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Topic: Emmerich K/álm

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MPR: Radio Listening: Classical Music Highlights Emmerich Kálmán: Tanzen Möcht'ich Waltz, fr The Gypsy Princess minnesota.publicradio.org /radio/services/cms/highlights/2005/03   (545 words)

SendMeMovies.com - Kalman: Die Csardasfurstin: Kenny/ Roider/ Erdmann/ Bonynge - SACD Imre K lm n (Emmerich) Die Cs rd sfrstin (The Gypsy Princess), operetta: Vorspiel 2002 2:54 Imre K lm n (Emmerich) Die Cs rd sfrstin (The Gypsy Princess), operetta: Act 1. Tanzen m”chte ich 2002 3:33 Imre K lm n (Emmerich) Die Cs rd sfrstin (The Gypsy Princess), operetta: Act 2. Alle sind wir Snder 2002 4:11 Imre K lm n (Emmerich) Die Cs rd sfrstin (The Gypsy Princess), operetta: Act 1. www.sendmemovies.com /p-43172-kalman-die-csardasfurstin-kenny-roider-erdmann-bonynge-sacd.aspx   (545 words)

OperaNights - Der Zigeunerprimas Der Zigeunerprimas (The Gypsy Primas) - Emmerich Kálmán Information about the opera Der Zigeunerprimas by Emmerich Kálmán, and the best recordings available on CD or DVD. Münchner Rundfunkorchester, Slovak Philharmonic Choir, Kinderchor der Bayerischen Staatsoper, conducted by Claus Peter Flor. www.operanights.com /show?OLJ   (545 words)

GEMA - Communication - GEMA News 168 - Emmerich Kálmán Melancholy Master of the Light Muse Emmerich Kálmán finally moved permanently to Vienna and, with a few exceptions, was pampered by success even more than almost any of his long-established colleagues. Yet, Emmerich Kálmán, the illustrious " Csardas Cavalier " of the operetta, still remained an onlooker of his own happiness, as reported by his colleague Robert Stolz: "The pessimism and weltschmerz of poor Emmerich were so immense that he simply did not want to see the success of his operetta. Die Csardasfürstin (The Csardas Princess) and Die Gräfin Mariza (The Countess Maritza), which are part of the permanent stock of theatre repertoires, were published by Musikverlag Josef Weinberger - as were almost all of Kálmán's other works. www.gema.de /engl/communication/news/n168/kalman.shtml   (545 words)

kalman1_e Much more than his compatriot Franz Lehár, Emmerich Kálmán brought in the Hungarian element into the operetta music. Titles like „Die Csárdásfürstin", „Gräfin Mariza" and „Die Zirkusprinzessin" belong even today, four decades after his death and in a time, where the operetta is in decline, to the basis of the operetta repertoire. Already two years later, he composed with the „Fledermaus" the Viennese operetta absolute: Here, comic opera-like dramaturgy associated with Viennese farce and Viennese dance music into a new form, which remained binding for the next years and was developed by Franz von Suppé, Carl Millöcker, Carl Zeller and Strauss himself. www.martijnhooning.com /muziekgeschiedenis/kalman1_e.html   (545 words)

GEMA - Press - GEMA News 168 - Emmerich Kálmán Melancholy Master of the Light Muse Emmerich Kálmán finally moved permanently to Vienna and, with a few exceptions, was pampered by success even more than almost any of his long-established colleagues. Yet, Emmerich Kálmán, the illustrious " Csardas Cavalier " of the operetta, still remained an onlooker of his own happiness, as reported by his colleague Robert Stolz: "The pessimism and weltschmerz of poor Emmerich were so immense that he simply did not want to see the success of his operetta. Die Csardasfürstin (The Csardas Princess) and Die Gräfin Mariza (The Countess Maritza), which are part of the permanent stock of theatre repertoires, were published by Musikverlag Josef Weinberger - as were almost all of Kálmán's other works. www.gema.de /engl/communication/news/n168/kalman.shtml   (545 words)

