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| | Journal Notes: 2001 |
 | | Articles are presented for Heinosuke Gosho's Woman of the Mist, Kenji Mizoguchi's Life of Oharu, Akira Kurosawa's Ikiru, an overview of themes of Nagisa Oshima, and an examination of the narrative structure in Yasujiro's late films (Late Spring, Early Summer, Tokyo Story, Early Spring, Equinox Flower, Late Autumn, End of Summer, An Autumn Afternoon). |
 | | Bock chronologically explores the personal influences and cinematic contributions of several acclaimed film directors, and in the process, provides an intelligent observation on the profound effects of changing political, social, and cultural climate on the evolution of the Japanese film industry. |
 | | This non-binding declaration to his hero and cinematic mentor, followed by a subsequent traveling foreign film festival, which featured such classics as Miracle in Milan, Open City, Rashomon, and Jour de Fete, cemented Ray's commitment and determination to become a filmmaker. |
| www.filmref.com /journal2001.html (7060 words) |
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