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| | Blake and the Emblem Tradition |
 | | Emblems, emblem books, and the emblematic mode of thought helped to shape virtually every form of verbal and visual communication in the Renaissance and Baroque Ages. |
 | | It has been shown how Jesuit emblems of the Baroque age, adapted by Quarles and transmitted through his book to the early nineteenth century were absorbed into a revival movement of the graphic arts and contributed to a significant new emblem book by Thurston and Thomas that was also influenced by Blake. |
 | | Emblems, hieroglyphics, Hebrew and classical antiquities, medieval illuminated manuscripts, Renaissance prints, paintings and sculptures, plates and title-pages of alchemistic books or Cabbalistic and Neoplatonic cosmogonies, antiquarian and architectural illustrations, eighteenth-century educational and religious books and Masonic symbols17 - they were all grist to his mill and left their traces and transformations in his Illuminated Books. |
| webdoc.gwdg.de /edoc/ia/eese/artic22/hoeltgen/2_2002.html (5952 words) |
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