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Topic: Elisabeth Hauptmann

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	ehbio
		It was not until 1927, when Brecht terminated the contract with the Kiepenheuer, that Hauptmann was dropped from their payroll and started her career as a freelance translator and story writer.
		When Hauptmann finally arrived in Berlin on 15 February 1949, she was giving the responsibilities to resume the publication of Versuche (now by the Suhrkamp Verlag).
		Elisabeth Hauptmann vertraute den künstlerischen und politischen Wirkungen Brechts.
	members.tripod.com /~go20ccm/ehbio.html (1329 words)

	herzog - pafg03.htm - Generated by Personal Ancestral File (Site not responding. Last check: 2007-11-03)
		Matthias married Elisabeth Gmahl daughter of Johann Gmahl and Elisabeth Brunner on 7 Jun 1870 in Gols, Hungary.
		Elisabeth Portschy was born on 6 Jul 1839 in Gols, Hungary.
		Elisabeth Portschy (Maria Herzog, Paul) was born on 24 Nov 1812 in Gols, Hungary.
	www.portschefamily.com /herzog/pafg03.htm (1030 words)

	Portsche - pafg11.htm - Generated by Personal Ancestral File (Site not responding. Last check: 2007-11-03)
		Elisabeth Marquetant was born on 14 Dec 1924.
		Elisabeth Portschy (Matthias, Paul, Paul, Matthias, Johann (Hanns)) was born on 23 Oct 1852 in Gols, Hungary.
		Elisabeth was born on 12 Nov 1866 in Gols, Hungary.
	www.portschefamily.com /pafg11.htm (1591 words)

	Manfred Wekwerth :: Biographisches
		Brecht schickt Elisabeth Hauptmann und Wekwerth zum Rundfunk, der nur Operettenmelodien sendet, und bietet die Übernahme von Sendungen durch das Berliner Ensemble an.
		Helene Weigel und Elisabeth Hauptmann werden gleichberechtigt „mit Verfügungsrecht über alle meine literarischen Arbeiten“ (Brecht, 15.
		1986 „Elisabeth – zufällig eine Frau“ von Dario Fo, Musik: Günther Fischer, in eigener, von Dario Fo begrüßter Bearbeitung, zusammen mit Alejandro Quintana.
	www.manfredwekwerth.de /biographisches.html (8376 words)

	Amazon.com: "Elisabeth Hauptmann": Key Phrase page
		See all pages with references to "Elisabeth Hauptmann".
		Among her other guests that particular evening was a twenty-seven-year-old writer and translator by the name of Elisabeth Hauptmann, a highly intelligent woman,...
		Elisabeth Hauptmann's role as a collaborative writer in the twenties was absolutely indispensable, and long sections of Brecht plays were probably written...
	www.amazon.com /phrase/Elisabeth-Hauptmann (338 words)

	Brecht and Company - John Fuegi
		We're told that manuscripts in Elisabeth Hauptmann's handwriting (or her "strike pattern" on typewritten texts) prove that she was responsible for 80 to 90% of the script for The Threepenny Opera.
		But, no, he assures us that he has carefully examined dates and itineraries to discover when Brecht and Hauptmann were in the same room together, and he is convinced that Hauptmann worked on the script alone.
		Hauptmann, Steffin, and Berlau were intriguing and talented personalities.
	www.culturevulture.net /Books/BrechtandCompany.htm (1333 words)

	Farewell, The / Brecht's Last Summer - Josef Bierbichler, Monika Bleibtreu, Jeanette Hain, Elfriede Irrall - 2000
		It is an absorbing study, examining in subtle detail Brecht's relationships, the deep love (and hate) he seemed to inspire from the women in his life, as well as portraying the often casual cruelty with which he treated them, i.e.
		I found it interesting how the various women in his life were often irresistibly drawn to each other (unspoken) despite their open hostilities, i.e the alcoholic Ruth and the self-effacing Elisabeth.
		The writer and director cleverly toyed with the relationship between the ageing Brecht, a man who fled the US before he could be indicted by MacCarthy, and Wolfgang Harich, the young dissident for whom the Stasi lie in wait in the woods.
	www.learmedia.ca /product_info.php/products_id/919 (1155 words)

	The Cambridge Companion to Brecht - Cambridge University Press
		The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays, on the Lehrstücke and on the neglected contribution of Elisabeth Hauptmann to the Brecht canon.
		The third group of essays analyse Brecht's directing, his theatrical theories, his poetry, his interest in music, his significant collaboration with stage designers and his work with actors, concluding with an assessment of Brecht's continuing influence on theatre practice.
		The Zelda syndrome: Brecht and Elisabeth Hauptmann John Fuegi; 10.
	www.cup.cam.ac.uk /aus/catalogue/print.asp?isbn=0521424852&print=y (362 words)

