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	Ernesto Rodrigues, Guilherme Rodrigues, Jose Oliveira - Multiples (Creative Sources)
		Ernesto Rodrigues, Guilherme Rodrigues, Gabriel Paiuk, Jose Oliveira - Ficta
		Rodrigues, it seems, is not only the owner, he's a client; as his name appears first in the listing of performers on each of these four CDs.
		Rodrigues is again the focal point of the improvisations, his sonorous tones and short segments of mangled bowing set the tone for the others, with Chaparreiro sometimes almost inaudible.
	www.fakejazz.com /reviews/2003/rodrigues.shtml (996 words)

	VH1.com : Ernesto Rodrigues : Biography - Urge Music Downloads
		The violinist Ernesto Rodrigues is a major improviser from Portugal on his own, but combined with his son Guilherme Rodrigues on cello he is part of one of a deeply expressive example of family bonding through creative music.
		The senior Rodrigues started in the direction of free improvisation groups such as this when he came in contact with the type of avant garde classical scores that are often described as "indeterminate," meaning quite a few of the details of the actual performance are left up to interpretation and/or serendipity.
		Rodrigues was also influenced by electronic music, like many improvisers on traditional instruments relishing the challenge of utilizing their axes to match, sound for sound, the noise coming out of plugged-in equipment.
	www.vh1.com /artists/az/rodrigues_ernesto/bio.jhtml (332 words)

	www.jazzweekly.com \| Reviews
		Conceivably it's because of his location, off the beaten jazz track in Lisbon, but Portuguese violinist Ernesto Rodrigues and his associates are creating original, non-idiomatic music with few outside references.
		Ideas are certainly distributed, as are musical parts, with Rodrigues playing an Evan Parker-influenced soprano saxophone as well as violin and viola and Oliveira strumming and picking an acoustic guitar, as well as working his percussive noise magic.
		Rodrigues is back on violin and viola, Oliveira limits himself to percussion, while cellist Guilherme Rodrigues reappears, bringing along a pocket trumpet that is mostly unidentifiable and usually inaudible.
	www.jazzweekly.com /reviews/erodrigues_multiples.htm (915 words)

	Ernesto Rodrigues : Contre-Plongée (Six Cuts for String Quartet) - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-13)
		Not taking its instrumentation into account, this album lands squarely within Ernesto Rodrigues' average -- a demanding, intriguing, and fascinating studio session, but not as gripping or involving as his previous release, the wonderful Cesura.
		This is not a string quartet in the traditional sense: there are two violins, one viola, and one cello, but Rodrigues plays both violin and viola.
		The fourth player is José Oliveira, usually a percussionist in Rodrigues' projects, but here playing acoustic guitar (often prepared -- it sounds like a kalimba in the closing "Cut6") and occasionally scraping the strings of a nearby piano.
	www.artistdirect.com /nad/store/artist/album/0,,2915401,00.html (370 words)

	January 2003
		Ernesto Rodrigues / Antonio Chaparreiro / Jose Oliveira
		Ernesto Rodrigues / Guilherme Rodrigues / Gabriel Paluk / Jose Oliveira
		Its six pieces clock in at 46 minutes, and the eight-minute track duration is ideal for Rodrigues, whose good feel for structure was obscured by the extended sprawl of "Sudden Music"'s four tracks and squashed by the two-minute strictures of "Exposures".
	www.paristransatlantic.com /magazine/monthly2003/01jan_text.html (2078 words)

	Creative Sources: Squidco
		Rodrigues / Rodrigues / Marshall / Santos / Oliveira:
		Rodrigues, Ernesto / Chaparrreiro, Antonio / Oliveira, Jose:
		Rodrigues, Ernesto / Werchowski, Mathieu / Rodrigues, Guilherme:
	www.squidco.com /c.cgi?c=CS (144 words)

	Bagatellen: Ernesto Rodrigues - Assemblage e Ficta
		Ernesto Rodrigues has been working with improvised music and modern forms of composition for over twenty years.
		The common thread between the two discs is in the dynamics of the music: were the activity to be graphed in terms of collective pursuit and sonic amplitude, both might be represented as bell curves, from restrained to semi-raucous.
		Gabriel Piauk’s piano on Ficta is critical in creating this sensation; his playing is quantifiable in terms of its function as mechanical counterpart, but fluctuates in and out of false signatures, an effect created by periodic, variable responses from the other instruments.
	www.bagatellen.com /archives/reviews/000242.html (527 words)

