chords; 9th, 11th, 13th) (Site not responding. Last check: 2007-11-03)
		Recall, that a triad is a 3-note chord, and that the triads we considered consist of a root note, a third (of some sort), and a fifth (of some sort).
		Let us now define an eleventh chord (any arbitrary eleventh chord) as a 6-note chord (6 distinct notes) containing some form of the following notes: a root note, a third (of some sort), a fifth (of some sort), a seventh (of some sort), a ninth (of some sort), and an eleventh (of some sort).
		For dominant eleventh chords: dom.11 or 11 are written after the letter.
	members.aol.com /snglstring2/chords/harmext.html (2554 words)

	Bimodalism -- A New School of Harmony in Music \| Enrique Ubieta
		Although this chord is not bimodal, it has two possibilities to become a bimodal chord: (1) Its appoggiatura can either be resolved in a bimodal chord, or (2) its three upper voices (the major triad) can serve as a triple appoggiatura resolved in another bimodal chord in a descending movement.
		The major chord with an appoggiatura without resolution in the bass may owe its spatial sound identity to a phenomenon of mere acoustic illusion: We perceive a sensation of dimensional growth in this chord because the root of the chord is elevated only in the bass while the upper major triad is unchanged.
		Therefore, chords such as those in Stravinsky’s cantata, which are integrated by other voices beyond the perfect triad, are not purely bimodal: In this case, the presence of a minor seventh changes the denomination of the bimodal triad and its proper identity of sound (the bimodal ethos).
	www.ubieta.com /bimodalism (4767 words)

	Closing Up on Extended Chords (Site not responding. Last check: 2007-11-03)
		The chords may sound different to each other, and the C11 will more than likely sound a bit more dissonant, and fuller, but it is a IV chord nonetheless.
		Eleventh chords are, in theory at least, created by adding a perfect eleventh to an existing ninth chord.
		The third and final case for eleventh chords is to replace the third with the fourth of the chord.
	members.aol.com /gsrjls/lesson5.html (2022 words)

	CGR Community - Help geting the proper name for these chords?
		A full eleventh chord would have the ninth too, but on guitar it's kind of tricky to get a voicing that includes all six of the notes in an eleventh chord (and of course it's impossible to play a full thirteenth chord with all seven notes).
		As is, it's technically not F#11 because of not have a 9th, but you VERY rarely hear guitarists play 5 or 6 different notes in the same chord because of the physical limitations and not being able to spread the notes far enough apart (in different octaves) to avoid disonance.
		If you saw a piece of music that said F#11, that chord would work, and other members of the band would be playing the G# either as a passing tone in the melody or in a chord.
	www.christianguitar.org /forums/printthread.php?t=28544 (622 words)

	Guitar Notes Chord Name Finder
		Whatever displays as the shortest name is usually (not necessarily) the best option to use, unless it says "11th" or "13th" somewhere in the display, then that is probably the chord in question and it's showing you what notes are also included n the chord...
		In an true "ninth" chord the "flat seventh" is also included (in a "C7th" chord the "flat 7th" usually just called "7th" or "b7th" is a "Bb or A# note").
		In an true "eleventh" chord the ninth and the seventh are also included but the 5th and 9th or the 3rd and 5th are usually omitted
	www.guitarnotes.com /chordfind (403 words)

	Chords3 - music theory - plus 1000 Great Guitar Sites on the Web
		The notes of all chords (except suspended and 6th chords) are derived from choosing a tonic, and building the rest of the notes from the corresponding scale by skipping every other note of the scale.
		The power chord is used a lot by guitar players because the guitar's standard tuning and the distortion's effect upon the sound of the major third.
		My favorite slash chord is the Bb Maj/C because it is an excellent substition for the C eleventh chord.
	www.guitarsite.com /chords3.htm (2008 words)