	Hauptmann Information , Suggestion ,More... (Site not responding. Last check: 2007-11-03)
		In Sachsen waren der Kreishauptmann und der Amtshauptmann bis in die Zeit der Weimarer Republik hohe Verwaltungsbeamte.
		- Carl Hauptmann, Schriftsteller und Bruder von Gerhart Hauptmann.
		- Elisabeth Hauptmann, Schriftstellerin und Mitarbeiterin von Bertolt Brecht.
	hauptmann.de.iuuu.info (173 words)

	Great Lakes Film - Kleopatra (Site not responding. Last check: 2007-11-03)
		"Loosely based on a short story by Elisabeth Hauptmann who was for most of her life the secretary of Bertolt Brecht.
		Hauptmann produced a series of short stories that were to inspire some of Brecht's greatest dramas.
		Generally overlooked, she lived out her life as a quiet spinster living and working in Berlin.
	www.greatlakesfilmfest.com /film_fest/2002/films/kleopatra.html (175 words)

	Bertolt Brecht - Wikipedia, the free encyclopedia
		Brecht formed a writing collective which became prolific and very influential.
		Elisabeth Hauptmann, Margarete Steffin, Emil Burri, Ruth Berlau and others worked with Brecht and produced the multiple Lehrstücke (teaching plays), which attempted a new dramaturgy for participants rather than passive audiences.
		The book was then claimed to be by the mysterious Dorothy Lane (now known to be Elisabeth Hauptmann, Brecht's secretary and close collaborator).
	en.wikipedia.org /wiki/Bertolt_Brecht (2423 words)

	Elisabeth Hauptmann (Site not responding. Last check: 2007-11-03)
		Discuss this name with other users on IMDb message board for Elisabeth Hauptmann
		Find where Elisabeth Hauptmann is credited alongside another name
		You may report errors and omissions on this page to the IMDb database managers.
	us.imdb.com /name/nm1641335 (173 words)

	Threepenny Opera
		But Brecht was also toying with the famous Beggar’s Opera by John Gay, from 1728, which had been revived in London in 1920 and run for years.
		Elisabeth Hauptmann, Brecht’s assistant and collaborator, introduced him to the piece and translated the English libretto into German.
		Ernst Josef Aufricht, a young actor who became a producer when he inherited a big chunk of money, acquired the Theater am Schiffbauerdamm early in 1928 and was looking for a show.
	www.threepennyopera.org /histOrigins.php (587 words)

	Elisabeth arden - Wzylgy (Site not responding. Last check: 2007-11-03)
		MY NAME WAS SABINA SPIELREIN A documentary by Elisabeth Márton about Spielrein, who fell in love with Carl Jung, wasmillion-dollar lead from a dying man in Naples, Guy Van Stratten (Robert Arden), a small-time international intriguer with a Flatbush accent
		collaborators and lovers (there is a new essay on Elisabeth Hauptmann, Brecht's main collaboratorchanging a single word, to the forest of Arden.
		As Elizabeth Wright argues, Brecht wasBritish postwar playwriting - from John Arden and Edward Bond in the Fifties and Sixties
	www.wzylgy.com /laura-mercier/elisabeth-arden.html (307 words)

	Three Penny Opera Review
		Worse yet, we hear rumors that it was Brecht who wrote the music (borrowing tunes, also), and Weill only transcribed it—which is certainly not true.
		It was this production which piqued the curiosity of Elisabeth Hauptmann, who translated it and showed it to Brecht, who noodled with it a while.
		When a young producer approached Brecht for a new piece to re-open the old Schiffbauerdamm Theater in Berlin, the author impulsively offerd his half-hearted sketches derived from Gay—which were accepted, to his surprise.
	www.jmucci.com /critic/3P0.htm (1426 words)

	The New York Review of Books: READING BRECHT, WRITING BRECHT
		He cites me in the first column as believing that "at least seven of the eleven 'Berlin' stories" (in the book of Brecht Short Stories 1921-1946 in Manheim's and my collected edition) are by Brecht's collaborator Elisabeth Hauptmann.
		I was speaking of the fourteen "Berlin" stories in our selection, as compared with seven other stories published elsewhere under Hauptmann's name which in my judgement were "thematically and stylistically indistinguishable" from Brecht's fourteen.
		On the same page another quote mentions the manuscript of Brecht's "Benares Song," on whose script, it is said, "Hauptmann wrote at the time" claiming its authorship.
	www.nybooks.com /articles/2031 (479 words)

	TheIndustry.LA (Site not responding. Last check: 2007-11-03)
		Based on Elisabeth Hauptmann's translation of The Beggar's Opera by John Gay
		The Threepenny Opera is based on Elisabeth Hauptmann's translation of John Gay’s Beggars Opera.
		Likewise set in Victorian London, Brecht’s version nevertheless has a strong German sensibility, and any new translation must capture the nuances of this German/English combination.
	www.theindustry.la /EventView.asp?event_id=969 (959 words)