	Sudden Music - Ernesto Rodrigues - Music Reviews
		For his second CD on his own record label, violinist Ernesto Rodrigues chose to release a session that complements his debut, Multiples, while hinting at a different direction.
		If John Stevens previously represented the main inspiration, this time around Rodrigues, percussionist José Oliveira, and guitarist António Chaparreiro turn their ears to the musicians associated with the lowercase, onkyo, and reductionist trends.
		Rodrigues shifts between violin and viola, exploring the possibilities of slow bow movements while applying a lot of pressure on the strings.
	www.mp3.com /albums/557205/reviews.html (691 words)

	Recent Portuguese Publications Bulletin 49 (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues, Pires Laranjeira and [José] Viale Moutinho, coord.
		Ernesto Rodrigues, Pires Laranjeira and [Jose] Viale Moutinho, coord.
		Among the collaborators for this volume are António Braz Teixeira, António Coimbra Martins, América Costa Ramalho, Elsa Gonçalves, Ernesto Rodrigues, Fernando Guimarães, Fernando J.B. Martinho, Helder Macedo, José-Augusto França, Jacinto Prado Coelho, José Viale Moutinho, Luís Forjaz Trigueiros, Pires Laranjeira, and Urbano Tavares Rodrigues.
	www.livroraro.com /B49/B49pt1.htm (355 words)

	Ernesto Rodrigues, Guilherme Rodrigues, Gabriel Paluk & Jose Oliveira, Ficta (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues, Guilherme Rodrigues, Gabriel Paluk & Jose Oliveira, Ficta
		Ernesto holds a violin, or a viola; Guilerme has a cello and a pocket trumpet; Gabriel is seated before a piano; and Jose is behind percussion instruments.
		The players are all in position, touching their instruments, poised on the verge of sound, but there is a problem -- the mechanism of the escalator and its power supply have been designed and developed by Heath Robinson, heavily influenced by Salvador Dali!
	www.rambles.net /rodrigues_ficta02.html (464 words)

	Ernesto Rodrigues, Jose Oliveira & Marco Franco, 23 Exposures (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues, Jose Oliveira & Marco Franco, 23 Exposures
		Three Portuguese musicians -- Ernesto Rodrigues (violin, viola), Marco Franco (soprano sax) and Jose' Oliveira (percussion, acoustic guitar) -- have released a CD of improv called 23 Exposures.
		If you are extremely creative, already know you like improv, or would like something non-rock with which to annoy your parents, this might be the CD for you.
	www.rambles.net /rodrigues_23exp02.html (692 words)

	DECEMBER 2006
		Ernesto Rodrigues, Guilherme Rodrigues, Mathieu Werchowski, Joseba Irazoki, Wade Matthews, Bechir Saadé, Punck, Christine Sehnaoui, Sharif Sehnaoui, Neil Davidson, Ricardo Arias, Günter Müller, Hans Tammen, Sabine Vogel, Neumatica
		Despite the standard string trio line-up (Mathieu Werchowski on violin, Ernesto Rodrigues on viola and his son Guilherme on cello) this is a sweetly uncommon outing.
		Joining Ernesto on viola and Guilherme on pocket trumpet and cello are Christine Sehnaoui on alto saxophone and husband Sharif on electric guitar.
	www.paristransatlantic.com /magazine/monthly2006/12dec_text.html (9281 words)

	Ernesto's podcast on Odeo (Site not responding. Last check: 2007-10-13)
		3 ER/GR/JH/TM/CS Ernesto Rodrigues – violin, viola Guilherme Rodrigues – cello,...
		3 Resonance III Ernesto Rodrigues – violin, viola Guilherme Rodrigues – cello...
		2 Codex II Ernesto Rodrigues – viola Guilherme Rodrigues – cello Pedro Roxo R...
	odeo.com /channel/129130/view (263 words)

