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| | Ernst Ludwig Kirchner - 1880 to 1938 - Expressionist - a Review by Donald Goddard |
 | | Kirchner himself wanted not to be seen as "a tame landscapist," but rather as a figure painter, which ironically allies him with academic tradition. |
 | | In Kirchner this is encouraged, I suppose, or at least is preceded by Van Gogh's emphatic compulsiveness, Munch's exhilarating inwardness, Toulouse-Lautrec's swirling fatalism, and even Vuillard's psychological intricacy, and parallels, or slightly follows, the Fauves, and particularly Matisse's, freeing of color from representation, though in a much more emotionally incisive way. |
 | | Sources of energy early in his career are the studio (usually his own) filled with all forms of art, the bodies of young women and men, lovemaking, sprawling children, circus and cabaret performers, people in the streets consciously unconsciously performing, bathers on the shore in summer. |
| www.newyorkartworld.com /reviews/kirchner.html (1383 words) |
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