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| | Metropolis Feature: Returning to the Source |
 | | Neither is Sottsass Associati's vision for the Malpensa 2000 Airport in Milan, in which the usual conceits of airport interior design--the glass, the chrome, the implied hurried life--were bypassed, in favor of wood, stone, and terrazzo tile, materials more often associated with warmth and permanence. |
 | | The wall is bare except for two fl-and-white photographs--one, of his architect father, the late Ettore Sottsass Sr., in soft profile; the other, a tiny picture of a female nude--and they nicely sum up two lifelong preoccupations: the first, his heritage as an architect; the second, his extravagant love of women, all women. |
 | | Sottsass came back to architecture for his usual serendipitous reasons: "We were again lucky, because a very rich friend asked us to build a house." The friend in question was photography dealer Daniel Wolf. |
| www.metropolismag.com /html/content_0198/ja98sott.htm (3514 words) |
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