	[No title] (Site not responding. Last check: 2007-11-03)
		These chords are rarer because when you start leaving out notes, they start looking like other chords.
		Sometimes the note given in the bass is not one of the chord notes, but an added note.
		Technically this latter chord is an added fourth chord, but the added fourth is not specified since it is implied by specifying the bass note.
	www.lava.net /~newsham/progs/chords.txt (551 words)

	Chords Page 5 (Site not responding. Last check: 2007-11-03)
		A dominant seventh chord, usually referred to as a 7th chord, is a major triad with a minor VII added.
		When a 2nd is added to a chord which already has a 7th, that note is called the 9th of the chord (a 9th is an octave higher than a second).
		A half diminished chord is a diminished triad with a minor 7th added, and is referred to as a minor seventh chord.
	www.sheetmusicusa.com /theory/theoryhtml/chords5.htm (424 words)

	Key of C -- 1 Feb 2002
		The seventh chords seem to be inconsistent with the others (using b7 rather than 7), and this affects chords "above" them, such as the ninths, elevenths, and thirteenths.
		chord is a dominant seventh, with a ninth note added -- it is 1 - 3 - 5 - b7 - 9.
		chord is a dominant ninth chord, with the eleventh note added -- it is 1 - 3 - 5 - b7 - 9 - 11.
	home.earthlink.net /~kstengel226/guitar/theory/key_of_c.html (1058 words)

	Reverse Chord Finder
		R is the Root, then the exact notes used in the chord.
		In an true "ninth" chord the "flat seventh" is also included 1, 3, 5, b7, 9 (in a "C9th" or "C7th" chord the "flat 7th" or "b7"...usually just called "7th" is a "Bb or A# note").
		The best way to play a chord is however you feel most comfortable with, although I always try to set myself up for an easy change to the next chord like...
	www.gootar.com /guitar (1162 words)

	Minor Ninth
		The seventh and ninth usually appear with an eleventh, omitting the third and fifth.
		Chords with elevenths are used exclusively in root position.
		(1) Directly to the tonic chord with the eleventh repeating to become the root of the tonic, the ninth and seventh resolving normally.
	www.tpub.com /harmony/34.htm (229 words)

	Cat's Squirrel: (Site not responding. Last check: 2007-11-03)
		The only variation is the first change from the opening E chord is just an A note making it (technically speaking) an open E11 or E eleventh chord.
		After the guitar chord intro, Clapton comes in with his second (the overdub) guitar, on treble toggle position and at a much higher volume level, and cranks out that wonderful theme - riffin’ the high register E position, 12th fret, which is in unison with Bruce’s harmonica.
		During that main riff, Clapton uses mostly full note bending, predominately, on the second and third strings with a wonderful stretch vibrato on the 15th note into the riff (the second bend to the E note on the 15th fret second string, from D).
	twtd.bluemountains.net.au /cream/Fresh/gtrcats.htm (759 words)

	Melody notes that aren't in the chord - Just Plain Networking Forum
		He said it was a three chord (G# in the key of E) of some type, but he thought it might be minor or a suspended fourth.
		The note is the seventh of the scale, played against the VI chord, which would make it a (suspended?) 4th, or an 11th, if you think an octave higher.
		So, in a G7 chord, the F is a tri-tone of the B. The tritone is the be-all of the "full diminished" chord.
	www.jpfolks.com /ubb/Forum60/HTML/000187.html (1024 words)

	Music Theory: Harmony: Extended Chords
		For this reason, the maj11 and maj13 chords are seldom used without alterations, which are discussed in the next section.
		The primary value in learning about the chord extensions is as a reference point for understanding chord alterations, which are discussed in the next section.
		These chords are generally considered by jazz musicians to be alterations of major, minor, or dominant seventh chords, so these are discussed further in the section on alterations as well.
	www.outsideshore.com /school/music/almanac/html/Music_Theory/Harmony/Extended_Chords.htm (534 words)

