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| | Emily Who? The Real Emily Carr |
 | | Carr's conviction that all living creatures, human and otherwise, are eternal expressions of the one Life echoes Walt Whitman, whose Leaves of Grass was her constant companion. |
 | | Of the three grandes dames of modern painting in the Americas, Emily Carr, George O'Keeffe, and Frida Kahlo, Carr was the earliest, having her first solo exhibitions in 1912 and 1913, while O'Keeffe had hers in 1917, and Kahlo, who didn't paint her first oil until 1926, exhibited in her first group show in 1931. |
 | | The degree to which the strong totemic shapes of poles influenced Carr is seen not only in her early paintings of the poles themselves, but in her later paintings of the solid, impenetrable forest which she shows us as if it had been carved in paint as surely as her Native counterpart carved in cedar. |
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