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| | ") newWindow.document.write([Title]) newWindow.document.write(": ") newWindow.document.write([Name]) ... |
 | | From the “tautology”-types film on the one edge and Maya Darren—type film on the other, I feel myself to be somewhere more in the sphere of Maya Darren part, but with an effort to compose the story by not losing the other segments, allusions, and dimensions of the historical, cultural, or just psychological context completely. |
 | | When you see Dusi in the film you may experience the same ambivalent feelings—some which are hard to give voice to, but most of the time one is hooked on the film’s time handing—and we all know its about death. |
 | | It’s the same with the films and there where the music comes in as a very certain element of this texture, bridges the gap, gives an emotional float, and sometimes it is the opera singer’s voice, the main hero’s voice, or feelings and emotions. |
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