Lyme Regis Operatic Society - Emmerich Kalman Being Jewish, the rise of Nazism in Germany caused Kálmán considerable anguish and he left Vienna for Paris in 1938 after his work was banned, first in Germany in 1933 and then finally in Austria. His frustration at his lack of commercial success led him to approach Karl von Bakonyi, a successful librettist with the idea for an operetta, Tátárjás (which uncomfortably translates into English as "Autumn Manoeuvres") appeared in 1908 in Budapest. A string of Viennese successes for Kálmán followed, the most popular and enduring being Die Czardasfürstin (The Gypsy Princess) of 1915. www.hnjoy2.fireflyinternet.co.uk /lros/kalman.htm   (545 words)

Biographie: Emmerich Kálmán, 1882-1953 Komposition der Operetten "Faschingsfee" (1917), "Das Hollandweibchen" (1919), "Die Bajadere" (1921), "Gräfin Maritza" (1924), "Die Zirkusprinzessin" (1926), "Die Herzogin von Chicago" (1928), "Das Veilchen vom Monmatre" (1930) und "Der Teufelsreiter" (1932). Die Aufführung von "Ein Herbstmanöver" wird Kálmáns erster Bühnenerfolg. Die Operette wird zur meistgespielten Komposition des Genres. www.dhm.de /lemo/html/biografien/KalmanEmmerich   (545 words)

GEMA - Press - GEMA News 168 - Emmerich Kálmán Melancholy Master of the Light Muse Yet, Emmerich Kálmán, the illustrious "Csardas Cavalier" of the operetta, still remained an onlooker of his own happiness, as reported by his colleague Robert Stolz: "The pessimism and weltschmerz of poor Emmerich were so immense that he simply did not want to see the success of his operetta. Die Csardasfürstin (The Csardas Princess) and Die Gräfin Mariza (The Countess Maritza), which are part of the permanent stock of theatre repertoires, were published by Musikverlag Josef Weinberger - as were almost all of Kálmán's other works. Since the triumph of Die Csardasfürstin (The Csardas Princess) in 1915, every new work was a hit - whether the Faschingsfee (Carnival Fairy), Hollandweibchen (Little Dutch Woman) or Bajadere (Bayadere). www.gema.de /engl/communication/news/n168/kalman.shtml   (545 words)

Records International Catalogue January 2005 EMMERICH KÁLMÁN (1882-1953): Die Csárdásfürstin, Orchestral Excerpts from the Operettas Der Zigeunerprimás, Die Faschingsfee, Das Hollandweibchen and Der Teufelsreiter. Not that it's by any means "unusual repertoire", but we found it notable that Richard Bonynge was in charge of this new (recorded 2002-03) budget version of Kálmán's evergreen operetta while offering almost a half hour of orchestral excerpts from four of his lesser known works in the genre. EMMA KODÁLY (1863-1958): Piano Pieces: Variations, Valses viennoises, Berceuse, Gavotte, Scherzo, Songs: Gekommen ist der Mai, Wandl' ich in dem Wald, ich lieb' eine Blume, Dass du mich liebst, Ballade - Jung Niklas, Irgendwo, All' meine Herzgedanken, Röslein, Ohne Liebe, Betrogen, Seelied, Die helle Sonne leuchtet. www.recordsinternational.com /RICatalogJan05.html   (545 words)

Biographie: Emmerich Kálmán, 1882-1953 Urauffühung von "Der Zigeunerprimas" in Wien mit der Kálmán einen eigenen folkloristischen Typ der Ungarn-Operette schafft. Komposition der Operetten "Faschingsfee" (1917), "Das Hollandweibchen" (1919), "Die Bajadere" (1921), "Gräfin Maritza" (1924), "Die Zirkusprinzessin" (1926), "Die Herzogin von Chicago" (1928), "Das Veilchen vom Monmatre" (1930) und "Der Teufelsreiter" (1932). Vollendung der Operette "Arizona Lady" kurz vor seinem Tod. www.dhm.de /lemo/html/biografien/KalmanEmmerich   (545 words)