	Music Theory: Harmony: Altered Chords
		The most important notes in a chord are the root, which is obviously the key to determining function, and the third and seventh, which together determine the quality of the chord - major, minor, or dominant.
		This chord is also notated 7#9#5; the b9 and b5 are understood because they are present anyhow in the scale most commonly associated with the chord.
		While it is possible to alter the fifths, ninths, elevenths, and thirteenths of the major and minor families seventh chords, jazz musicians tend to use only those alterations that suggest common scales.
	www.outsideshore.com /school/music/almanac/html/Music_Theory/Harmony/Altered_Chords.htm (1268 words)

	High Tech Guitar Chords Generator (Site not responding. Last check: 2007-11-03)
		Everything works exactly the same as other version except the chord picker and tuner...
		When you have all the chords you want click "display" and you'll be able to print or save the page.
		If you want to play a true "ninth" chord you have to add the (b)7 in the mix.
	www.geocities.com /xulfrepus/folder/guitartech.html (786 words)

	Piano chord (Site not responding. Last check: 2007-11-03)
		The first cross-staff chord in measure 3 of the piano part is represented as:...
		In the piano chord above, having all the notes be part of a chord in voice...
		Chord approach: a piano method for the later beginner.
	www.virtualstorecard.com /piano-chord.html (983 words)

	ChordWizard How Music Works (Site not responding. Last check: 2007-11-03)
		You can make new chord names from existing ones by finding the closest standard chord type and altering its name to show which degrees are different.
		We have not yet been introduced to a chord type with this formula, but there is one similar.
		The m11 (minor eleventh) chord is the same, except it has a natural fifth instead of the sharp fifth of this one.
	www.chordwizard.com /hmw315.asp (167 words)

	: Class Chord
		Return the pitch at a given index in the chord Note that the first 4 pitches are the 1, 3, 5, 7 (in that order)
		Get the full name of the chord as a string Functionally, the full name is (root + general quality + extensions)
		Transpose a chord to have a new pitch as it's root
	www.speakeasy.org /~shilad/jazz/doc/api/jazz/core/Chord.html (287 words)

	Piano Lessons Covering Piano Chords and Piano Progressions at HearandPlay.com
		Several chord patterns which can be used in most gospel, blues and contemporary jazz music (they all share the same chords...
		After discovering the basic chord patterns of the song, I go to the piano, find what key the song is played in (you'll learn this technique as well...), and attempt to play along with the song.
		After playing the basic chord changes, I start the tape again and listen for unique sounds that might require me to use different inversions (how a chord is played).
	www.hearandplay.com /homepianocoursemain.html (6893 words)

	Someplace Somewhere - Music Theory: The Basics (Site not responding. Last check: 2007-11-03)
		The basic system is this: Since keys and scales (with a few exceptions) have essentially seven tones (with accidentals,i.e., sharps and flats) I'm going to use a basic numerical system for all tones -- 1 2 3 4 5 6 7.
		For example, C major scale, C=1, D=2, E=3, F=4, etc. From this I'll construct all scales (keys) and chords.
		The major scale: with a half step between third and fourth tones, and seventh and eight tones.
	www.someplacesomewhere.com /topic.asp?TOPIC_ID=18533 (1414 words)

	Search:eleventh - OXiDE (Site not responding. Last check: 2007-11-03)
		View presentation of details on the court, read opinions, view the rules, documents, and the attorney admissions details.
		Eleventh Hour (2002) TV Show, TV.com is your reference guide to The
		Eleventh Hour, located in Fresno, California, is a private, short term residential and outpatient treatment program.
	www.eleventh.net (253 words)

	blink182.ca - Guitar Chord Music (Site not responding. Last check: 2007-11-03)
		You will be playing the songs and chords you want in no time.
		Guitar master Link Wray, the father of the power chord in rock 'n' roll who inspired legends such as Bruce...
		When youÂ’re on the operating table and just about to go under, instead of hearing the beeping of monitors or the murmur of doctors...
	www.blink182.ca /Guitar-Chord-Music/all/search (316 words)

Try your search on: Qwika (all wikis)