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Topic: Erwin Ratz

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	Abstracts
		Erwin Ratz's book — first published in 1951 in Vienna — has been and even today is an important landmark in the evolution of European musicology, especially in the field of musical analysis.
		Erwin Ratz was born in Graz Austria in 1898 and died in Vienna in 1973.
		Ratz's intellectuality and profound thought are demonstrated in the first paragraph of the introduction to his book, where the author quotes Goethe: "everyone can see the matter; the content can be found only by those who have something to do with it and the form is a secret for most people" (p.
	www.musicology.gr /issue014/ratz1en.html (287 words)

	Wikipedia: Fugue
		Bach was sufficiently expert that he could tell exactly what entrances could occur simply by hearing the first playing of a theme.
		Although fugues are often described in purely contrapuntal terms, tonally-centered fugues also manifest a fundamental harmonic structure (Ratz, 1951).
		In the words of the Austrian musicologist Erwin Ratz (1951, p.
	www.factbook.org /wikipedia/en/f/fu/fugue.html (3126 words)

	Fugue - Wikipedia, the free encyclopedia
		When scholars say that the fugue is not a musical form, what is usually meant is that there is no one single formal outline into which all fugues reliably can be fitted.
		Ratz argues that the formal organization of a fugue involves not only the arrangement of its theme and episodes, but also its harmonic structure.
		The most classicist fugues that have appeared after Beethoven are those of Felix Mendelssohn, who as a child impressed Goethe and others with his mastery of counterpoint while improvising at the piano.
	en.wikipedia.org /wiki/Fugue (4361 words)

	Mahlerfest - Symphony No.6 - Myth and Reality
		In 1963, the Critical Edition of the Sixth came out from the IGMG, and lo and behold the Scherzo was back in its original second position, Erwin Ratz explaining that some time before his death Mahler had changed his mind.
		Ratz provided no evidence for this statement; he didn't even cite Alma's telegram.
		The IGMG supported Erwin Ratz's decision in the Critical Edition revision of 1998, but editor-in-chief Reinhold Kubik has since expressed doubts in the light of Bruck's evidence.
	www.mahlerfest.org /mfXVI/notes_myth_reality.htm (3768 words)

	Schüler in Wien und Mödling: Erwin Ratz
		Ratz studierte 1918-22 bei Guido Adler an der Universität Wien Musikwissenschaft, 1917-20 nahm er bei Schönberg Unterricht, u.a.
		Nach dem Krieg übernahm Ratz eine Professur für Formenlehre an der Akademie für Musik und darstellende Kunst in Wien.
		Unter seinen musiktheoretischen und —wissenschaftlichen Werken ist besonders die "Einführung in die musikalische Formenlehre" und die Herausgabe der Werke Gustav Mahlers hervorzuheben.
	www.schoenberg.at /1_as/schueler/wien/Ratz.htm (107 words)

	MTO 4.6: Grave, Review of Caplin, Classical Form
		ABSTRACT: Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Haydn, Mozart, and Beethoven within the approximate time-span 1780-1810.
		Erwin Ratz, Einführung in die musikalische Formenlehre, 3rd ed.
		Caplin defines "tight knit" as "formal organization characterized by the use of conventional theme-types, harmonic-tonal stability, a symmetrical grouping structure, form-functional efficiency, and a unity of melodic-motivic material" (p.
	www.societymusictheory.org /mto/issues/mto.98.4.6/mto.98.4.6.grave.html (2761 words)

	TIME.com: Unfinished Symphony? -- Sep. 7, 1962 -- Page 1
		Erwin Ratz, president of the International Gustav Mahler Society, demurs.
		The trouble with Cooke, says Ratz, was that he misunderstood how Mahler worked.
		The composer normally went from sketches to "raw scoring" to a final version, and, according to Ratz, he was at least two years away from a final version of the Tenth.
	www.time.com /time/magazine/article/0,9171,870123,00.html (651 words)

	Mahler's Unfinished Tenth
		But here again Alma betrayed him, though with the apparent blessing of his contemporary colleagues Arnold Schoenberg, Alban Berg, and Ernst Krenek, allowing a facsimile of the unfinished manuscript to be published in 1924.
		Despite the harsh criticism of Theodore Adorno, Bruno Walter, and Erwin Ratz, who vehemently opposed its completion by another hand, a wide range of working or "performing editions" of Mahler's final symphony were eventually produced for public consumption.
		And consume the public has with even greater enthusiasm over the past thirty years, as a wide variety of performances and recordings attest.
	www.scena.org /lsm/sm8-6/Mahler_en.htm (972 words)

