| |
| | TWAS 166: Emma Townshend, Cheri Knight, Mary Lou Lord |
 | | The most remarkable thing about Winterland, though, to me, is that Emma is able, in the course an eleven-song first album, to both ally herself with her spiritual ancestors and advance their cause a bit herself. |
 | | I don't think this album is incendiary enough, or so overreaches itself, that it will lead Emma to that fate, but then I didn't expect to see Jewel singing the national anthem at the Super Bowl, either. |
 | | What I respond to, in Emma's songs, is the same essential quality I respond to in Tori's and Kate's, but also in Jewel's and Alanis Morissette's, and Mark Eitzel's and Whipping Boy's, and in Tim Cahill's travel essays and Raymond Carver's short stories, and Kevin Smith's movies, and My So-Called Life. |
| www.furia.com /page.cgi?type=twas&id=twas0166 (3299 words) |
|