Factbites
 Where results make sense
About us   |   Why use us?   |   Reviews   |   PR   |   Contact us  

Topic: Estienne du Tertre


Related Topics

In the News (Thu 31 Dec 09)

  
  Estienne du Tertre - Wikipedia, the free encyclopedia
Estienne du Tertre (mid-16th century) was a French composer.
He is the man after whom the Place du Tertre in Paris, France is named.
Estienne du Tertre published suyttes de bransles in 1557, giving us the first use of the term, although the usual form of the time was as pairs of dances.
en.wikipedia.org /wiki/Estienne_du_Tertre   (152 words)

  
 Branle - Wikipedia, the free encyclopedia
The first Scottish branle has musical phrases of 2 bars, the second phrases of 2 and 3 bars.
Two examples of music called the Scottish Branle by Estienne du Tertre, however, appear in 3/4 time.
Furthermore, despite a similarity in structure for one of these branles, the precise choreography given by Arbeau could not be danced to this music even if the music were in 4/4.
en.wikipedia.org /wiki/Branle   (783 words)

  
 Estienne du Tertre   (Site not responding. Last check: 2007-10-23)
Estienne du Tertre (mid- 16th century) was a French composer.
He spent most of his in Paris and worked as an editor for publisher Attaingnant.
Axel Lille, List of economics articles, Swedish People´s Party, Emphasis (typography), Keel, Shellsort, Bow (weapon), Mohammed Ali, Mathematical theory, Aristotelian view of God, Constantine XI Palaeologus, Firmicutes, Estienne du Tertre, Notre Dame (disambiguation), Chartres, France, Neisseria, Leonidas Pyrgos, Austin sniper, Constantine XI of the Byzantine Empire, Microenvironment, J.
www.freeglossary.com /Estienne_du_Tertre   (487 words)

  
 Musical Forms - Suite
The practice of pairing dances goes back at least to the 14th century, but the earliest known groups called 'suite' are suyttes de bransles by Estienne du Tertre (1557).
The gigue enjoyed only scattered acceptance when it began to appear in suite formations after 1650, and at first it rarely assumed its classical position at the end.
Independence from dance forms means that the genre can be said to encompass works to which the title 'suite' was not given, including Schumann's piano cycles, Schönberg's Five Orchestral Pieces and Stockhausen's Momente.
w3.rz-berlin.mpg.de /cmp/g_suite.html   (638 words)

  
 Medieval & Renaissance Music Performance by Piffaro, The Renaissance Band - Philadelphia & Worldwide
Of them, the best-known come from the books of dance music produced by Attaingnant and his successors in Paris or Lyons: Claude Gervaise, Estienne Du Tertre, Jacques Moderne and the Le Roy and Ballard printing dynasty.
Of its various forms, distinguished by their manner of dancing and their phrase structure, the Bransles d'Escosse, published in one of Du Tertre's series, was a version which arrived in France in the 1550s via the court of Mary, Queen of Scots.
The Bransle de chevaux was classified by the dancing-master Thoinot Arbeau as one of the "mimed" (morgué) kinds, found particularly in court masquerades.
www.piffaro.com /pages/pages_discs/chansons.html   (1142 words)

  
 Program: Piffaro, The Renaissance Band
Estienne du Tertre Septieme livre de danceries, 1557 (bagpipes)
In similar fashion, the simple, anonymous tune that opened our concert, entitled "Une jeune fillette" in France and "La Monica" in Italy, served the playful imaginations of composers, particularly the French Eustace du Caurroy.
His fantasies on this borrowed tune, heard in the second half of our concert, are a tour de force of inventive instrumental writing around the tune, which is heard straightforwardly in the top line in three of the settings, and passed around the other voices in the remaining two.
www.houstonearlymusic.org /hemarchive/archive/9697/piffaro.htm   (2255 words)

  
 JR.com: Elisa is the fairest Queen / QuintEssential Ensemble, et al in Music: Classical:
This selection is part of a medley which shares track and timing with Du Tertre's "Galliard no 1", a second anonymous galliard from the Lumley books, another from Attaignant's second book of dances, and Gervaise's "Fin de Galliard".
This selection is part of a medley which shares track and timing with Du Tertre's "Galliard no 1", two anonymous galliards from the Lumley books, and Gervaise's "Fin de Galliard".
This selection is part of a medley which shares track and timing with Du Tertre's "Galliard no 1", two anonymous galliards from the Lumley books, and another from Attaignant's second book of dances.
www.jr.com /xs-elisa-is-the-fairest-queen-quintessential-ensemble-et-al-in--pi!3767268.html   (1235 words)