	Mahler-6 (Site not responding. Last check: 2007-11-02)
		Therefore the first edition (EA, Erstausgabe, 1906) could be followed in by a revised edition (NA, Neuausgabe, 1906) in the same year.
		In the Critical Edition of the Collected Works (Kritische Gesamtausgabe der Internationalen Gustav Mahler Gesellschaft, Wien) a new critical score of the symphony was published (GA, Gesamtausgabe,1963, prepared by Erwin Ratz).
		One source of very important information, Mahler’s own correction-copy for the NA,1906 (CorrMahler) was not yet available when Erwin Ratz prepared his edition in the nineteen-sixties.
	home.planet.nl /~admi0007/Articles/mahler6editions.html (261 words)

	HK Gruber Biography
		Berg, Stravinsky, cabaret and pop music are all influences, but whatever stylistic ingredients he uses in his works, he remains inimitably himself: one of the major talents of post-war music.
		Born in Vienna in 1943, Gruber sang with the Vienna Boys Choir as a child and then studied at the Vienna Hochschule für Musik -- double bass with Ludwig Streicher, theory with Hanns Jelinek, and composition with Erwin Ratz and Gottfried von Einem.
		In 1961 he began playing double bass with the ensemble die reihe (and is currently their Artistic Director) and from 1969 to 1998 he played in the Radio Symphony Orchestra-Vienna.
	www.ehrsamproductions.com /archive/inter/artist/print/gruber-bio.html (759 words)

	Simon Rattle (Site not responding. Last check: 2007-11-02)
		And his 1989 recording of the Sixth is the only major release to challenge the International Gustav Mahler Gesellschaft's 1963 Critical Edition on the order of the inner movements.
		Mahler composed this work with the Scherzo second and the Andante third, but during rehearsals he decided the Andante should go second; that's how he conducted it in his lifetime, and that's how it was played until 1963, when editor Erwin Ratz "explained" that, before his death, Mahler had reverted to his original plan.
		The problem is that there's not a shred of evidence for Ratz's "reversion": no score, no letter, no conversation, no anecdote.
	www.bostonphoenix.com /archive/music/99/01/14/SIMON_RATTLE.html (1576 words)

	Amazon.com: "Erwin Ratz": Key Phrase page (Site not responding. Last check: 2007-11-02)
		See all pages with references to Erwin Ratz.
		The matter is controversial, but Erwin Ratz, editor of the revised score published in 1963 in the Critical Complete Edition, decided in favor of placing the Scherzo...
		for voice and piano (the one dated io February 18c92), is found in the manuscript assigned the siglum G' by Erwin Ratz in the Rez~isionsbericht of the critical edition of the Fourth Symphony.
	www.amazon.com /phrase/Erwin-Ratz (366 words)

	Find in a Library: Arnold Schönberg, Ernst Bloch, Otto Klemperer, Erwin Ratz, Hans Mayer, Dieter Schnebel, Theodor W. ...
		Find in a Library: Arnold Schönberg, Ernst Bloch, Otto Klemperer, Erwin Ratz, Hans Mayer, Dieter Schnebel, Theodor W. Adorno über Gustav Mahler.
		Arnold Schönberg, Ernst Bloch, Otto Klemperer, Erwin Ratz, Hans Mayer, Dieter Schnebel, Theodor W. Adorno über Gustav Mahler.
		WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries.
	worldcatlibraries.org /wcpa/ow/fa10a3f81ca22966a19afeb4da09e526.html (110 words)

	Arnold Schoenberg in Moedling
		He had his own study, where there was a piano, a harmonium, violins, a viola and a cello, as well as his entire library and a desk; he worked at a standing pult.” (Georg Schönberg, 1971)
		Schönberg's pupils Viktor Ullmann, Josef Polnauer, Fritz Heinrich Klein and Erwin Ratz (f.l.t.r.)
		His students traveled on the electrical or steam-engine streetcar to Mödling but they also walked there during the days after the war when trains went at irregular intervals.
	www.schoenberg.org /3_moedling/schoenberg_in_moedling_e.htm (1390 words)

