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| | Favret, "The Letters of Frankenstein" (Site not responding. Last check: ) |
 | | Mary Shelley chose to frame her first novel with letters from an arctic adventurer, Robert Walton, to his England-rooted sister, Margaret Saville, seems consistent with literary trends in a society anxious for connections and continuity, for human correspondence in an age of instability and incertitude. |
 | | With her first novel, Mary Shelley transfers the explicit form of correspondence into the inner dynamic of the novel itself. |
 | | The power of the novel rides in Betweenness, in the spaces that open up between speakers, as between mountain peaks; in the cracks that appear between statements, as between ice floes; in the seams that emerge between stories, as between monstrous "component parts" [Introduction 9]. |
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