  
 HINDEMITH   (Site not responding. Last check: 2007-10-23)
Du bist mein - I am of thee
Chant de triomphe du roi David and Custos quid de nocte
Suite französischer Tänze from the "Livres de Danceries" of Claude Gervaise and Estienne du Tertre printed by Pierre d'Attaignant for Small Orchestra
www.jlhs.nhusd.k12.ca.us /VAPA/Ramiro/HINDEMITH.html   (2753 words)

  
 Medieval & Renaissance Music Discography
La renaissance de la messe = The Renaissance of the mass -- 2.
L'apogee du motet = The culmination of motet -- 3.
L'age d'or du madrigal = The golden age of madrigal.
libweb.uoregon.edu /music/Discographies/MedRen/medrendiscocollN-R.html   (2690 words)

  
 MD Article List
BRAGARD, Roger, “Le Speculum Musicae du Compilateur Jacques de Liége.
BRAGARD, Roger, “Le Speculum Musicae du Compilateur Jaques de Liége.
GÜNTHER, Ursula, “Zwei Balladen auf Betrand und Olivier du Guesclin” Musica Disciplina 22 (1968):15
www.corpusmusicae.com /md/md_art.htm   (7139 words)

  
 l'Open Tour Paris
It stops at : "Funiculaire de Montmartre", "Gare du Nord", "Gare de l'Est" and "Grands Boulevards".
Place du Carrousel (en face de la Pyramide du Louvre), Jardin des Tuileries
4, rue du Petit-Pont, Quartier Latin, Eglise Saint-Séverin, Musée de Cluny.
www.filfranck.com /open_tour_paris.htm   (672 words)

  
 Early music MIDIs
This book contains a number of pieces named after animals.
La Royne d'Escosse, pavane and gaillarde from Septieme Livre De Danceries, one of a set of books of dance music published by Estienne du Tertre, 1557.
Thought to be composed for (or possibly by) Mary, Queen of Scots.
standingstones.com /em_midi.html   (835 words)

  
 Research at the School of Music, Bangor
Ascent (revised version 1997) on ‘Cultures Electroniques 10’, Le chant du monde, (CD) LDC 278063/64
Time and Fire on ‘Cultures Electroniques 6’, Le chant du monde, (CD) LDC 278053/54
'Thematic Difference and Process in Brahms's Third Symphony: a Study in Cognitive Semiology' In: Analyse et création musicales: Actes du Troisieme Congrès Européen d'Analyse Musicale: Montpellier 1995 (Paris 2001) pp.
www.bangor.ac.uk /music/research   (3918 words)

  
 Ymchwil yn yr Ysgol Addysg, Bangor
Time and Fire ar ‘Cultures Electroniques 6’, Le chant du monde, (CD) LDC 278053/54
Arrivals ar ‘Cultures Electroniques 4’, Le chant du monde, (CD) LDC 278049/50
'Thematic Difference and Process in Brahms's Third Symphony: a Study in Cognitive Semiology' Yn: Analyse et création musicales: Actes du Troisieme Congrès Européen d'Analyse Musicale: Montpellier 1995 (Paris 2001) tt.
www.bangor.ac.uk /music/research/C_home.html   (4017 words)

  
 DDM Renaissance
Nicholas du Chemin's Moduli undecim festorum of 1554.
Une interprétation d'iconographie musicale dans le contexte historique et social du XVIe siècle dans le Nord de la France.
A Translation of Yvonne Rokseth's La musique d'orgue au XVe siècle et au début du XVIe Together with a Commentary.
theme.music.indiana.edu /ddm/DNrenaissance.html   (9822 words)

  
 JR.com: The Bach Guild - Instrumental Music of 1600 / Harnoncourt in Music: Classical:
Composer: Estienne du Tertre (16th Century) Period: Renaissance Form / Genre: Galliard
Recorded: 1961 Length - 0 min 40 sec Studio / Live: Studio Venue: Vienna, Austria
Composer: Eustace du Caurroy (1546 - 1609) Period: Renaissance Form / Genre: Fantasy
www.jr.com /xs-the-bach-guild-instrumental-music-of-1600-harnoncourt-in-music--pi!3978323.html   (671 words)

Try your search on: Qwika (all wikis)

Factbites
  About us   |   Why use us?   |   Reviews   |   Press   |   Contact us  
Copyright © 2005-2007 www.factbites.com Usage implies agreement with terms.