	BASEBOG FORUM - ctrl25 : Ernesto Rodrigues & Hans W.Koch " (Site not responding. Last check: 2007-10-13)
		ctrl25 : Ernesto Rodrigues & Hans W.Koch "
		ctrl25 : Ernesto Rodrigues & Hans W.Koch " Nostalgia"
		Ernesto Rodrigues has been playing the violin for 30 years and in that
	www.basebog.it /basebogforum/topic.asp?TOPIC_ID=2213 (262 words)

	review of Rodrigues, Sehnaoui, Sehnaoui-sable .ep at EARLabs
		Ernesto Rodrigues, Sharif Sehnaoui, and Christine Sehnaoui weave a subtle and enchanting environment in this recent improvisation released on netlabel Conv.
		I have enjoyed many of Rodrigues' works, and cherished a healthy handful of Creative Sources releases, but for each one that I've loved there's been another mediocre recording that has done nothing but collect [digital] dust.
		Occasionally the air clears, and the listener is given a momentary calm, but the energy quickly builds again as these enlightened players struggle to free themselves of their auditory burdens.
	www.earlabs.org /text/review.asp?reviewID=8 (374 words)

	Bagatellen: Ernesto Rodrigues / Gerhard Uebele / Guilherme Rodrigues / José Oliviera - Contre-Plongée ...
		Ernesto Rodrigues / Gerhard Uebele / Guilherme Rodrigues / José Oliviera
		The titles are teasingly cryptic, the cover-art spare and beautiful; the music itself is ultra-minimalist improv, of a kind that, even though it involves acoustic instruments rather than laptops and the like, will probably appeal more to followers of the electroacoustic improv scene than fans of “traditional” free improvisation.
		MEANWHILE this is, by Ernesto's standards, an OLD CS release - nearly a dozen albums have appeared on the label since, including one of mine that nobody seems to have heard.
	www.bagatellen.com /archives/reviews/000777.html (2663 words)

	Jon Rose & Ernesto Rodrigues : UnAmerican Activities : One Final Note (Site not responding. Last check: 2007-10-13)
		The Portuguese quartet is led by Ernesto Rodrigues on violin and viola, who has played with local flautist Carlos Bechegas and Italian saxist Gianni Gebbia among others, and who cites electronic music as an influence on his acoustic violin playing.
		The Aussie trio is sparked by the extroverted soloing of British-Australian Jon Rose on violin and tenor violin.
		Oliveira, who works frequently with Ernesto Rodrigues, may feature his guitar here, but the suspicion remains that some of the flailing flat picking and rasping come from one of the other strings or internal piano wires.
	www.onefinalnote.com /uaa/2004/unamerican13 (1305 words)

	SIMF 2006 - Bios (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues and Manuel Mota may be standing on top of a very strong tradition in what concerns the relations between an arco string instrument and a guitar: the one introduced before the Second World War in improvisation by Stephane Grapelli and Django Reinhardt with the Quintet of the Hot Club de France.
		The violist had classical training and went through free jazz before arriving to the non-idiomatic music he now embraces, and the guitarrist learned to pluck his ax by himself, moving his path from a minimalist-like drone work and re-discovered fingerstyle in the Delta blues based music.
		This meeting of cultures could seem bizarre, but it’s so interiorized by both Ernesto Rodrigues and Manuel Mota that it’s not a matter of fusion or collage.
	www.seattleimprovisedmusic.com /simf_history/bios.html (3338 words)

	33 killed in plane crash - World - www.theage.com.au (Site not responding. Last check: 2007-10-13)
		The Brasilia-120 turboprop plane, which was carrying 30 passengers and three crew members, disappeared from the radar at Manaus' Eduardo Gomes International Airport when it was about 15km from the airport, said Manaus Fire Department rescue official Major Ernesto Rodrigues.
		Rodrigues said rescue crews had difficulties reaching the downed plane because it crashed in an area of dense jungle.
		Rodrigues said the cause of the crash was unknown.
	www.theage.com.au /articles/2004/05/16/1084571022085.html (295 words)

