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| | SPALDING GRAY: My Life Is Art, a 1980 interview by Don Shewey |
 | | These monologues grew out of a trilogy of more elaborate but equally personal theater pieces called Three Places in Rhode Island, created over a period of four years in collaboration with director Elizabeth LeCompte and a company of actors who, like Gray and LeCompte, are veterans of Richard Schechner's Performance Group. |
 | | Gray found that by incorporating the reactions of the other actors, and by allowing LeCompte to edit the work and provide a visual framework for it, he was able to transform personal material into art without descending into self-indulgent confessionalism. |
 | | But its careful exploration of volatile emotional issues (suicide, madness, religion, family, art) and its imaginative use of film, dance, music, child actors, and non-linear texts made it one of the most impressive and innovative theater events of the '70s. |
| www.donshewey.com /theater_articles/spalding_gray_1980.html (1741 words) |
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