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| | 2000 Proceedings (Site not responding. Last check: ) |
 | | Enheduanna was a Sumerian priest and poet who pushed image into clay with a reed stylus to make her poems. |
 | | As are Enheduannas, Ninshatapadas, Millays, Plaths and Lordes, Carbets lines are seeded with details of comfort, home, and the peaceful place she once belonged but now fears might be slipping from her memory, the touch of clay, the stretch of the beach, the taste of salt, the sight of a humming bird, of a firefly. |
 | | Enheduanna goes to sleep, has labor pains and in the morning interprets her own dream which becomes the poem "nin-me-sar-ra." Hallo calls these lines "creative agony" and says "the passage is unique in Sumerian literature in describing the process of poetic inspiration" (Hallo and van Dijk 63). |
| www.ndsu.edu /RRCWL/V2/Dalglish.html (2475 words) |
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