	Ernesto Rodrigues : Ficta - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues (violin and viola), Guilherme Rodrigues (cello and pocket trumpet), and José Oliveira (percussion) -- the trio featured on the previously released Multiples -- are joined by pianist Gabriel Paiuk for a free improv session low on sounds per minute but very high on intensity.
		Oliveira displays a lot of inventiveness, producing the most captivating (and pertinent) sounds out of a restrained selection of instruments, much like Günter Müller or Lê Quan Ninh.
		The two Rodrigues scratch and wail quietly, but there is fire in their restraint.
	www.artistdirect.com /nad/store/artist/album/0,,1758273,00.html (337 words)

	ctrl25: Ernesto Rodriguez and Hans W.Koch
		: Ernesto Rodrigues and Hans W. Koch " Nostalgia"
		Ernesto Rodrigues has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.
		His main interest shifted towards contemporary improvised and composed music.
	www.punck.net /ctrlaltcanc/ctrl25/ctrl25_rodrigues_koch.htm (258 words)

	[No title]
		Rodrigues (viola), Mota (electric guitar) and Paiuk (piano) communicate very much on the same level.
		Again we hear Rodrigues on violin and viola, accompanied by Gerhard Uebele (violin), Guilherme Rodrigues (violin) and José Oliveira (acoustic guitar, inside piano).
		It may seem a paradox, but in spite of their radical approach the music is 'unspectacular' at first hearing and wants to be good friends with silence.
	www.staalplaat.com /vital_archive/452.txt (5225 words)

	Stasisfield.com : Stasisfield mp3 releases : Year 04 Releases : Prisma : Ernesto Rodrigues
		Format : EP Portugese violinist, composer, and Creative Sources Recordings label head Ernesto Rodrigues begins our fourth year with a set of acoustic improvised music recorded in Lisbon, Portugal.
		Recorded by a trio consisting of Rodrigues on violin and viola, Michael Thieke on clarinet and alto clarinet, and Guilherme Rodrigues on cello and pocket trumpet, the three tracks in Prisma move from sparsely claustrophobic twittering percussive noises to hi-frequency drones and expansive breathing exercises to deceptively simple plucked strings and bowed notes.
		Along the way, the structure of the tracks' musical events becomes denser, yet the sounds break free of their original condensed field to paint a broad acoustic landscape.
	www.stasisfield.com /releases/year04/sf-4001.html (148 words)

	ernesto rodrigues, christine s - sable / The Hype Machine
		I am applying to the Sociable Media Group at the MIT Media Lab and NYU ITP.
		This page provides information about the track sable by ernesto rodrigues, christine s posted on the undomondo blog.
		If you are concerned about our listings, you can find more information here and are welcome to contact us directly.
	hype.non-standard.net /track/65069 (126 words)

	Ernesto Rodrigues, Antonio Chaparreiro,José Oliveira -- Sudden Music (Site not responding. Last check: 2007-10-13)
		Ernesto Rodrigues, violin, viola; Antonio Chaparreiro, electric guitar; José Oliveira, percussion, inside piano
		I think I can do without the elliptic-unto-ecliptic liner notes by Eduardo Paes (...now, not only it is permitted that silence (apparent abscence of sound) is part of the music, but also that...
		I will agree with Senor Paes' closing liner note assertion, and say he's dead on: "everything is sudden, immediate, unexpected, but nothing happens out of its place, nothing is in excess or in need, transmitting to us a curious illusion of PERMANENCE." As well it should.
	www.jazznow.com /1102NS/NSErnRod.html (264 words)

	Bechir Saade \| Clarinets, Flutes
		Since Saade became active in freely improvised music he has played with musicians such as Wade Matthews, Ernesto Rodrigues, Martin Kuchen, David Stackenas, Michael Zerang and many others.
		Ernesto Rodrigues (viola), Bechir Saade (bass clarinet, nay), Guilherme Rodrigues (cello), Carlos Santos (electronics), Wade Matthews (alto flute, bass clarinet, electronics), TREM AZUL JAZZ, LISBON
		Ernesto Rodrigues (viola), Bechir Saade (bass clarinet, nay), Guilherme Rodrigues (cello), Wade Matthews (alto flute, bass clarinet, electronics), TREM AZUL JAZZ, LISBON
	www.bechirsaade.com /info.htm (1742 words)

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