Biographie: Emmerich Kálmán, 1882-1953 Komposition der Operetten "Faschingsfee" (1917), "Das Hollandweibchen" (1919), "Die Bajadere" (1921), "Gräfin Maritza" (1924), "Die Zirkusprinzessin" (1926), "Die Herzogin von Chicago" (1928), "Das Veilchen vom Monmatre" (1930) und "Der Teufelsreiter" (1932). Urauffühung von "Der Zigeunerprimas" in Wien mit der Kálmán einen eigenen folkloristischen Typ der Ungarn-Operette schafft. Die Aufführung von "Ein Herbstmanöver" wird Kálmáns erster Bühnenerfolg. www.dhm.de /lemo/html/biografien/KalmanEmmerich   (545 words)

Paul Lincke      Lincke wurde Zeuge der »goldenen« Zwanziger und der braunen Dreißiger und mußte schließlich mit ansehen, wie ihm gut bekannte Komponistenkollegen und Operettenstars über Nacht Deutschland verließen, um ihr Leben zu retten: Victor und Friedrich Hollaender, Rudolf Nelson, Jean Gilbert, Robert Stolz und Emmerich Kálmán, Fritzi Massary, Richard Tauber und Paul Graetz. www.luise-berlin.de /bms/bmstxt00/0004porb.htm   (545 words)

Oper & Tanz 2002/04: Rezensionen, Carola Stern: „Die Sache, die man Liebe nennt“. Das Leben der Fritzi Massary. Rowohlt Taschenbuch Weder war die 1882 geborene Massary besonders schön, noch hatte sie eine außergewöhnlich schöne Stimme, aber ihre Bühnenpräsenz, ihr Charme, ihre Sinnlichkeit animierten Komponisten wie Leo Fall, Emmerich Kálmán und Oscar Straus, ihr Titelrollen „auf den Leib“ zu schreiben. Das Dritte Reich zwang die Massary zur Emigration, allein, denn Pallenberg kam 1934 bei einem Flugzeugunglück ums Leben. Carola Stern, Mitbegründerin von „amnesty international“ und Autorin diverser Biografien (unter anderem über Willy Brandt, Isidora Duncan) beschreibt in ihrem Buch über Fritzi Massary in anschaulicher und amüsanter Weise den dramatischen Lebensweg der berühmtesten Operettendiva der Goldenen Zwanzigerjahre. www.operundtanz.de /archiv/2002/04/rez-stern.shtml   (545 words)

Biographie: Emmerich Kálmán, 1882-1953 Die Aufführung von "Ein Herbstmanöver" wird Kálmáns erster Bühnenerfolg. www.dhm.de /lemo/html/biografien/KalmanEmmerich   (545 words)

Schlagerchronik vor 1921 Kußlied (Komm, mein süßes Kätzchen, gib mir einen Kuß) aus der Operette Ein Herbstmanöver, M: Emmerich Kálmán, T: Robert Bodanzky, V: Octava Music Co. Ltd., London, Erstinterpretin: Louise Kartousch Ein Wiener Walzer (Ich weiß auf der Wieden) M+T: Ralph Benatzky, V: Drei Masken, Berlin Wenn ein Mädel einen Herrn hat, Marschduett aus der Posse Der Juxbaron, M: Walter Kollo; T: Willi Wolff, Herman Haller, Gerhard Pordes-Milo, V: Drei Masken, München, Erstinterpreten: Karl Geppert u.a. www.bobsmusic.de /schlagervor20.htm   (545 words)

