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| | Wired News: Dr. Evil's Lair Evolves |
 | | In a not-so-subtle piece of social criticism, Ian Fleming took the name of his most villainous character from a Marxist architect, Erno Goldfinger, known for dramatic high-rise residential towers whose forms echoed the reduced, brutal lines of grain silos and cement factories. |
 | | The battle lines between modernism and populism were drawn early: In 1908, Austrian architect Adolf Loos published an influential essay called "Ornament and Crime" that sought to sweep away the clutter typical of the 19th-century salon (potted palms, flock wallpaper, mantelpieces, pianos). |
 | | Faced with chaotic, asymmetrical horrors like terrorism, bird flu and climate change, the sinister symmetry, exuberant rationalism and global planning of an Erno Goldfinger or a Joe Colombo is the very least of our problems. |
| www.wired.com /news/culture/1,69549-1.html (841 words) |
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