	UM Music Library Special Collections/Grant (Site not responding. Last check: 2007-11-02)
		During the sixties, William Parks Grant made a major contribution as a Mahler scholar to the Gesamtausgabe project as music editor for the Symphony no. 9.
		Although Bruno Walter had conducted the premiere performance of the Mahler symphony in 1911, the score contained several hundred errors which were corrected by Grant in consultation with Charles Eble, Erwin Ratz and Joseph Tranauer.
		His work as a Mahler scholar continued through the early seventies and extended to the second, third and eighth Mahler symphonies, some of which was funded by Leonard Berstein.
	home.olemiss.edu /~rzhakeem/grant.html (566 words)

	Amazon.ca: Hollywood Songbook: Music: Hanns Eisler,Matthias Goerne,Eric Schneider (Site not responding. Last check: 2007-11-02)
		Eisler was trained by Schoenberg in the great classical tradition but during the turbulent years of the Weimar Republic repudiated "art for art's sake" and turned his attention towards music with a social conscience.
		You would expect to see him only on the barricades, not in the recital hall, but Eisler was also a man of contradictions, and here he produces what Viennese musicologist Erwin Ratz described as the greatest cycle of German lieder in the 20th century.
		Goerne is one of the rising stars of German classical song, and in this recording his velvety but intense style is showcased in the only complete recording of Eisler's "Hollywood Songbook."
	www.amazon.ca /Hollywood-Songbook-Hanns-Eisler/dp/B00000DLUG (778 words)

	HK (Heinz Karl) Gruber - Classical music composer (Site not responding. Last check: 2007-11-02)
		Heinz Karl Gruber wurde 1943 in Wien geboren, mit dessen musikalischer Tradition er sich kreativ und liebevoll auseinandergesetzt hat.
		Der ehemalige Wiener Sängerknabe studierte an der Hochschule für Musik von 1957 bis 1963 Kontrabaß, Horn, elektronische Filmmusik and Tanz, sowie Komposition bei Alfred Uhl, Erwin Ratz and Hannes Jelinek.
		Der ehemalige Sängerknahe studierte an der Hochschule für Musik von 1957 bis 1963 Kontrabaß, Horn, elektronische Filmmusik and Tanz, sowie Komposition bei Alfred Und Erwin Ratz and Hannes Jelinek.
	www.classical-composers.org /comp/gruber (1419 words)

	Mahler—Symphony No. 6
		In 1963 a strange phenomenon occurred: the score of the critical edition of the International Mahler Society was published restoring the original order (though the parts remain to this day in Mahler's revised order).
		Since that time most conductors have followed the original order (Scheao-Andante), assuming that Mahler must have changed his mind back, as the editor Erwin Ratz suggests, though there is no hard evidence to support this.
		Naturally there has been a fierce controversy amongst scholars on this issue ever since.
	www.benjaminzander.com /news/detail.asp?id=159 (2601 words)

	Find Music -- Heilbrun Music & Media Library
		Use Complex Search to combine terms such as author and title.
		Finds Beethoven’s piano sonatas edited by Erwin Ratz.
		In Quick Search, use and when combining author with title.
	musicmedia.library.emory.edu /research/findmusic.html (917 words)

	Chapter Two (Site not responding. Last check: 2007-11-02)
		One especially frequent guest was Anton von Webern, who lived only a few steps away in the Neusiedlerstrasse.
		Other composers and members of the Kreis (circle) also visited from time to time, namely, Alban Berg, Alexander von Zemlinsky, Ernst Krenek, Rudolf Kolisch, Hanns Eisler, Max Deutsch, Erwin Ratz, and Josef Polnauer.
		On one occasion, the house was the setting for a meeting with Matthias Hauer, who had also invented an unconventional system for musical composition.
	schoenbergseuropeanfamily.org /AS3_Pages/AS3_Chap2.html (12842 words)

	Universal Edition, Inc. (G to Gn) from Universal Edition, Inc. at Music 44 (Page 1)
		Gesammelte Aufsatze Erwin Ratz Literature: Musicology - F.c.
		Product Code: UE026215-C UPC Code: 680160525836 Old Product Code: UE026215 Category: Universal Edition, Inc. Series: Universal Edition, Inc. (G to Gn) Grade: Literature: Musicology Publisher: Universal Edition, Inc. Composer: Erwin Ratz Arranger: F.c.
		Heller Author: Ratz Length x Width: 12 x 9 inches Shipping Weight: 3.44 pounds Add To Shopping Cart at next page >>>
	www.music44.com /X/category/P003019MK (907 words)

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