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| | Guardian | Eugene Onegin |
 | | Valery Gergiev and Kirov Opera sometimes seem to be engaged on a never-ending tour to rival Bob Dylan's, and the purpose of their flying visit to London this week was originally intended to be a concert performance of Glinka's rarely heard epic, A Life for the Tsar. |
 | | But even the fabled strength-in-depth of the company's vocal resources has its limits, it seems; when the two singers who were to take the main roles in the Glinka both fell ill, there were no replacements to be found readily and the performance had to be cancelled just two days beforehand. |
 | | Whether in the almost conversational, self-communing way in which she began the letter scene, and only gradually gave in to her own bursting emotions, or the noble restraint with which she rebuffed Onegin in the last act, this was a performer already inhabiting the role completely. |
| www.guardian.co.uk /print/0,3858,4675303-110430,00.html (366 words) |
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