	AWN Forums - Laurence Finston's Gallery
		10-04-2005 06:37 AM Berthold Brecht, Kurt Weill, and Elisabeth Hauptmann.
		10-05-2005 07:21 AM Berthold Brecht, Kurt Weill, and Elisabeth Hauptmann.
		10-07-2005 08:47 AM Berthold Brecht, Kurt Weill, and Elisabeth Hauptmann.
	forums.awn.com /printthread.php?t=3953 (151 words)

	eastbayexpress.com \| Arts & Entertainment \| Crooked Fun
		Screwball Brecht comedy Happy End didn't work for him, but it does for us.
		Written by Bertolt Brecht, Elisabeth Hauptmann, and Kurt Weill
		It was absurd in 1929 when Brecht, Kurt Weill, and Brecht's collaborator, secretary, and lover Elisabeth Hauptmann tried to capitalize on their success the year before with The Threepenny Opera by writing a Romeo-and-Juliet-esque tale of gangsters and Salvation Army workers clashing on Christmas Eve.
	www.eastbayexpress.com /issues/2005-11-09/culture/theater2.html (669 words)

	Movie Database - tvguide.com (Site not responding. Last check: 2007-11-03)
		The setting: Brecht's lakefront country house in Buckow, East Germany, on a hot midsummer's day in August, 1956.
		With summer vacation at an end, Brecht (Josef Bierbichler) is scheduled to leave for Berlin with second wife Helene "Helli" Weigel (Monica Bleibtreu); Barbara (Birgitt Minichmayr), his teenage daughter; long-time assistant and translator, Elisabeth Hauptmann (Elfriede Irrall) and young actress Kathe Reichel (Jeanette Hain), Brecht's latest mistress and muse.
		Also on hand are dissident philosopher Wolfgang Harich (Samuel Fintzi) and his wife, Isot Kilian (Rena Zednikowa), who, with her husband's consent, has become Brecht's lover.
	online.tvguide.com /movies/database/showmovie.asp?MI=43315 (291 words)

	Read Messages (Site not responding. Last check: 2007-11-03)
		that, for the most part, Ruth Berlau and Elisabeth Hauptmann wrote the plays
		she and Hauptmann might have, in essence, taken ghost-writing assignments
		You may not buy her rationale, but the play sure is
	discuss.dundee.net /read/messages?id=253560 (179 words)

	Amazon.ca: Oedipe Comp (Fr): Music: Lawrence Foster,Barbara Hendricks,Orchestre Philharmonique de Monte-Carlo,Brigitte ... (Site not responding. Last check: 2007-11-03)
		Amazon.ca: Oedipe Comp (Fr): Music: Lawrence Foster,Barbara Hendricks,Orchestre Philharmonique de Monte-Carlo,Brigitte Fassbaender,Marjana Lipovsek,Nicolai Gedda,Cornelius Hauptmann, Gino Quilico, John Aler Jean-Philippe Courtis,Jocelyne Taillon Marcel Vanaud,Georges Enesco,José van Dam
		with Laurence Albert, John Aler, Gabriel Bacquier, Jean-Philippe Courtis, Jose Van Dam, Brigitte Fassbaender, Nicolai Gedda, Cornelius Hauptmann, Barbara Hendricks, Marjana Lipovsek
		Write an online review and share your thoughts with other customers.
	www.amazon.ca /exec/obidos/ASIN/B000005GJC (1020 words)

	Internet Broadway Database: Elisabeth Hauptmann Credits on Broadway
		Internet Broadway Database: Elisabeth Hauptmann Credits on Broadway
		Based on the German translation by Elisabeth Hauptmann
		Based on the German "Die Dreigroschenoper" by Elisabeth Hauptmann
	www.ibdb.com /person.asp?id=80500 (37 words)

	Laurence Finston's Gallery [Archive] - AWN Forums
		10-02-2005, 05:34 AM Berthold Brecht, Kurt Weill, and Elisabeth Hauptmann.
		Richard Wagner, _Der Ring der Nibelungen_ (_The Ring of the Nibelungs).
		01-30-2006, 11:57 AM Berthold Brecht, Kurt Weill, and Elisabeth Hauptmann.
	forums.awn.com /archive/index.php/t-3953.html (754 words)

	ACT's staging lets 'Happy End' live up to its name
		It's not clear how much of the script Brecht wrote.
		Most of it was by Elisabeth Hauptmann, one of his primary collaborators (and lovers), who'd also had a hand in "Threepenny." Brecht disowned the play, as did Hauptmann for much of her life (it's credited to the fictitious Dorothy Lane).
		He did take credit (reportedly, at Weill's insistence) for the lyrics.
	sfgate.com /cgi-bin/article.cgi?f=/c/a/2006/06/16/DDGRVJED061.DTL (839 words)

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