GEMA - Press - GEMA News 168 - Emmerich Kálmán Melancholy Master of the Light Muse Die Csardasfürstin (The Csardas Princess) and Die Gräfin Mariza (The Countess Maritza), which are part of the permanent stock of theatre repertoires, were published by Musikverlag Josef Weinberger - as were almost all of Kálmán's other works. While the society of the Countess Maritza celebrates a sumptuous party very much in the present, he mourns for "the beautiful time, the past" when he still belonged to this society himself: "an onlooker of happiness." Although Countess Maritza had been a great Broadway success in 1926, it had almost been forgotten by then. www.gema.de /engl/communication/news/n168/kalman.shtml   (545 words)

Countess Maritza in Los Angeles The challenge facing Linda Brovsky, conductor John Crosby, choreographer Daniel Pelzig, set designer Maxine Willi Klein and costume designer Dona Granata was Emmerich Kálmán's Countess Maritza. Countess Maritza 's most recent production is due to John Crosby, the musical director of the Santa Fe (New Mexico) Opera, who in the early 1970s revived a little-known operetta, Offenbach's The Grand Duchess of Gerolstein. "Operetta is hard because it combines everything," says director Linda Brovsky, who is responsible for the L.A. production of Countess Maritza. www.unitel.de /uhilites/1998/030198.htm   (545 words)

Emmerich Kálmán Czardasfürstin, Die (1971)[Composer] (operette "Die Czárdásfürstin") (as Kálmán Imre) www.imdb.com /name/nm0477578/filmoyear   (545 words)

Emmerich Kálmán Die Czardasfürstin (1971)[Composer] (operette "Die Czárdásfürstin") (as Kálmán Imre) us.imdb.com /name/nm0477578/filmoyear   (545 words)

October's History in Time 10/30/1953 - Emmerich K lm n, Hungarian composer (Die Zirkusprinzessin), dies at 71 10/30/1972 - Worst US rail accident in 14 years; 45 die in Chicago 10/30/1948 - 20 die & 6,000 made ill by smog in Donora Pennsylvania freepages.genealogy.rootsweb.com /~coverstone/October30.html   (545 words)

Carthalia - Budapest: Vigszinhaz Emmerich Kálmán: Zsuzsi kisasszony (1st version of "Die Faschingsfee", 23 Feb 1915) www.andreas-praefcke.de /carthalia/europe/h_budapest_vigszinhaz.htm   (545 words)

Carthalia - Wien: Johann-Strauss-Theater Emmerich Kálmán: Die Faschingsfee (2nd version, 21 Sep 1917) Oscar Straus: Rund um die Liebe (9 Nov 1914) www.andreas-praefcke.de /carthalia/austria/a_wien_johannstrausstheater.htm   (545 words)

Die Sexuellen Phantasien der Kohlmeisen Der versehentlich folgende Satz: "Wilmington lächelte grimmig und ritt davon in die sinkende Abendsonne." ist Unsinn; er gehört vermutlich in das verlorengegangene Libretto "Wilmingtons Rache", einer Auftragsarbeit Heideggers für Emmerich Kálmán, die sich dann aber zerschlug. Aus konfessionellen Gegensätzen entstanden, zu einem Reichskrieg um die kaiserliche Stellung gegenüber den Ständen ausgeweitet, steigerte sich der Krieg durch das Eingreifen Schwedens und Frankreich zu einem auf deutschem Boden ausgetragenen Machtkampf um die Vormachtstellung in Europa. Die Tür fiel ins Schloß, ließ sich von innen nicht öffnen, Kohl erstickte. members.fortunecity.com /bookdepository/german/kohlmeise/kohlmeisetext.html   (545 words)

Ms. Jessie Martin Martin recently collaborated with Dr. James Stuart on an English translation of the operetta Der Zigeunerprimas by Emmerich Kálmán. She has appeared with the Baton Rouge Symphony, the Louisiana Sinfonietta, Pensacola Opera, and the Ohio Light Opera, where, in addition to performing, she has also served as an administrator. A winner of numerous awards and competitions including those sponsored by the Rose Palmai-Tenser Mobile Opera Competition, Baton Rouge Opera Guild, Baton Rouge Rotary Club, and the National Association of Teachers of Singing, Ms. www.pittstate.edu /music/JessieMartin.html   (545 words)

