| |
| | Brian Kim Stefans: Eunoia |
 | | In the "i" chapter, he is the smug and sarcastic mad scientist while in the "a" chapter, absent the "i" but having access to a welter of nouns, he adopts an omniscient, allusive approach, cleverly dismissing both Kant (for his transcendental ego) and Marx (for his materialist dialectics) in the process. |
 | | Indeed, Bök was very careful to make "Eunoia" a work of literary quality in a conventional sense; he denies himself a plethora of avant-garde tactics such as parataxis, fragmentation, and visual poetics, that would have made his pursuit easier. |
 | | But it is "Eunoia," with its readability and extreme method, that poses the largest questions for poetry, both of the "avant-garde" and more lyrical variety. |
| bostonreview.net /BR27.3/stefans.html (1358 words) |
|