Vienna Symphony Orchestra - Lebenslauf - Martin Kerschbaum In February 2002 Martin Kerschbaum conducted the Wiener Symphoniker at the much acclaimed Emmerich Kálmán-Gala with Marcel Prawy in the Wiener Konzerthaus. In 2001 his appearance in a gala concert with the Wiener Symphoniker and the Canadian soprano Natalie Choquette at the Wiener Konzerthaus was a great triumph and was repeated 2004 with no less success. Martin Kerschbaum works with the Niederösterreichische Tonkünstler Orchester, the Wiener Concertverein, the Wiener Mozart Orchester, the orchestra of the Operetta Festival Bad Ischl, the 1. www.wiener-symphoniker.at /dirsol/lkerschbaumdiri_e.htm   (362 words)

Paul Lincke      Lincke wurde Zeuge der »goldenen« Zwanziger und der braunen Dreißiger und mußte schließlich mit ansehen, wie ihm gut bekannte Komponistenkollegen und Operettenstars über Nacht Deutschland verließen, um ihr Leben zu retten: Victor und Friedrich Hollaender, Rudolf Nelson, Jean Gilbert, Robert Stolz und Emmerich Kálmán, Fritzi Massary, Richard Tauber und Paul Graetz. In dieser Zeit waren seine musikalische Vielseitigkeit und sein kreatives Können besonders stark gefordert.      Linckes zündende Melodien und seine musikalische Flexibilität hatten sich mit der Zeit weit über Deutschland hinaus herumgesprochen und -gesungen. www.luise-berlin.de /bms/bmstxt00/0004porb.htm   (1729 words)

Brett Polegato (Baritone) - Short Biography In November 1999, Decca released Emmerich Kálmán’s jazz-infused operetta Die Herzogin von Chicago with the Berlin Radio Symphony Orchestra under the baton of Richard Bonynge with Brett Polegato singing the role of James Bondy as part of the landmark Entartete Musik series (Decca). Also that year (2004) he recorded the role of Ubalde from Gluck’s Armide with Les Musiciens du Louvre, released by Deutsche Grammophon’s Archiv label in March 1999, wwas selected by Opera News as one of the five best opera recordings of the year. In 2000, he made his La Scala debut as Ned Keene in Peter Grimes and his Chicago Lyric Opera debut the previous season singing Peter Niles in Mourning Becomes Electra. www.bach-cantatas.com /Bio/Polegato-Brett.htm   (1729 words)

medianewsdetail.htm?non=1&non=1&ArtikelId=123597 Wer Operettenfan ist und gleichzeitig die Classic-Crossover-Sopranistin Anna Maria Kaufmann mag ("Phantom der Oper", "Evita", Violetta in "La Traviata"), für den genügt vermutlich die reine Information: Es gibt eine CD namens "Anna Maria Kaufmann singt Emmerich Kálmán". Die Haare, Schals und Schultertaschen wehen hinter ihnen her, auf ihrem hektischen Weg in den Plattenladen? Adaptierte er zwar mit der "Csárdásfürstin" herrlich die Töne aus seiner ungarischen Heimat, so langweilt er in Wiener Werken wie "Das Veilchen vom Montmartre", "Gräfin Mariza" oder "Die Herzogin von Chicago" doch grenzenlos. www.swissonline.ch /unterhaltung/medianewsdetail.htm?non=1&non=1&ArtikelId=123597   (1729 words)

Concert Operetta Theater Duchess of Chicago (Die Herzogin von Chicago) Music by Emmerich Kálmán Lloyd, the Sausage King of Chicago, arrives with her father’s private secretary, Johnny Bondy, himself a millionaire. Sàndor discovers that his ministers are planning to sell him to Lloyds of Chicago, is shown a copy of Mary’s cable and is enraged. www.concertoperetta.com /information/chicago.html   (1729 words)

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